Rapaport intersperses her reflections and those of people who knew her with dramatizations.
Writer of O (2005)
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Reviews Counted:18
Fresh:9
Rotten:9
Average Rating:5.4/10
Theatrical Release:May 4, 2005 Limited
Synopsis: Writer of O is a dramatic documentary on the long-hidden author of the world-famous, erotic novel Story of O. Known for forty years as Pauline Réage, the author chose at 86 to reveal herself as... Writer of O is a dramatic documentary on the long-hidden author of the world-famous, erotic novel Story of O. Known for forty years as Pauline Réage, the author chose at 86 to reveal herself as Dominique Aury, a mild-mannered literary editor for Gallimard, France's most prestigious publishing house. The contrast of her two disparate personalities forms the center of this hybrid film, which sets documentary footage of her and her contemporaries against dramatized scenes from her erotic novel and fictionalized scenes from her life during the period in which she wrote her scandalous book. The film treats the subjects of sex and love, literature, feminism, censorship, creativity and freedom. Central to the discovery of Aury's motivation for writing the book is the love story between her and her lover, the celebrated French man-of-letters, Jean Paulhan. Their clandestine affair inspired the book and is re-created here in moving scenes from Aury's essay "A Girl in Love." Major figures in the film include the audacious publishers Jean-Jacques Pauvert in France and Barney Rosset of Grove Press in the U.S. The British author and journalist, John de St. Jorre, author of a revelatory article in The New Yorker which exposed Aury, leads us through the story. Regine Deforges, the novelist and journalist who conducted a revealing interview with Aury in 1975, Confessions of O, re-imagines that conversation with actress Catherine Mouchet playing the role of Dominique Aury. Scenes from Story of O are also dramatized in the film, creating an atmosphere similar to that found at the chateau which Aury described in her book: frightening, visceral, mysterious, and profoundly erotic. -- © Zeitgeist Films [More]
Starring: Catherine Mouchet, Penelope Puymirat, Cyril Corral, Alain Rimoux
Starring: Catherine Mouchet, Penelope Puymirat, Cyril Corral, Alain Rimoux, Thierry de Carbonnieres, Jean-Yves Roan
Director: Pola Rapaport
Director: Pola Rapaport
Screenwriter: Pola Rapaport
Producer: Sylvie Cazin
Composer: Helene Blazy
Studio: Zeitgeist Films
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Reviews for Writer of O
The real reason to see this slight but interesting documentary is to watch and listen to the radiant Aury.
[Aury] provides this talking-heads documentary with most of its vitality.
Because it doesn't have the heroic impact the filmmaker seems to have been looking for, she's forced to juggle, to diminishing returns. In the process, she raises more questions than she resolves.
A dry compendium of talking-head interviews interspersed with lackadaisical dramatizations of scenes from the novel.
It is a mash note from first-time filmmaker Pola Rapaport to Aury, but its attempts to dramatize passages of the book are at odds with Aury's advice that Story of O was a piece of writing 'not meant to be spoken.'
[Rapaport's] slim but informative documentary combines interviews, archival footage and elegantly lurid enactments.
The mystery of sex is dwarfed by the mystery of what French intellectuals are talking about.
Pola Rapaport, the director of this hybrid 'dramatic documentary,' is fortunate to have Aury around to relate this fascinating history.
This most unfortunate film combines standard documentary techniques with maladroit dramatizations from the life of the author of Story of O.
Had 'Writer of O' featured more of the engaging aged Dominique Aury and less pseudo-literary and -psychological speculation, it would have been on surer footing.
A so-so attempt to wring a personal documentary from a 10-year-old news story.
The interviews are marvelous. The luminous Aury is beautiful and charming at 90, and her matter-of factness blows away the mist of ideology that swirls around her 'little book.'
The information is now stale news and the style of the documentary seems intentionally dry.
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