Who's Your Caddy? (2007)
Runtime: 1 hr 33 mins
Genre: Comedies
Starring: Antwan "Big Boi" Patton, Lil Wayne, Andy Milonakis, Faizon Love, Terry Crews
Screenwriter: Bradley Allenstein, Robert Henny, Don Michael Paul
Producer: Christopher Eberts, Tracey E. Edmonds, Kia Jam, Arnold Rifkin
Composer: Jon Lee
Buy It On DVD
Reviews
Who's Your Caddy? is the sort of film Homer Simpson might watch, perhaps on a triple bill with Hail to the Chimp and The School of Hard Knockers.
The players appear to be having a good time, though the situation is too sitcom-familiar to be funny.
Replays the same underdog outsiders-vs.-Establishment snobs scenario found in a million earlier stories about hillbillies in Beverly Hills, nerds on campus, Marx Brothers at the opera and so on.
Operates in broad, one-note, stereotyped lowest common denominator strokes that yield very little in the way of funny.
About the best that can be said for this clunky mixture of tired stereotypes, obvious gags, and on-the-nose social commentary is that it's relatively short, clocking in just less than 90 minutes.
I don't know how screenwriters could turn out this rip-off of "Caddyshack" and not get sued.
There are two clues that this movie will be worthless: 1) The premise is old and tired; 2) It's called 'Who's Your Caddy?'
...let us call the completely dreadful Caddyshack II the Glitter of golf cinema, leaving Who's Your Caddy to be its From Justin to Kelly.
There’s probably more wit and pointed social commentary in the average four-minute OutKast song than in the entirety of Who's Your Caddy?
C-Note is essentially a one-note character. And that note is flat.
A fiasco that never met a crass stereotype it didn't milk for lowest-common-denominator laughs.
A subpar attempt to bring a hip-hop twist to Caddyshack-style slobs-versus-snobs comedy.
The movie decides, after 30 minutes of black people clowning like it's 1939, to be a melodrama about injustice and, sigh, redemption.
A summer movie trifle that's somehow shamelessly derivative and genuinely amusing at the same time.
The latest entry in the storied 'white people are like this, black people are like that' comedy subgenre.
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