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Movies / On DVD / Woman on Top
Woman on Top

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Woman on Top (2000)

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Reviews Counted:93

Fresh:33

Rotten:60

Average Rating:4.8/10

Consensus: Despite Penelope Cruz's beauty and charm, the movie is too tepid to be a romance and too silly to be believable. And the movie is too eager to please with an ending that seems more like a cop out.

Runtime: 1 hr 48 mins

Genre: Comedies

Box Office: $2,008,191

Synopsis: Isabella (Cruz) and Toninho (Benício) are blissfully happy living in a port city in Bahia, on the northeastern coast of Brazil. Isabella loves Toninho madly, and she stirs his passions with meals... Isabella (Cruz) and Toninho (Benício) are blissfully happy living in a port city in Bahia, on the northeastern coast of Brazil. Isabella loves Toninho madly, and she stirs his passions with meals that she has learned to cook with native spices, natural herbs, local ingredients and a magic all her own that turns them into extraordinary gifts to the senses.

But Toninho (pronounced To-nee-nyo) and Isabella run a restaurant where her culinary arts are hidden in the kitchen, while his musical talents and personal charm are on display in the dining room nightly. Still, Isabella can live with his ego - so long as Toninho can live with her little affliction: she is subject to terrible motion sickness. She must drive when they take the car out; she must walk when he would rather take the elevator; she must lead when they dance. And when they make love, she must be on top.

A man’s ego can only stand so much, and Toninho’s finally gets the better of his good judgment. When Isabella catches him with another woman, she is inconsolable. She impulsively packs her belongings and flies off (airsick all the way) to the United States, to live with her friend Monica (Perrineau, Jr.).

Isabella's closest chum since childhood, Monica is a high-spirited transvestite who has established her own lifestyle in San Francisco, and is resolved to help Isabella do the same. But first, Isabella needs a job, and even with her unique culinary skills, becoming a chef in a strange new city is not easy.

Second, and more difficult still, she must stop pining for Toninho. Turning to the traditional ways of Candombl (the Bahian version of Santeria), she appeals to Yemanja - goddess of the sea, and a compassionate ally in matters of the heart. Isabella prepares an offering, takes it to the sea shore, and begs the deity to erase forever her love for her philandering husband. The very next day, Isabella feels like a new woman - free, and possessed of a magical, mesmerizing allure.

Isabella has found part time work as a cooking instructor at an adult education program. One day, Cliff (Feuerstein), an ambitious young television producer, catches wind of one of her homemade delicacies, catches sight of her beauty, and falls in love with her. Inspired by her radiance, he has an idea: he will make Isabella the star of her own nightly cooking program and, in the process of running her career, maybe he can have some influence on the rest of her life - by including himself in it. Isabella’s blend of exotic sensuality and culinary skills makes the show an instant sensation. “Passion Food Live” becomes the talk of San Francisco, and soon enough the national network people take notice.

But all is not as rosy as it seems. The penitent Toninho has abandoned his restaurant to chase after his wife, and has inserted himself - along with a traveling band of Bahian troubadours - as the wildly popular musical accompaniment on Isabella's show. And Cliff, fueled by his ambitions, gradually begins to wrest control of "Passion Food" away from its star. In the midst of all her success, Isabella is miserable: she has forsaken the true love that had once made her feel whole, and has lost control of her own life once again.

Eager to reclaim her vanished passion, Isabella seeks help from her guardian goddess, Yamaga, and friend Monica. But she soon discovers, the path to happiness must be discovered by her alone.

Set to the intoxicating rhythms of Brazilian music and filled with color, food, passion, and magic, WOMAN ON TOP is a sexy comedy about making relationships more delicious. [More]

Starring: Penélope Cruz, Murilo Benicio, Harold Perrineau, Mark Feuerstein

Starring: Penélope Cruz, Murilo Benicio, Harold Perrineau, Mark Feuerstein, John DeLancie

Director: Fina Torres

Director: Fina Torres
Screenwriter: Vera Blasi
Producer: Alan Poul
Composer: Luis Bacalov

[See More Credits]

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Release:

Feb 13, 2001

No Details Exist
 
 

Reviews for Woman on Top

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41 - 60 (sorted by date)
Text View | |< << 1 2 3 4 5 6 >> >|
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Everything might come together, too, were it not for terrible writing, marginal acting, some bewildering lapses of logic, and a fatal smugness.

comment Comment
01/01/00
Bill Gallo
Bill Gallo
New Times

Woman on Top is a film that quite literally cooks -- but only when Penélope Cruz is in the kitchen.

