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Wrestling with Angels: Playwright Tony Kushner (2006)
Tomatometer
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Reviews Counted:30
Fresh:21
Rotten:9
Average Rating:6.2/10
Consensus: While not a particularly deep look at the man and his career, this documentary still serves as a nicely done introduction to Kushner.
Theatrical Release:Oct 4, 2006 Limited
Synopsis: One of our greatest living playwrights, Pulitzer Prize and Tony Award winner Tony Kushner (Angels in America) is a consummate artist and indomitable political activist committed to equality and... One of our greatest living playwrights, Pulitzer Prize and Tony Award winner Tony Kushner (Angels in America) is a consummate artist and indomitable political activist committed to equality and social justice. A Jewish homosexual raised in the heart of the Deep South, Kushner has become a compassionate voice for outsiders in a climate of repression and censorship. Wrestling with Angels covers three years of Kushner's life from 9/11 to the 2004 presidential election, capturing the fierce moral responsibility that pervades this passionate artist's work. Perhaps the greatest compliment to Freida Lee Mock's film is that she does justice to her brilliant subject, entwining interviews with leading theatre artists and personal moments from Kushner's life with scenes from his plays. Watching Marcia Gay Harden as Laura Bush in a scene from one of Kushner's lesser-known plays is worth the price of admission itself. Hearing Meryl Streep read a prayer that Kushner wrote asking–no, demanding–God to cure AIDS will tear your heart out. Fiercely political, deeply personal, incredibly intelligent, funny, poignant, hopeful, and immensely spiritual, Kushner's work is a bright shining light. Like Tony Kushner himself, Mock's film about him is a multifaceted gem that sparkles as it enlightens on so many levels. -- © Sundance Film Festival [More]
Director: Freida Lee Mock
Director: Freida Lee Mock
Studio: Balcony Releasing
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Reviews for Wrestling with Angels: Playwright Tony Kushner
This uncritical cinematic embrace doesn't do justice to a playwright who never met a Brechtian dialectic he didn't want to ponder more deeply.
Freida Lee Mock's adulatory portrait makes for pleasant viewing -- but should it? Her subject is a professional rabble-rouser, an intellect determined to provoke a sleeping world into action.
I wish another director had chronicled the life and times of the vibrantly alert Tony Kushner: Mock's docu is diffuse, rambling, and fails to delve into some crucial issues pertaining to the playwright's creativity and personal life.
Beyond it's educational value for those unfamiliar with Kushner's work, politics, and sexuality (like myself), there's not much to grab onto here.
Mock is good at seizing a subject and exploiting it for her own purposes. But one doesn't get the feeling that she, unlike Tony Kushner, wants to get her hands dirty.
[Director Freida Lee] Mock’s approach to Kushner is so casual and friendly that it never steps outside of his own life for a glimpse of its context.
A premature homage to an artist who -- while few doubt he will live up to his potential -- has yet to fully do so.
A golden opportunity to analyze the most vital and probably most creative contempo American playwright is missed.
Wrestling With Angels paints an intimate and detailed portrait of playwright Tony Kushner, in the years since he became the most important living American dramatist.
While Wrestling With Angels is definitely a worthwhile experience, you'd expect it to be a more dramatic one, considering what Kushner has produced.
Wrestling With Angels is better than a puff piece, getting at how Kushner's personal life has shaped the political and philosophical dimensions of his flawed but breathtaking plays, including the prescient Homebody/Kabul.
Even if you're not a fan of his work, it's a good thing to see, and is worth a view when it gets on TV sometime in the new year.
Although the analysis is far from deep, Mock's film succeeds as an above-average introduction to the playwright, especially to an audience unfamiliar with his work.
Wrestling with Angels could use some brouhaha: It's a bit too much of a pleasant air kiss from a fan, and doesn't engage inquisitively enough with Kushner's often controversial and very political ideas.
The final portrait is unquestionably entertaining, very occasionally teasing and largely adoring. Because Kushner is a devoted political commentator, his thoughts on everything from America's role in the world to the nature of Zionism are on full display.
A sentimental valentine to a man who, underneath it all, simply wants to move people with his message.
Mock's film leaves us with a sense of gratitude and relief that so thoughtful an artist as Kushner continues to work among us, capturing and reacting to the world as he buzzes through it.
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