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Movies / On DVD / Woman on Top
Woman on Top

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Woman on Top (2000)

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Reviews Counted:93

Fresh:33

Rotten:60

Average Rating:4.8/10

Consensus: Despite Penelope Cruz's beauty and charm, the movie is too tepid to be a romance and too silly to be believable. And the movie is too eager to please with an ending that seems more like a cop out.

Runtime: 1 hr 48 mins

Genre: Comedies

Box Office: $2,008,191

Synopsis: Isabella (Cruz) and Toninho (Benício) are blissfully happy living in a port city in Bahia, on the northeastern coast of Brazil. Isabella loves Toninho madly, and she stirs his passions with meals... Isabella (Cruz) and Toninho (Benício) are blissfully happy living in a port city in Bahia, on the northeastern coast of Brazil. Isabella loves Toninho madly, and she stirs his passions with meals that she has learned to cook with native spices, natural herbs, local ingredients and a magic all her own that turns them into extraordinary gifts to the senses.

But Toninho (pronounced To-nee-nyo) and Isabella run a restaurant where her culinary arts are hidden in the kitchen, while his musical talents and personal charm are on display in the dining room nightly. Still, Isabella can live with his ego - so long as Toninho can live with her little affliction: she is subject to terrible motion sickness. She must drive when they take the car out; she must walk when he would rather take the elevator; she must lead when they dance. And when they make love, she must be on top.

A man’s ego can only stand so much, and Toninho’s finally gets the better of his good judgment. When Isabella catches him with another woman, she is inconsolable. She impulsively packs her belongings and flies off (airsick all the way) to the United States, to live with her friend Monica (Perrineau, Jr.).

Isabella's closest chum since childhood, Monica is a high-spirited transvestite who has established her own lifestyle in San Francisco, and is resolved to help Isabella do the same. But first, Isabella needs a job, and even with her unique culinary skills, becoming a chef in a strange new city is not easy.

Second, and more difficult still, she must stop pining for Toninho. Turning to the traditional ways of Candombl (the Bahian version of Santeria), she appeals to Yemanja - goddess of the sea, and a compassionate ally in matters of the heart. Isabella prepares an offering, takes it to the sea shore, and begs the deity to erase forever her love for her philandering husband. The very next day, Isabella feels like a new woman - free, and possessed of a magical, mesmerizing allure.

Isabella has found part time work as a cooking instructor at an adult education program. One day, Cliff (Feuerstein), an ambitious young television producer, catches wind of one of her homemade delicacies, catches sight of her beauty, and falls in love with her. Inspired by her radiance, he has an idea: he will make Isabella the star of her own nightly cooking program and, in the process of running her career, maybe he can have some influence on the rest of her life - by including himself in it. Isabella’s blend of exotic sensuality and culinary skills makes the show an instant sensation. “Passion Food Live” becomes the talk of San Francisco, and soon enough the national network people take notice.

But all is not as rosy as it seems. The penitent Toninho has abandoned his restaurant to chase after his wife, and has inserted himself - along with a traveling band of Bahian troubadours - as the wildly popular musical accompaniment on Isabella's show. And Cliff, fueled by his ambitions, gradually begins to wrest control of "Passion Food" away from its star. In the midst of all her success, Isabella is miserable: she has forsaken the true love that had once made her feel whole, and has lost control of her own life once again.

Eager to reclaim her vanished passion, Isabella seeks help from her guardian goddess, Yamaga, and friend Monica. But she soon discovers, the path to happiness must be discovered by her alone.

Set to the intoxicating rhythms of Brazilian music and filled with color, food, passion, and magic, WOMAN ON TOP is a sexy comedy about making relationships more delicious. [More]

Starring: Penélope Cruz, Murilo Benicio, Harold Perrineau, Mark Feuerstein

Starring: Penélope Cruz, Murilo Benicio, Harold Perrineau, Mark Feuerstein, John DeLancie

Director: Fina Torres

Director: Fina Torres
Screenwriter: Vera Blasi
Producer: Alan Poul
Composer: Luis Bacalov

[See More Credits]

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Release:

Feb 13, 2001

No Details Exist
 
 

Reviews for Woman on Top

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61 - 80 (sorted by date)
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Click to read the article

Full Review Source: eFilmCritic.com | comment Comment
01/01/00
Greg Muskewitz
Greg Muskewitz
eFilmCritic.com

An enchanting movie!