Full Review Source: culturevulture.net | comment Comment
01/01/00
Bob Aulert
Bob Aulert
culturevulture.net

Cruz has everything it takes to be a big star, except maybe, in this case, the right movie.

Full Review Source: San Francisco Chronicle | comment Comment
01/01/00
Bob Graham
Bob Graham
San Francisco Chronicle
Top Critic Icon Top Critic

Whimsical special effects blandly serve a second-rate, cliched romantic plot, not a cinematic fairy tale.

Full Review Source: Jam! Movies | comment Comment
01/01/00
Bruce Kirkland
Bruce Kirkland
Jam! Movies

It won't please the cynics, but it'll make the romantics among us smile.

Full Review Source: Dallas Morning News | comment Comment
01/01/00
Charles Ealy
Charles Ealy
Dallas Morning News
Top Critic Icon Top Critic

Even when Penelope Cruz ... throws up, she is dazzling.

comment Comment
01/01/00
Chris Hewitt (St. Paul)
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

A charming confection spun from pure whimsy, and bouncy with bright songs and sets.

comment Comment
01/01/00
Curtis Morgan
Curtis Morgan
Miami Herald
N/R

Click to read the article

Full Review Source: Philadelphia City Paper | comment Comment
01/01/00
Cynthia Fuchs
Cynthia Fuchs
Philadelphia City Paper

Deeply bogus stuff, from a filmmaker who knows better (Celestial Mechanics), and an actress who is too talented to let herself be exploited like this.

Full Review Source: Citysearch | comment Comment
01/01/00
Dave Kehr
Dave Kehr
Citysearch

Nothing lies under the surface of Woman on Top. But since so much of the surface is the golden form of Penelope Cruz, I would be a sorry whiner to complain.

Full Review Source: San Diego Union-Tribune | comment Comment
01/01/00
David Elliott
David Elliott
San Diego Union-Tribune

A sensuous romantic comedy, about as appealing as your average lightweight TV sitcom.

Full Review Source: Ozus' World Movie Reviews | comment Comment
01/01/00
Dennis Schwartz
Dennis Schwartz
Ozus' World Movie Reviews

Are you happy to spend the entire movie worshiping [Cruz's] beauty and celebrating her character's self-actualization, or do you want a little more on your plate?

Full Review Source: Washington Post | comment Comment
01/01/00
Desson Thomson
Desson Thomson
Washington Post
Top Critic Icon Top Critic

When Cruz is on screen she is mesmerizing.

Full Review Source: Fresno Bee | comment Comment
01/01/00
Donald Munro
Donald Munro
Fresno Bee

This would-be spicy film has been made blandly palatable.

Full Review Source: New York Times | comment Comment
01/01/00
Elvis Mitchell
Elvis Mitchell
New York Times
Top Critic Icon Top Critic

Click to read the article

Full Review Source: EricDSnider.com | comment Comment
01/01/00
Eric D. Snider
Eric D. Snider
EricDSnider.com

It's worth the price of a matinee.

Full Review Source: Greenwich Village Gazette | comment Comment
01/01/00
Eric Lurio
Eric Lurio
Greenwich Village Gazette

A romantic comedy that bubbles and sizzles with its mixture of food, love, and Brazilian music.

Full Review Source: Spirituality and Practice | comment Comment
01/01/00
Frederic and Mary Ann Brussat
Frederic and Mary Ann Brussat
Spirituality and Practice

You know it's working when it makes everything in it look good enough to eat, including the San Francisco transit system.

Full Review Source: Toronto Star | comment Comment
01/01/00
Geoff Pevere
Geoff Pevere
Toronto Star
Top Critic Icon Top Critic

A succession of Cruz close-ups -- as striking as they may be -- do not a feature make. One also could use a plot, a soupon of conflict and a heroine with more substance than an inflatable doll.

comment Comment
01/01/00
Glenn Lovell
Glenn Lovell
San Jose Mercury News
Top Critic Icon Top Critic

A bland cooking comedy that strains -- and usually fails -- to make cinematic magic.

comment Comment
01/01/00
Glenn Whipp
Glenn Whipp
Los Angeles Daily News
 
 
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