Everything might come together, too, were it not for terrible writing, marginal acting, some bewildering lapses of logic, and a fatal smugness.
Woman on Top (2000)
Tomatometer
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Reviews Counted:93
Fresh:33
Rotten:60
Average Rating:4.8/10
Consensus: Despite Penelope Cruz's beauty and charm, the movie is too tepid to be a romance and too silly to be believable. And the movie is too eager to please with an ending that seems more like a cop out.
Runtime: 1 hr 48 mins
Genre: Comedies
Box Office: $2,008,191
Synopsis:
Isabella (Cruz) and Toninho (Benício) are blissfully happy living in a port city in Bahia, on the northeastern coast of Brazil. Isabella loves Toninho madly, and she stirs his passions with meals...
Isabella (Cruz) and Toninho (Benício) are blissfully happy living in a port city in Bahia, on the northeastern coast of Brazil. Isabella loves Toninho madly, and she stirs his passions with meals that she has learned to cook with native spices, natural herbs, local ingredients and a magic all her own that turns them into extraordinary gifts to the senses.
But Toninho (pronounced To-nee-nyo) and Isabella run a restaurant where her culinary arts are hidden in the kitchen, while his musical talents and personal charm are on display in the dining room nightly. Still, Isabella can live with his ego - so long as Toninho can live with her little affliction: she is subject to terrible motion sickness. She must drive when they take the car out; she must walk when he would rather take the elevator; she must lead when they dance. And when they make love, she must be on top.
A man’s ego can only stand so much, and Toninho’s finally gets the better of his good judgment. When Isabella catches him with another woman, she is inconsolable. She impulsively packs her belongings and flies off (airsick all the way) to the United States, to live with her friend Monica (Perrineau, Jr.).
Isabella's closest chum since childhood, Monica is a high-spirited transvestite who has established her own lifestyle in San Francisco, and is resolved to help Isabella do the same. But first, Isabella needs a job, and even with her unique culinary skills, becoming a chef in a strange new city is not easy.
Second, and more difficult still, she must stop pining for Toninho. Turning to the traditional ways of Candombl (the Bahian version of Santeria), she appeals to Yemanja - goddess of the sea, and a compassionate ally in matters of the heart. Isabella prepares an offering, takes it to the sea shore, and begs the deity to erase forever her love for her philandering husband. The very next day, Isabella feels like a new woman - free, and possessed of a magical, mesmerizing allure.
Isabella has found part time work as a cooking instructor at an adult education program. One day, Cliff (Feuerstein), an ambitious young television producer, catches wind of one of her homemade delicacies, catches sight of her beauty, and falls in love with her. Inspired by her radiance, he has an idea: he will make Isabella the star of her own nightly cooking program and, in the process of running her career, maybe he can have some influence on the rest of her life - by including himself in it. Isabella’s blend of exotic sensuality and culinary skills makes the show an instant sensation. “Passion Food Live” becomes the talk of San Francisco, and soon enough the national network people take notice.
But all is not as rosy as it seems. The penitent Toninho has abandoned his restaurant to chase after his wife, and has inserted himself - along with a traveling band of Bahian troubadours - as the wildly popular musical accompaniment on Isabella's show. And Cliff, fueled by his ambitions, gradually begins to wrest control of "Passion Food" away from its star. In the midst of all her success, Isabella is miserable: she has forsaken the true love that had once made her feel whole, and has lost control of her own life once again.
Eager to reclaim her vanished passion, Isabella seeks help from her guardian goddess, Yamaga, and friend Monica. But she soon discovers, the path to happiness must be discovered by her alone.
Set to the intoxicating rhythms of Brazilian music and filled with color, food, passion, and magic, WOMAN ON TOP is a sexy comedy about making relationships more delicious.
Starring: Penélope Cruz, Murilo Benicio, Harold Perrineau, Mark Feuerstein
Starring: Penélope Cruz, Murilo Benicio, Harold Perrineau, Mark Feuerstein, John DeLancie
Director: Fina Torres
Director: Fina Torres
Screenwriter: Vera Blasi
Producer: Alan Poul
Composer: Luis Bacalov
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Reviews for Woman on Top
Woman on Top is a film that quite literally cooks -- but only when Penélope Cruz is in the kitchen.
Cruz has everything it takes to be a big star, except maybe, in this case, the right movie.
Whimsical special effects blandly serve a second-rate, cliched romantic plot, not a cinematic fairy tale.
It won't please the cynics, but it'll make the romantics among us smile.
A charming confection spun from pure whimsy, and bouncy with bright songs and sets.
Deeply bogus stuff, from a filmmaker who knows better (Celestial Mechanics), and an actress who is too talented to let herself be exploited like this.
Nothing lies under the surface of Woman on Top. But since so much of the surface is the golden form of Penelope Cruz, I would be a sorry whiner to complain.
A sensuous romantic comedy, about as appealing as your average lightweight TV sitcom.
Are you happy to spend the entire movie worshiping [Cruz's] beauty and celebrating her character's self-actualization, or do you want a little more on your plate?
A romantic comedy that bubbles and sizzles with its mixture of food, love, and Brazilian music.
You know it's working when it makes everything in it look good enough to eat, including the San Francisco transit system.
A succession of Cruz close-ups -- as striking as they may be -- do not a feature make. One also could use a plot, a soupon of conflict and a heroine with more substance than an inflatable doll.
A bland cooking comedy that strains -- and usually fails -- to make cinematic magic.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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