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Movies / On DVD / Woman on Top
Woman on Top

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Woman on Top (2000)

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Reviews Counted:93

Fresh:33

Rotten:60

Average Rating:4.8/10

Consensus: Despite Penelope Cruz's beauty and charm, the movie is too tepid to be a romance and too silly to be believable. And the movie is too eager to please with an ending that seems more like a cop out.

Runtime: 1 hr 48 mins

Genre: Comedies

Box Office: $2,008,191

Synopsis: Isabella (Cruz) and Toninho (Benício) are blissfully happy living in a port city in Bahia, on the northeastern coast of Brazil. Isabella loves Toninho madly, and she stirs his passions with meals... Isabella (Cruz) and Toninho (Benício) are blissfully happy living in a port city in Bahia, on the northeastern coast of Brazil. Isabella loves Toninho madly, and she stirs his passions with meals that she has learned to cook with native spices, natural herbs, local ingredients and a magic all her own that turns them into extraordinary gifts to the senses.

But Toninho (pronounced To-nee-nyo) and Isabella run a restaurant where her culinary arts are hidden in the kitchen, while his musical talents and personal charm are on display in the dining room nightly. Still, Isabella can live with his ego - so long as Toninho can live with her little affliction: she is subject to terrible motion sickness. She must drive when they take the car out; she must walk when he would rather take the elevator; she must lead when they dance. And when they make love, she must be on top.

A man’s ego can only stand so much, and Toninho’s finally gets the better of his good judgment. When Isabella catches him with another woman, she is inconsolable. She impulsively packs her belongings and flies off (airsick all the way) to the United States, to live with her friend Monica (Perrineau, Jr.).

Isabella's closest chum since childhood, Monica is a high-spirited transvestite who has established her own lifestyle in San Francisco, and is resolved to help Isabella do the same. But first, Isabella needs a job, and even with her unique culinary skills, becoming a chef in a strange new city is not easy.

Second, and more difficult still, she must stop pining for Toninho. Turning to the traditional ways of Candombl (the Bahian version of Santeria), she appeals to Yemanja - goddess of the sea, and a compassionate ally in matters of the heart. Isabella prepares an offering, takes it to the sea shore, and begs the deity to erase forever her love for her philandering husband. The very next day, Isabella feels like a new woman - free, and possessed of a magical, mesmerizing allure.

Isabella has found part time work as a cooking instructor at an adult education program. One day, Cliff (Feuerstein), an ambitious young television producer, catches wind of one of her homemade delicacies, catches sight of her beauty, and falls in love with her. Inspired by her radiance, he has an idea: he will make Isabella the star of her own nightly cooking program and, in the process of running her career, maybe he can have some influence on the rest of her life - by including himself in it. Isabella’s blend of exotic sensuality and culinary skills makes the show an instant sensation. “Passion Food Live” becomes the talk of San Francisco, and soon enough the national network people take notice.

But all is not as rosy as it seems. The penitent Toninho has abandoned his restaurant to chase after his wife, and has inserted himself - along with a traveling band of Bahian troubadours - as the wildly popular musical accompaniment on Isabella's show. And Cliff, fueled by his ambitions, gradually begins to wrest control of "Passion Food" away from its star. In the midst of all her success, Isabella is miserable: she has forsaken the true love that had once made her feel whole, and has lost control of her own life once again.

Eager to reclaim her vanished passion, Isabella seeks help from her guardian goddess, Yamaga, and friend Monica. But she soon discovers, the path to happiness must be discovered by her alone.

Set to the intoxicating rhythms of Brazilian music and filled with color, food, passion, and magic, WOMAN ON TOP is a sexy comedy about making relationships more delicious. [More]

Starring: Penélope Cruz, Murilo Benicio, Harold Perrineau, Mark Feuerstein

Starring: Penélope Cruz, Murilo Benicio, Harold Perrineau, Mark Feuerstein, John DeLancie

Director: Fina Torres

Director: Fina Torres
Screenwriter: Vera Blasi
Producer: Alan Poul
Composer: Luis Bacalov

[See More Credits]

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Release:

Feb 13, 2001

No Details Exist
 
 

Reviews for Woman on Top

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1 - 20 (sorted by critic A-Z)
Text View | 1 2 3 4 5 6 >> >|
Arrange By:Fresh | Rotten | Comments | Name | Source | Date
 
 

Attains a rarified air of fantasy that may not be wholly uncalculated, but with Cruz at its center is certainly watchable.

