Suna no Onna (Woman in the Dunes) Reviews

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Top Critic
Mark Chalon Smith
Los Angeles Times
March 4, 2013
Teshigahara's direction and Segawa's camera-work often render the mundane startling and new, a claim that only good films can make.
Full Review | Original Score: 4/5
Top Critic
Roger Ebert
Chicago Sun-Times
January 1, 2000
More than almost any other film I can think of, Woman in the Dunes' uses visuals to create a tangible texture -- of sand, of skin, of water seeping into sand and changing its nature.
Full Review | Original Score: 4/4
Anton Bitel
Eye for Film
August 16, 2007
As beguiling, enigmatic and timeless as the shifting sands, Teshigahara's finest film pulls the viewer in and refuses to let go.
Rob Mackie
Guardian
March 4, 2013
This is like some weird dream.
Full Review | Original Score: 4/5
Dennis Schwartz
Ozus' World Movie Reviews
August 10, 2004
It's an offbeat tale involving an erotic love affair and a philosophical question about the meaning of existence.
Full Review | Original Score: B
Robin Clifford
Reeling Reviews
October 8, 2004
| Original Score: 5/5
Dan Jardine
Cinemania
March 12, 2006
A promotional video for the Albert Camus Summer Camp
Top Critic
Michael Wilmington
Chicago Tribune
March 4, 2013
In stunningly composed images by Teshigahara and cinematographer Hiroshi Segawa, that eroticism becomes overwhelming.
Full Review | Original Score: 4/4
Michael W. Phillips, Jr.
Goatdog's Movies
March 10, 2002
One of the most beautiful black and white films ever made.
Full Review | Original Score: 4/5
Chris Cabin
Filmcritic.com
September 4, 2004
Woman in the Dunes shares its bloodstream with the likes of Sartre and Samuel Beckett in its existential bartering over the beginning and end of life.
Full Review | Original Score: 4/5
Carol Cling
Las Vegas Review-Journal
January 23, 2004
| Original Score: 5/5
John A. Nesbit
Old School Reviews
July 28, 2003
sensual camerawork that captures waves of sand more intimately than Lawrence of Arabia and lovingly wraps around the bodies of its protagonists.
Full Review | Original Score: B+
Derek Smith
Apollo Guide
October 25, 2003
Hiroshi Teshigahara's carefully constructed direction bring the characters to life in a way that makes us both sympathize and identify with their situation.
Full Review | Original Score: 93/100
Ken Hanke
Mountain Xpress (Asheville, NC)
August 1, 2007
If any piece of art-house cinema can be called an essential, this mesmerizing, haunting work can.
Full Review | Original Score: 5/5
Tom Dawson
BBC.com
July 3, 2004
Teshigahara's creative background was in Japan's avant-garde arts scene, and there's a powerful expressiveness to the film's black-and-white cinematography.
Full Review | Original Score: 4/5
March 4, 2013
An important contribution to the avant-garde, this existential thriller offers an allegorical take on the cruel and twisted universe in which we live.
Marjorie Baumgarten
Austin Chronicle
March 10, 2003
This Japanese classic, which was written by Kobo Abe and based on his novel, is an existential parable and it is filmed in such a way that suits the themes.
Top Critic
Bosley Crowther
New York Times
May 20, 2003
A strongly allegorical, strangely engrossing film.
Full Review | Original Score: 4/5
Emanuel Levy
EmanuelLevy.Com
April 12, 2007
A popular art house film of the 1960s, this allegorical tale holds up extremely well, perhaps due to its hypnotic visuals and intense stylization. Hiroshi Teshigahara became the first Japanese filmmaker to be nominated for the Best Director Oscar
Full Review | Original Score: A
Top Critic
Kevin Thomas
Los Angeles Times
March 4, 2013
Woman in the Dunes remains a masterpiece, a timeless contemplation of life's essential mystery and a triumph of bold, innovative style.
Full Review | Original Score: 5/5
Top Critic

Time Out
January 26, 2006
Filmed with a palpable physicality that remains extraordinary.
Top Critic

Variety
August 19, 2008
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