The even pacing and attention to character detail is what makes that harrowing second half so effective.
Wolf Creek (2005)
Tomatometer
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Reviews Counted:105
Fresh:56
Rotten:49
Average Rating:5.5/10
Consensus: Though Wolf Creek is effectively horrific, it is still tasteless exploitation.
Theatrical Release:Dec 25, 2005 Wide
Box Office: $15,948,074
Synopsis: It was supposed to be the vacation of a lifetime in the Australian Outback full of fun, sun and adventure. But what happened to a trio of twenty-something backpackers took a wrenching detour... It was supposed to be the vacation of a lifetime in the Australian Outback full of fun, sun and adventure. But what happened to a trio of twenty-something backpackers took a wrenching detour into the depths of unrelenting terror. Based on true events, WOLF CREEK is the haunting story of their unthinkable ordeal a mounting white-knuckle nightmare so real it was destined to become horror legend. WOLF CREEK is a startlingly intense motion picture experience of rapidly escalating dread and suspense. At the 2005 Sundance Film Festival, the film written and directed by Melbourne's Greg McLean was acclaimed as a daring, original blend of visually hypnotic thriller with unbearably scary movie. The chillingly believable events begin as freewheeling, college-aged pals Liz (Cassandra Magrath), Kristy (Kestie Morassi) and Ben (Nathan Phillips) head out for a holiday hike in stunning Wolf Creek National Park to see its mysterious meteor crater. When they return, their car wont start. Trapped in the vast emptiness of the wilderness all they can do is wait for rescue. Luckily, as night falls, along comes colorful local bushman Mick (John Jarratt) and his massive truck, offering a tow to safety. But as the sun comes up the next morning, it becomes shockingly apparent that Mick has no intention of fixing their car or letting them leave the Outback...ever again. As Liz, Kristy and Ben search for any conceivable way out, WOLF CREEK plunges towards an unforgettable climax. --© The Weinstein Company [More]
Starring: John Jarratt, Nathan Phillips, Cassandra Magrath, Kestie Morassi
Starring: John Jarratt, Nathan Phillips, Cassandra Magrath, Kestie Morassi
Director: Greg McLean
Director: Greg McLean
Screenwriter: Greg McLean
Producer: Greg McLean, David Lightfoot
Composer: Francois Tetaz
Studio: Weinstein Company
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Reviews for Wolf Creek
There's no suspense, really, and the movie is carelessly vague about the victims, who have as much personality as lambs lining up for the slaughter.
The four actors fit into their respective roles nicely, though in the case of Jarrat's bushman Mick, nice isn't quite the right word.
What is the point, other than to show up the director's technical skill at presenting mutilation?
Killers don't need motivation anymore, just opportunity. And despite game efforts to throw us off the scene, to surprise us into who will live and tell the tale, there aren't any surprises.
Jarrat's jolly-creepy performance might place Mick in the pantheon of great movie killers.
Just because Dimension considered Greg McLean's nasty exploitation flick worthy of their time and money doesn't mean it deserves yours.
As the situation grows more dire, and the film turns the screws, you remain thoroughly invested in the plight of its protagonists, because McLean has taken the time to make you care about each of his three main characters.
An initially promising horror film that turns exploitive, Wolf Creek fails to deliver the requisite payoff considering its leisurely pace.
You want to close your eyes but can't -- a sure sign the horror is working.
Wolf provides some scares, but the audience is the biggest victim of all.
As a purely visceral -- in both senses of the word -- exercise, Australian import Wolf Creek is extremely effective.
Writer/director Greg McLean shows a deft hand setting up the audience and terrorizing us, but doesn't do it enough or early enough in the film.
The movie descends into a pool of bloody entrails, with lurid and sadistic killings that are more likely to nauseate than entertain.
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