The performances are excellent...
Winter Solstice (2005)
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Reviews Counted:78
Fresh:48
Rotten:30
Average Rating:6.4/10
Consensus: A deliberately paced, realistic portrait of a family's grief and healing.
Theatrical Release:Apr 8, 2005 Limited
Box Office: $245,785
Synopsis: In this solemn family film about three men sharing a broken household, Jim (Anthony LaPaglia) stars as a father just trying to keep it all together. His sons Pete and Gabe (Mark Webber and Aaron... In this solemn family film about three men sharing a broken household, Jim (Anthony LaPaglia) stars as a father just trying to keep it all together. His sons Pete and Gabe (Mark Webber and Aaron Stanford) resent him, unable to escape the memory of their late mother. Change comes in the form of a sunny housesitter (Allison Janney) who romances Jim, making it okay for Gabe to set out on his own and for Pete to rely on his dad as he struggles with some deep-seated rebellion issues. This film screened in New York City's Tribeca Film Festival in 2004. [More]
Starring: Anthony LaPaglia, Aaron Stanford, Mark Webber, Allison Janney
Starring: Anthony LaPaglia, Aaron Stanford, Mark Webber, Allison Janney
Director: Josh Sternfeld
Director: Josh Sternfeld
Screenwriter: Josh Sternfeld
Producer: John M. Limotte, Doug Bernheim
Studio: Paramount Classics
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Reviews for Winter Solstice
This kind of conceptual and directorial control isn't as easy to accomplish as it might look, and it's particularly welcome in this era of overheated hysteria, both on the screen and off.
Granted, we're not wild about hams who try to flood the theater with emotion, but having them bottle up everything while they stand around looking gloomy isn't the answer, either.
The atmosphere of awkward, wounded retreat in the Winters house comes through in Josh Sternfeld's tentative, earnest dialogue and in the quiet, unadorned way the movie is shot.
What elevates the film from the mundanity of the character arcs -- if you can call them that -- are the numerous moments of silence.
This is minimalist filmmaking at its finest -- beautifully acted, dramatically fulfilling, often funny and achingly true.
A lovely, quiet drama that slowly unravels layers of pain and frustration.
What's missing is any real drama--there's no protagonist/antagonist conflict..; there's little fresh in the observations of mourning and the perennial parent/child tug-of-war.
Not the most compelling or immediately satisfying storytelling, but it's intriguingly real.
Director Sternfeld's sense of drama is so underdeveloped that he pretends swirling characters in inert tornadoes of grief is enough for a coherent plot.
We learn little about the characters other than that they're bored and restless.
Set in New Jersey and it plays like a minor Springsteen song -- work, yearning, misunderstanding, a crummy car, moving on.
The characters interact through lowered gazes, the shuffling of feet, the semi-grunted, 'hey,' of greeting followed by a responding 'hey.'
An exquisite and sublime experience that speaks to us with an honesty and a subtle power that is rarely captured on film.
The movie is not plot-driven, for which we must be thankful, because to force their feelings into a plot would be a form of cruelty. The whole point is that these lives have no plot.
Writer/director Josh Sternfeld has a feel for life's little interactions -- the moments before or after Big Things Happen, otherwise known as: most of the time.
[A] wise, perceptive film about loss and recovery that... recognizes that... this is a very personal process that everyone muddles through in his or her own way.
A quivering portrait of a grief-stricken family, all male, after the loss of a wife and mom.
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