Full Review Source: Newsday | comment Comment
01/01/00
John Anderson
John Anderson
Newsday
Top Critic Icon Top Critic

The filmmaker does not have the subtlest of touches.

comment Comment
01/01/00
Todd Anthony
Todd Anthony
South Florida Sun-Sentinel

Its whimsicality is forced, its attempts at cross-cultural humor are tired, and some of the acting is flat-out terrible.

Full Review Source: Reel.com | comment Comment
01/01/00
Rod Armstrong
Rod Armstrong
Reel.com

The combination of food, sex, giddy Latin American mysticism and fast-rising Spanish star Penelope Cruz is a formidable one, and the movie is darn hard to resist.

Full Review Source: Seattle Post-Intelligencer | comment Comment
01/01/00
William Arnold
William Arnold
Seattle Post-Intelligencer

Hopefully, somebody soon -- maybe Billy Bob Thornton with the upcoming All the Pretty Horses -- will give this girl a real movie.

Full Review Source: Mr. Showbiz | comment Comment
01/01/00
Michael Atkinson
Michael Atkinson
Mr. Showbiz
Top Critic Icon Top Critic

Woman on Top is a film that quite literally cooks -- but only when Penélope Cruz is in the kitchen.

Full Review Source: culturevulture.net | comment Comment
01/01/00
Bob Aulert
Bob Aulert
culturevulture.net

The film is something of a subtle accomplishment -- a commingling of froth, sensuality and moral awareness that somehow works.

Full Review Source: Sacramento Bee | comment Comment
01/01/00
Joe Baltake
Joe Baltake
Sacramento Bee

A soufflé that collapses before it reaches the half-baked stage.

Full Review Source: ReelViews | comment Comment
01/01/00
James Berardinelli
James Berardinelli
ReelViews
Top Critic Icon Top Critic

This picture has no spirit, no soul and no magic.

Full Review Source: SPLICEDWire | comment Comment
01/01/00
Rob Blackwelder
Rob Blackwelder
SPLICEDWire

Torres often strains to match the kookiness and kink that come so naturally to Almodóvar and his ilk.

Full Review Source: Orlando Weekly | comment Comment
01/01/00
Philip Booth
Philip Booth
Orlando Weekly

There's a forced sprightliness, here, that reminds me too much of how people get at the end of a party -- you know, when they've stopped having fun but can't quite muster the will to leave or clean up the trash and vomit.

Full Review Source: Orlando Sentinel | comment Comment
01/01/00
Jay Boyar
Jay Boyar
Orlando Sentinel

A romantic comedy that bubbles and sizzles with its mixture of food, love, and Brazilian music.

Full Review Source: Spirituality and Practice | comment Comment
01/01/00
Frederic and Mary Ann Brussat
Frederic and Mary Ann Brussat
Spirituality and Practice

A dish that's pretty easy to swallow, but if it could have borrowed some of Isabella's more potent spices, it might have boasted a more lasting flavor.

comment Comment
01/01/00
Mark Caro
Mark Caro
Chicago Tribune
Top Critic Icon Top Critic

A romantic fairy tale that's light and in several ways seductive, if not exactly filling. Still, there's always something enticing for the eye.

comment Comment
01/01/00
Jay Carr
Jay Carr
Boston Globe
Top Critic Icon Top Critic

None of the characters is ever developed to the point where you care about them, even in the passing way that's enough for romantic comedy.

Full Review Source: Milwaukee Journal Sentinel | comment Comment
01/01/00
Nick Carter
Nick Carter
Milwaukee Journal Sentinel

Often rather silly, even borderline ridiculous at times.

Full Review Source: Norman Transcript | comment Comment
01/01/00
Jim Chastain
Jim Chastain
Norman Transcript

Buries itself in a deluge of clichés and unrealized intentions.

Full Review Source: Matinee Magazine | comment Comment
01/01/00
Jason Clark
Jason Clark
Matinee Magazine

A Like Water for Chocolate wannabe that isn't.

Full Review Source: Reeling Reviews | comment Comment
01/01/00
Laura Clifford
Laura Clifford
Reeling Reviews

A more mature screenplay that delved into relationships, magical or not, would have helped.

Full Review Source: Reeling Reviews | comment Comment
01/01/00
Robin Clifford
Robin Clifford
Reeling Reviews

It won't please the cynics, but it'll make the romantics among us smile.

Full Review Source: Dallas Morning News | comment Comment
01/01/00
Charles Ealy
Charles Ealy
Dallas Morning News
Top Critic Icon Top Critic
 
 
1 - 20 (sorted by critic A-Z)
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