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The Wind That Shakes the Barley (2007)
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Reviews Counted:108
Fresh:95
Rotten:13
Average Rating:7.6/10
Consensus: Bleak and uncompromising, but director Ken Loach brightens his film with gorgeous cinematography and tight pacing, and features a fine performance from Cillian Murphy.
Rated: PG-13 [See Full Rating] for crude and sexual humor, language, a comic violent image and some drug references
Runtime: 2 hrs 7 mins
Genre: Dramas
Theatrical Release:Mar 16, 2007 Limited
Box Office: $1,779,320
Synopsis: Set in 1916 in Ireland, THE WIND THAT SHAKES THE BARLEY is the story of Damien (Cillain Murphy), a young Irishman about to fulfill his lifelong dream of becoming a doctor. When his friend is... Set in 1916 in Ireland, THE WIND THAT SHAKES THE BARLEY is the story of Damien (Cillain Murphy), a young Irishman about to fulfill his lifelong dream of becoming a doctor. When his friend is brutally murdered for standing up to a band of British soldiers, Damien abandons his medical career and joins his brother Teddy (Padraic Delany) in the fight for freedom. Small guerrilla groups of Irish farmers begin to wage bloody attacks, forcing the government to negotiate a ceasefire. The Anglo-Irish Peace Treaty is offered, but it puts Teddy and Damien at odds. Teddy believes they should accept the treaty and try to work within the system to avoid further bloodshed, while Damien thinks they should continue to fight until they are completely free of British rule. Whereas the two brothers used to fight side by side, they now find themselves divided, and forced to choose between their familial bond and their ardent beliefs. Murphy and Delany both give standout performances as the battling brothers. Murphy flashes his otherworldly blue eyes and conveys his character's fierce intellect, as well as the deep sadness of his struggle. Delany, for his part, tries to come off as all brawn and bravery, but cannot conceal his sensitive heart--his face glows with rage one minute, then crumples into sorrow the next. Director Ken Loach, who won the Palme d'Or for the film, has created a deeply personal war story, with an attention to detail that is heartbreaking in its realism. The sight of the young men training for battle with hurley bats instead of rifles will make the viewer gasp at the disparity between the warring sides. While some might flinch at the graphic violence depicted, the film stands strong as a raw, human portrait of a deeply troubled moment in history. [More]
Starring: Cillian Murphy, Liam Cunningham, William Ruane, Gerard Kearney
Starring: Cillian Murphy, Liam Cunningham, William Ruane, Gerard Kearney, Padraic Delaney, Roger Allam, Orla Fitzgerald
Director: Ken Loach
Director: Ken Loach
Screenwriter: Paul Laverty
Producer: Rebecca O'Brien
Composer: George Fenton
Studio: Paramount Pictures
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Reviews for The Wind That Shakes the Barley
A bold attempt to convey a complex situation that captures the anger and tensions of early-20th century Ireland, but falls strangely short on human drama.
Beautifully made it may be, but The Wind is a movie that engages the head while never troubling the heart.
[The film] lacks the involving sweep of Loach's earlier historical-political yarn, Land and Freedom.
'The Wind That Shakes the Barley' descends to more Old Sod cinecliché than Titanic's belowdecks.
Pickings must have been pretty slim at Cannes last year because Barley isn't much of a standout piece.
As a document of the shape of political thought, the film is successful; but as a living, beating heart about a populace living through a time of upheaval and confusion, it's mediocre.
As frequently happens in both Loach films and history, the betrayal of ideals, socialist and otherwise, leaves a harsh aftertaste, which made me feel sadder but not much wiser.
This dramatization of Ireland’s early struggles for independence falls short of a certain originality or flair.
This history lesson about Ireland's struggle for independence diffuses the drama under the weight of detail, length and commitment to a one-sided agenda.
Will only satisfy anyone whose preferred source of entertainment is watching A&E.
The film increasingly short-changes the personal for the sake of the political, despite powerful scenes and another impressive performance from Cillian Murphy.
An earnest, handsomely shot and often effective, if overly schematic, drama in the service of a political message.
... the history presented in “The Wind That Shakes the Barley” hardly feels like a closed book or a museum display. It is as alive and as troubling as anything on the evening news, though far more thoughtful and beautiful.
This is a classic example of [director Ken] Loach's work with his longtime screenwriting partner Paul Laverty, meaning that it blends colorful scenery with meticulously rendered sociology, straightforward family drama and tendentious political debate.
Ultimately, Barley is the antithesis of a feel-good entertainment -- but it is to be commended for its unflinching seriousness.
A human drama about two brothers that, though questioning our notions of right and wrong, loses its poignancy because of its political sermonizing.
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