A plain-spoken film of true grit that tells the dishonorable heartbreak of war like it is. A gem of filmic honesty in an entertainment world obsessed with heroic actions and simple solutions.
The Wind That Shakes the Barley (2007)
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Reviews Counted:108
Fresh:95
Rotten:13
Average Rating:7.6/10
Consensus: Bleak and uncompromising, but director Ken Loach brightens his film with gorgeous cinematography and tight pacing, and features a fine performance from Cillian Murphy.
Rated: PG-13 [See Full Rating] for crude and sexual humor, language, a comic violent image and some drug references
Runtime: 2 hrs 7 mins
Genre: Dramas
Theatrical Release:Mar 16, 2007 Limited
Box Office: $1,779,320
Synopsis: Set in 1916 in Ireland, THE WIND THAT SHAKES THE BARLEY is the story of Damien (Cillain Murphy), a young Irishman about to fulfill his lifelong dream of becoming a doctor. When his friend is... Set in 1916 in Ireland, THE WIND THAT SHAKES THE BARLEY is the story of Damien (Cillain Murphy), a young Irishman about to fulfill his lifelong dream of becoming a doctor. When his friend is brutally murdered for standing up to a band of British soldiers, Damien abandons his medical career and joins his brother Teddy (Padraic Delany) in the fight for freedom. Small guerrilla groups of Irish farmers begin to wage bloody attacks, forcing the government to negotiate a ceasefire. The Anglo-Irish Peace Treaty is offered, but it puts Teddy and Damien at odds. Teddy believes they should accept the treaty and try to work within the system to avoid further bloodshed, while Damien thinks they should continue to fight until they are completely free of British rule. Whereas the two brothers used to fight side by side, they now find themselves divided, and forced to choose between their familial bond and their ardent beliefs. Murphy and Delany both give standout performances as the battling brothers. Murphy flashes his otherworldly blue eyes and conveys his character's fierce intellect, as well as the deep sadness of his struggle. Delany, for his part, tries to come off as all brawn and bravery, but cannot conceal his sensitive heart--his face glows with rage one minute, then crumples into sorrow the next. Director Ken Loach, who won the Palme d'Or for the film, has created a deeply personal war story, with an attention to detail that is heartbreaking in its realism. The sight of the young men training for battle with hurley bats instead of rifles will make the viewer gasp at the disparity between the warring sides. While some might flinch at the graphic violence depicted, the film stands strong as a raw, human portrait of a deeply troubled moment in history. [More]
Starring: Cillian Murphy, Liam Cunningham, William Ruane, Gerard Kearney
Starring: Cillian Murphy, Liam Cunningham, William Ruane, Gerard Kearney, Padraic Delaney, Roger Allam, Orla Fitzgerald
Director: Ken Loach
Director: Ken Loach
Screenwriter: Paul Laverty
Producer: Rebecca O'Brien
Composer: George Fenton
Studio: Paramount Pictures
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Reviews for The Wind That Shakes the Barley
The ferocity of [director Ken] Loach's moral wrath carries the movie, makes it ignite on screen -- at least, until he tries to dramatize the fatal split of Ireland through Damien and Teddy, the brothers in arms.
...an action-packed, psychologically violent film that captures the little known history of the Irish fight for independence.
As a document of the shape of political thought, the film is successful; but as a living, beating heart about a populace living through a time of upheaval and confusion, it's mediocre.
Refusing the standard flourishes of Irish wildness or lyricism, Loach has made a film for our moment, a time of bewildering internecine warfare.
Ultimately, Barley is the antithesis of a feel-good entertainment -- but it is to be commended for its unflinching seriousness.
A dramatic interpretation of the Irish war of independence that is relevant to today's world. The lesson is that unless you confront the rich at home and abroad, true freedom will not be achieved.
This history lesson about Ireland's struggle for independence diffuses the drama under the weight of detail, length and commitment to a one-sided agenda.
The film is an exceptional work of vigorous cinematic art filled with dynamic performances by its all-Irish cast. At 70, Ken Loach is as steadfast a filmmaker as ever.
The Irish dialogue is sometimes difficult to understand butthis is a good primer on the Irish rebellion of 1920 againstBritish occupation.
It's not a great movie and perhaps not even one of Loach's best, but it is a solidly made, deeply felt drama that delves into the history surrounding this conflict with a relatively clear eye
Loach has made a film of uncompromising, wintry bleakness, haunted by death and ravaged ideals. The days of hope have never been shorter.
An earnest, handsomely shot and often effective, if overly schematic, drama in the service of a political message.
You'll get a buzz out of the sensitive filmmaking, superb, naturalistic performances with touches of improv, and a sense of outrage that informs the film's mood.
I liked the way Loach let his camera run when his actors flubbed lines, but beyond that, Barley is no Golden Palm winner.
Two or three scenes manage a forceful, punch-in-the-gut quality that wholly crystallizes the clear-minded sense of purpose that Loach strives for throughout.
Director Ken Loach has courageously put death, destruction and discourse all over the screen, succeeding best in the atrocities and coming up short in the scenes of political idealism.
The film increasingly short-changes the personal for the sake of the political, despite powerful scenes and another impressive performance from Cillian Murphy.
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