Ray Milland in low budget Roger Corman horror-fest.
X: The Man with the X-Ray Eyes (1963)
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Reviews Counted:21
Fresh:18
Rotten:3
Average Rating:6.6/10
Consensus: By turns lurid and disturbing, The Man with the X-Ray Eyes is a compelling piece of sci-fi pulp and one of Roger Corman's most effective movies.
Runtime: 79 mins
Genre: Science-Fiction/Fantasy
Synopsis: Ray Milland stars in this visionary sci-fi film as Xavier, a doctor who gains the power to see through solid objects; first it's women's dresses at a party, then people's bodily organs, and,... Ray Milland stars in this visionary sci-fi film as Xavier, a doctor who gains the power to see through solid objects; first it's women's dresses at a party, then people's bodily organs, and, eventually, God looking back at him from the center of the universe. Attractive Dr. Diane Fairfax (Diana Van Der Vlis) is Xavier's love interest, though he can't stop seeing through things long enough to notice her--he can't even sleep since he can see through his own eyelids. When he accidentally kills a fellow doctor, Xavier winds up at a carnival sideshow where he performs fortune-telling and faith healing for a sleazy barker (Don Rickles). Later he and Diane head to Vegas, where his see-through card abilities parlay into a small fortune, but then he's on the run again, going progressively more insane as the visions get too much to bear. An insightful script, a moody Les Baxter score, and Milland's tortured performance amply compensate for the film's low budget, and there's a twisted shock ending. It's considered an intellectual peak in B-movie maestro Roger Corman's vast canon, with cheap but engaging "X-ray" optical effects that anticipate his later psychedelic freak-out THE TRIP. [More]
Starring: Ray Milland, Diana Van Der Vlis, John Hoyt, Don Rickles
Starring: Ray Milland, Diana Van Der Vlis, John Hoyt, Don Rickles
Director: Roger Corman
Director: Roger Corman
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Reviews for X: The Man with the X-Ray Eyes
Glorious low-budget fun, imaginative, eerie and sometimes even a little scary.
Director Roger Corman keeps this moving and Ray Milland is competent as the doomed man. Special effects on his prism-eye world, called Spectarama, are good if sometimes repetitive.
This queasy 1963 SF parable was directed--quickly and cheaply--by Roger Corman for American-International, drawing some of its strength from its tawdry drive-in overtones.
Embora a premissa não seja desenvolvida de maneira particularmente imaginativa, Milland encarna a situação angustiante de seu personagem com talento (e o plano final é arrepiante).
Science fiction's much-vaunted 'sense of wonder' gets flipped to reveal the horrific back side of that coin.
Surprisingly level-headed and persuasive in its restraint and succinct dialogue.
| Tomatometer Percentage | Movie |
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| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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