This is, in places, a deeply disturbing film... yet the touching scenes, when they come, have a surprisingly emotional depth.
Yella (2007)
Tomatometer
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Reviews Counted:49
Fresh:39
Rotten:10
Average Rating:6.5/10
Consensus: Chilly and haunting, Yella's atmosphere gets under the skin.
Theatrical Release:2008
Synopsis:
Narrowly escaping her volatile ex-husband, Yella (Nina Hoss) flees her small hometown in former East Germany for a new life in the West. She finds a promising job with Philipp (Devid Striesow), a...
Narrowly escaping her volatile ex-husband, Yella (Nina Hoss) flees her small hometown in former East Germany for a new life in the West. She finds a promising job with Philipp (Devid Striesow), a handsome business executive with whom an unlikely romance soon blossoms. But just as Yella seems poised to realize her dreams, she finds herself haunted by buried truths that threaten to destroy her newfound happiness.
Inspired by Herk Harvey’s 1962 cult classic Carnival of Souls, Yella offers a bracing critique of modern capitalist society by considering the current migration of men and women from former Eastern Bloc countries seeking prosperity in the West. It is Christian Petzold’s fourth feature film and his third collaboration with Nina Hoss. --© Cinema Guild
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Starring: Nina Hoss, Devid Striesow, Hinnerk Schönemann, Burghart Klaussner
Starring: Nina Hoss, Devid Striesow, Hinnerk Schönemann, Burghart Klaussner, Barbara Auer, Christian Redl
Director: Christian Petzold
Director: Christian Petzold
Screenwriter: Simone Baer, Christian Petzold
Studio: Cinema Guild
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Release:
Feb 24, 2009
DVD Features:
- Keep Case
- Full Frame - 1.33
Audio:
- Dolby Digital 5.1 - German
- Subtitles - English - Optional
Additional Release Material:
- Documentary: NOTHING VENTURED
- Trailers: Theatrical Trailer
Interactive Features:
- Scene Selection
Text/Photo Galleries:
- Additional Text: Essay - Marco Abel, Film Scholar
Reviews for Yella
This disquieting parable about trust and risk wrong-foots us at every turn.
Yella uses Byzantine business deals, corporate shenanigans and sink-or-swim stakes to dramatise the internal negotiation of a character's (and a divided nation's) dreams and anxieties.
This German rip-off of Herk Harvey's 1962 Carnival of Souls replaces the junky eeriness of the original with a disassociated pretentiousness that is more irritating than creepy.
Yella comes off as too intellectual an exercise to be thoughtful or serious entertainment.
Yella clamps down on the viewer with a psychological hold that doesn't immediately reveal itself.
The twist ending that softens the blow of this otherwise unique and atmospheric work is not for me to ruin, but it should be said that it shows a chink in the filmmaker's armor
Yella is a strange beast: a twisty, slightly surreal mystery wrapped around the tedious art of the business deal.
Though the film attests that the director can masterfully dredge up metaphysical dread, it also proves that he needs to learn to avoid easy ways out.
An expertly crafted thriller which offers a pessimistic, though deeply rewarding, glimpse of a society being haunted by its own past.
The film feels far too schematic and, even allowing for its unrelentingly mercenary premise, far too cold to inspire much viewer identification.
The consequences of Reunification are explored in this effective metaphysical thriller.
German writer-director Christian Petzold returns to top form in Yella, another precision-helmed, tightly wound, metaphysical thriller that confirms him as one of Germany's finest middle-generation directors.
Christian Petzold's disquieting German thriller feels modest while you're watching it, but makes a stronger-than-expected impact.
Dressing up a socio-economic critique as a romantic thriller only works if there's enough suspense to keep the audience intrigued.
The adept performances and sharp direction of this thriller allow the viewer to see the writer-director's point: that life in communist East Germany may have been preferable for some to the more prosperous existence in the West.
Strikes a perfect balance between corporate intrigue and metaphysical mystery; his 2007 drama is filled with suspense but ends in delicious ambiguity.
Too obscure and oblique in its aims to completely enthral, Yella manages to get under the skin thanks to Hoss' bewitching performance as the troubled number cruncher and a final reveal that complicates everything that's gone before.
Filmmaker Christian Petzold meets his goal of providing an alienating portrait of the business world.
Latest News for Yella
May 03, 2009:
A German metaphorical Reunification thriller and political allegory equating a blunt and feverish appetite for sex and capitalism. ![]()
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March 27, 2009:
A German metaphorical Reunification thriller and political allegory equating a blunt and feverish appetite for sex and capitalism. ![]()
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