An incisive, fast-paced romp with the serious theme of obsessive love.
Women on the Verge of a Nervous Breakdown (1989)
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Reviews Counted:26
Fresh:23
Rotten:3
Average Rating:7.6/10
Runtime: 1 hr 38 mins
Genre: Foreign Films
Synopsis: This colorful hit put director Pedro Almodóvar on the international map and cemented the reputation of its star, Carmen Maura. The film is a peppy little soap bubble as TV actress Pepa (Maura)... This colorful hit put director Pedro Almodóvar on the international map and cemented the reputation of its star, Carmen Maura. The film is a peppy little soap bubble as TV actress Pepa (Maura) wakes up to find a note from her lover, Ivan (Fernando Guillén), informing her he is leaving. Desperate to tell him some important information, Pepa almost kills herself with sleeping pills, burns her bed, and spends most of the movie trying to track him down. Her adventures put her in contact with Ivan's insane ex-wife (Julieta Serrano), his handsome son (Antonio Banderas), and the son's fiancée (Rossy de Palma). They all descend on her penthouse apartment in a deliriously comic extended scene, complicated by a pitcher full of narcotic gazpacho and her friend Candela (María Barranco), a ditzy beauty wanted by the police for associating with Shiite terrorists. Through it all, the indefatigable Pepa fights gallantly against her crushing heartbreak. As a testament to the resilient beauty of women, this free-spirited film rings true and is a treasure. Also appearing are Chus Lampreave, Kiti Manver, Yayo Calvo, and Guillermo Montesinos as the hilarious driver of the Mambo Taxi. [More]
Starring: Carmen Maura, Antonio Banderas, Fernando Guillén, Julieta Serrano
Starring: Carmen Maura, Antonio Banderas, Fernando Guillén, Julieta Serrano, María Barranco
Director: Pedro Almodóvar
Director: Pedro Almodóvar
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Reviews for Women on the Verge of a Nervous Breakdown
Women on the Verge is even wackier than [Almodovar's] other films -- it also just happens to be more universal.
Almodovar's funky widescreen style is captivating, but his madcap story is maddeningly devoid of seriousness.
Women slinks devilishly (and expertly) between farce, absurdism and tragedy.
The film's color scheme is like a makeup counter display, and the narrative has the same sort of spirit, with dabs of humor that gloss over or disrupt the heroine's grief.
Probably Pedro Almodovar's most completely accessible film -- certainly it's one of his funniest and most popular works.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
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| 95% 95% | Star Trek |
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| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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