Who's Camus Anyway? (2005)




Critic Consensus: No consensus yet.

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Movie Info

The Japanese film Who's Camus Anyway concerns a group of Tokyo college students who attempt to make a feature film called "The Bored Murderer." The film charts how the process affects everybody involved in a variety of ways.

Rating: Unrated
Genre: Drama, Television, Art House & International, Special Interest
Directed By:
Written By: Mitsuo Yanagimachi
On DVD: Dec 26, 2006
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Critic Reviews for Who's Camus Anyway?

All Critics (8) | Top Critics (2)

Energy and comedy are in large supply in writer-director Mitsuo Yanagimachi's Who's Camus Anyway?, yet another riff on the levels of reality that occur when a cast and crew make a movie.

May 20, 2005
Hollywood Reporter
Top Critic

Full Review… | February 23, 2012
Top Critic

While it's chock full of film references, colorful characters, and social eccentricities, its true sophistication emerges gradually, posing complex questions about the roles of fantasy, identity, and volition in modern life.

Full Review… | November 1, 2006

Yanagimachi's inventive film about a collegiate film school project contains tangled webs of melodramatic fun along with moments of self-reflection

Full Review… | August 22, 2006
Old School Reviews

The Japanese propensity for faithful imitation is the focus of Yanagimachi's film, and, most of all, the imitation of life through the cinema.

Full Review… | March 24, 2006
Not Coming to a Theater Near You

Imagine stapling a Hitchcock coda to "Deuce Bigalow, Male Gigolo," and you're halfway there.

| January 19, 2006

Audience Reviews for Who's Camus Anyway?


great fun for cinephiles

Stella Dallas

Super Reviewer


I was really dreading watching this because I hate making-a-film films, and especially the idea of a making-a-student-film film. Basically its a remake of Day for Night, but it's Truffaut's The Story of Adele H. (a much greater film than Day for Night) that the movie constantly makes reference to. Why remake Truffaut's lightest film while drawing all inspiration from his darkest film? It's a highly unsettling juxtaposition and just one of the many examples of this film's extraordinary intelligence. And the ending is the scariest sequence I've seen in a long time. One of the great films of the decade.

GringoTex Johnson

Gripping story about Japanese film students making a movie. Where does the movie end and reality take over?

Michael W

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