Glawogger's film may be thematically loose-jointed, but Wolfgang Thaler's cinematography is the glue.
Workingman's Death (2006)
Tomatometer
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Reviews Counted:11
Fresh:8
Rotten:3
Average Rating:6.4/10
Theatrical Release:Feb 24, 2006 Limited
Synopsis: The toil of the workingman is the fascinating subject for this documentary from Austrian director Michael Glawogger. Taking five groups of workers from five different countries, Glawogger looks at... The toil of the workingman is the fascinating subject for this documentary from Austrian director Michael Glawogger. Taking five groups of workers from five different countries, Glawogger looks at the perils of being a coal miner in the Ukraine, a slaughterhouse worker in Nigeria, a sulfur miner in Indonesia, a ship-breaker in Pakistan, and a steel worker in China. Some of the conditions these men work in will come as a shock to the average office worker, and provides viewers with an important perspective on the harsh treatment meted out to certain factions of the workforce. [More]
Director: Michael Glawogger
Director: Michael Glawogger
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Release:
Sep 2, 2008
Reviews for Workingman's Death
Visually, technically, the film is undeniably a work of art, with all aspects -- sound, editing, cinematography, music -- coming together in a stunning symphony.
Glawogger is an extraordinarily elegant filmmaker with a photographer's eye for striking compositions.
Michael Glawogger's glamorized documentary observes laborers from around the world going to hell and back, day after day, year after year, to eke out subsistence livings.
There's scant dialogue in Workingman's Death, but little is needed when majestic camera work by Wolfgang Thaler tells the story so well.
This documentary about men and women performing brutal work tasks for next to no money is full of arresting and eloquent images.
It's not exactly a good time at the movies, and even as pure education, it's a rather dull film with very little dialogue.
The patina of this avant-garde exercise is swanky and alluring, but chip away at it and you will expose a hollow center.
Comes soaked in good old-fashioned humanist respect for the dignity of labor, but eventually grows a little monotonous.
It's a triumph of the human spirit that so many people in deadly jobs are able, nevertheless, to marry and have a few happy moments despite lives of hellish labor. Glawogger's intrepid camera finds both the shame and the grace in it.
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