Average Rating: 6/10
Reviews Counted: 95
Fresh: 61 | Rotten: 34
Featuring strong performances and direction, The Yards is a richly textured crime thriller with an authentic feel.
Average Rating: 5.6/10
Critic Reviews: 31
Fresh: 17 | Rotten: 14
Featuring strong performances and direction, The Yards is a richly textured crime thriller with an authentic feel.
liked it
Average Rating: 3.2/5
User Ratings: 8,180
In this drama, a young man joins the family business without knowing that he's entering a world of danger and deceit. Hot-headed Leo Handler (Mark Wahlberg) has had some scrapes with the law and served time for a crime he didn't commit. Hoping to get his life back on track, he takes a job in the New York subway yards, secured by his Uncle Frank (James Caan), who has a high-ranking position in the New York Transit Authority. The longer Leo works in the yards, the more he realizes that his uncle
Oct 20, 2000 Limited
Apr 10, 2001
$0.4M
Miramax Films
All Critics (96) | Top Critics (32) | Fresh (61) | Rotten (34) | DVD (17)
An On the Waterfront wannabe, directed with a heavy portentousness that smothers the drama in a thick sauce of self-importance.
I can't remember when a film so well-acted and so well-rendered visually was also so oppressive to sit through.
The Yards may not have enough story to sustain its narrative momentum, but Gray just might be our best shot at a new Coppola.
A haunting experience.
After a point, The Yards crosses the line from portentously atmospheric to merely dolorous.
Good enough to make you eager for Mr. Gray's next film.
How "The Yards" shifts toward crime drama through character rather than pure plot is hard to disclose without divesting twists. Inspired by real-life scandal, James Gray lets personal insight color Shakespearean shenanigans of privilege, panic and power.
Sem medo de evocar comparações com "O Poderoso Chefão", Gray cria um filme repleto de personagens ambíguos e uma forte atmosfera de tristeza e desesperança moral.
...the filmmaker's use of dark visuals effectively matches the moody, almost operatic tone of the script.
Understatement is something that one would not normally associate with such a pulpy tale, but that's what makes Gray's film surprisingly effective.
Writer/director James Gray tells the story with an impressive urban palate.
A sensitive, intelligent and ambitious variation on the traditional going-straight story.
Lacks the pizzazz of energetic pulp, but doesn't replace it with any compensatory insight or power.
A very good film, and though obviously flawed, it does generate one form of elation: the feeling of seeing a young director stick to the guns of his tricky, ambitious material, and find the right people to tell his story.
Self-consciously elegiac, The Yards is a slow-burning but meticulously crafted family melodrama posing as a thriller.
Atmospheric, worthy-but dull crime drama, with a largely wasted cast of greats.
This is a story with Shakespeare-league themes -- greed, betrayal, graft, corruption. It's too much to expect Shakespeare-level dialogue, and we don't get it. But what we do get is pretty darned good.
Though The Yards starts with a familiar crime plot, it becomes fascinating because of its characters.
Despite Gray's insistence on lighting everything as if this were Don Corleone in a drawing room, The Yards remains a vacant lot.
Bored the hell out of me. Was not that bad, I guess, if you like these type of crime family stories, but really wasn't in the mood to watch it and it failed to grab my attention. Dark and dingy in the filming, too. Good cast, acting is fine.
January 22, 2008Super Reviewer
This movie started out a little slow, but it got interesting quickly enough. I am really starting to become an fan of Joaquin Phoenix. I enjoy watching him act. Really hope he decides to act again. Mark Wahlberg was great. Once the story gets going it holds your attention. Really liked the movie and its action. Thought
August 26, 2009
Super Reviewer
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