Full Review Source: Compuserve | comment Comment
01/01/00
Harvey S. Karten
Harvey S. Karten
Compuserve

Silly and forced -- an overcooked fable, if you'll excuse the expression.

Full Review Source: Rochester Democrat and Chronicle | comment Comment
01/01/00
Jack Garner
Jack Garner
Rochester Democrat and Chronicle

A soufflé that collapses before it reaches the half-baked stage.

Full Review Source: ReelViews | comment Comment
01/01/00
James Berardinelli
James Berardinelli
ReelViews
Top Critic Icon Top Critic
N/R

Click to read the article

Full Review Source: eye WEEKLY | comment Comment
01/01/00
Jason Anderson
Jason Anderson
eye WEEKLY

Buries itself in a deluge of clichés and unrealized intentions.

Full Review Source: Matinee Magazine | comment Comment
01/01/00
Jason Clark
Jason Clark
Matinee Magazine

There's a forced sprightliness, here, that reminds me too much of how people get at the end of a party -- you know, when they've stopped having fun but can't quite muster the will to leave or clean up the trash and vomit.

Full Review Source: Orlando Sentinel | comment Comment
01/01/00
Jay Boyar
Jay Boyar
Orlando Sentinel

A romantic fairy tale that's light and in several ways seductive, if not exactly filling. Still, there's always something enticing for the eye.

comment Comment
01/01/00
Jay Carr
Jay Carr
Boston Globe
Top Critic Icon Top Critic

Too flimsily built and baldly unfunny.

Full Review Source: Village Voice | comment Comment
01/01/00
Jessica Winter
Jessica Winter
Village Voice

Often rather silly, even borderline ridiculous at times.

Full Review Source: Norman Transcript | comment Comment
01/01/00
Jim Chastain
Jim Chastain
Norman Transcript

The film's biggest problem ... is that despite Cruz's character's need to be 'on top' in everything she does ... she's essentially passive in nature in relation to the main plot.

Full Review Source: Screen It! | comment Comment
01/01/00
Jim Judy
Jim Judy
Screen It!

It seems to be wrapped up in a neat little bow asking for you to love it, and with Penelope Cruz's enchanting charisma, it succeeded in tangling me in its web of fluffy amusement.

Full Review Source: JoBlo's Movie Emporium | comment Comment
01/01/00
JoBlo
JoBlo
JoBlo's Movie Emporium

The film is something of a subtle accomplishment -- a commingling of froth, sensuality and moral awareness that somehow works.

Full Review Source: Sacramento Bee | comment Comment
01/01/00
Joe Baltake
Joe Baltake
Sacramento Bee

Click to read the article

Full Review Source: ToxicUniverse.com | comment Comment
01/01/00
John A. Nesbit
John A. Nesbit
ToxicUniverse.com

Attains a rarified air of fantasy that may not be wholly uncalculated, but with Cruz at its center is certainly watchable.

Full Review Source: Newsday | comment Comment
01/01/00
John Anderson
John Anderson
Newsday
Top Critic Icon Top Critic

Benicio and Cruz (who displays more cleavage than kitchen skills) can coast only so long on their physical appeal; their skin-deep characters quickly wear out their welcome.

Full Review Source: Seattle Times | comment Comment
01/01/00
John Hartl
John Hartl
Seattle Times

It's a surprise to find out that Woman on Top isn’t a student film made by a couple of horny frat boys.

Full Review Source: Planet Sick-Boy | comment Comment
01/01/00
Jon Popick
Jon Popick
Planet Sick-Boy

Woman on Top is a lot less substantial, but no less enjoyable than the original food, sex and 'magic realism' hit of 1992, Like Water for Chocolate.

Full Review Source: New York Post | comment Comment
01/01/00
Jonathan Foreman
Jonathan Foreman
New York Post
Top Critic Icon Top Critic

Woman on Top can't overcome a story that's little more than a lumpy, uninspired contrivance.

Full Review Source: Los Angeles Times | comment Comment
01/01/00
Kenneth Turan
Kenneth Turan
Los Angeles Times
Top Critic Icon Top Critic

A Like Water for Chocolate wannabe that isn't.

Full Review Source: Reeling Reviews | comment Comment
01/01/00
Laura Clifford
Laura Clifford
Reeling Reviews
 
 
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