The Navajos deserve better.
Windtalkers (2002)
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Reviews Counted:165
Fresh:54
Rotten:111
Average Rating:5.1/10
Consensus: The action sequences are expertly staged. Windtalkers, however, sinks under too many clichés and only superficially touches upon the story of the code talkers.
Rated: R [See Full Rating] for pervasive graphic war violence, and for language
Runtime: 2 hrs 34 mins
Genre: Dramas
Theatrical Release:Jun 14, 2002 Wide
Box Office: $40,531,308
Synopsis: WINDTALKERS begins quietly--with widescreen aerial shots of clouds that gradually clear to reveal the beautiful mesas of Monument Valley. A bus collects Navajo volunteers Ben Yahzee (Adam Beach)... WINDTALKERS begins quietly--with widescreen aerial shots of clouds that gradually clear to reveal the beautiful mesas of Monument Valley. A bus collects Navajo volunteers Ben Yahzee (Adam Beach) and Charlie Whitehorse (Roger Willie). It's 1943, and the U.S. has developed an indecipherable secret military code based on the Navajo language. Yahzee and Whitehorse are to be trained as code talkers. Then John Woo's Pacific war film erupts into violence, with a savage battle that has one survivor, Joe Enders (Nicolas Cage). Badly wounded and feeling guilty at the loss of his companions, Joe recuperates in Hawaii where he is helped by a sympathetic nurse (Frances O'Connor). Joe disguises his hearing loss and he is promoted as Yahzee's battlefield bodyguard. Ordered to "protect the code at all times," Joe must prevent Yahzee from being captured. At first, Yahzee and Whitehorse, whose bodyguard is Ox Henderson (Christian Slater), are subjected to prejudice--particularly from Rogers (Noah Emmerich). But when the unit is shipped to Saipan, the Marines begin to appreciate the code talkers. Director Woo has created a powerful drama. The visceral battle sequences are strikingly filmed and there is fine acting from Cage, Beach, Willie, Slater, Emmerich, and Frances O'Connor, who portrays the poignancy of love in uncertain times. [More]
Starring: Nicolas Cage, Adam Beach, Christian Slater, Peter Stormare
Starring: Nicolas Cage, Adam Beach, Christian Slater, Peter Stormare, Noah Emmerich, Mark Ruffalo, Brian Van Holt, Roger Willie, Frances O'Connor
Director: John Woo
Director: John Woo
Screenwriter: John Rice, Joe Batteer
Producer: John Woo, Terence Chang, Tracie Graham, Alison Rosenzweig
Composer: James Horner
Studio: MGM/UA
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Reviews for Windtalkers
Woo has as much right to make a huge action sequence as any director, but how long will filmmakers copy the “Saving Private Ryan” battle scenes before realizing Steven Spielberg got it right the first time?
While the effectiveness of the code is shown ... the focus is put on the coordinates sent rather than the language used to relay them
Some of the most ravaging, gut-wrenching, frightening war scenes since "Saving Private Ryan" have been recreated by John Woo in this little-known story of Native Americans and their role in the second great war.
Woo has become only the latest director ripping off the "John Woo Film"
Are we so deeply immersed in guilt for not telling the code-talkers' story sooner that we should pretend that Windtalkers' facile melodrama doesn't belittle their efforts?
...if you, like me, think an action film disguised as a war tribute is disgusting to begin with, then you're in for a painful ride.
...as lyrical as it is dunderheaded--whiplashing from brilliance to banality and then back again...
Isn't quite the equal of Woo's best earlier work, but it's easily his finest American film...comes close to recapturing the brilliance of his Hong Kong films.
At once chintzy and grandiose, awash in battlefield sentimentality and platoon clichés.
A wholly unremarkable, cookie cutter war film with a few nuggets of conspicuously modern screenwriting thrown in.
Woo has found a powerful way to tell a war story that, from a moral as well as a historical standpoint, very much needs to be told.
This film proves that more is needed than visceral displays of battle carnage, digitally amplified gunfire and explosions, and a camera that won't keep still.
There is little to be done with John Rice and Joe Batteer's cliché-ridden script, which falls back time and time again on the conventions of the film's genre.
Woo simply seems lost in all the emotional claptrap, war movie cliches, cornball dialog and mumbo jumbo about bravery and patriotism.
... eschews story in favor of pyrotechnics and eschews Navajos in favor of star power. This should have been the Navajos' picture, not Cage's.
Woo brings an electrifying sense of claustrophobic chaos to the battle scenes.
There isn't much that separates "Windtalkers" from crap like "Rambo."
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