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Yellow Asphalt (2002)
Tomatometer
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Reviews Counted: 11
Fresh: 11
Rotten:0
Average Rating: 7.3/10
Theatrical Release:Mar 13, 2002 Limited
Synopsis: One of the main characters in Israeli filmmaker Danny Vereté's documentary-like first feature, YELLOW ASPHALT, is the cruel Negev desert landscape. The film is a triptych examining collisions... One of the main characters in Israeli filmmaker Danny Vereté's documentary-like first feature, YELLOW ASPHALT, is the cruel Negev desert landscape. The film is a triptych examining collisions between Bedouin tribes and their Israeli neighbors. In BLACK SPOT, an oil tanker speeding down a desert highway hits a Bedouin child. When the drivers (Zevik Raz and Moshe Ivgi) frantically try to hide the dead boy, they are discovered. A standoff ensues between the unapologetic Israelis and the threatening Bedouin tribesman, while the child's mother wails in a heap of black burqua on the sand. In HERE IS NOT THERE, tribal elders refuse to let Tamam (Tatjana Blacher), a German woman with blue, made-up eyes behind a veil, leave her Bedouin husband, so she steals away in the night. Tamam recalls happier times while desperately dragging her crying daughters through the desert, and her vengeful husband hunts them down. Finally, in RED ROOFS, when the affair between a married Israeli farmer, Shmuel (Motti Katz), and his Bedouin maid, Suhilla (Raida Adon), is discovered by the tribe, death and dishonor touch all involved. Vereté's film is an unflinching portrait of oppression and the precarious intermingling of ancient customs and the modern world. [More]
Starring: Zevik Raz, Moshe Ivgi, Tatjana Blacher, Abed Zuabi
Starring: Zevik Raz, Moshe Ivgi, Tatjana Blacher, Abed Zuabi, Motti Katz, Raida Adon, Sami Samir, Hagit Keler
Director: Danny Verete
Director: Danny Verete
Screenwriter: Danny Verete
Producer: Danny Verete
Studio: New Yorker Films
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Reviews for Yellow Asphalt
a budget affair that exposes the generally sad existence of the Bedouins while providing a precious twinkle of insight into their lives.
Brilliantly written and well-acted, Yellow Asphalt is an uncompromising film.
Director Dan Verete uses his camera as the metaphoric needle, and his cast in each segment as his thread, to form a sweeping tapestry of mis-explanation and contention.
These three films form a remarkably cohesive whole, both visually and thematically, through their consistently sensitive and often exciting treatment of an ignored people.
The passions aroused by the discord between old and new cultures are set against the strange, stark beauty of the Mideast desert, so lovingly and perceptively filmed that you can almost taste the desiccated air.
The inhospitability of the land emphasizes the spare precision of the narratives and helps to give them an atavistic power, as if they were tales that had been handed down since the beginning of time.
Together writer-director Danny Verete's three tales comprise a powerful and reasonably fulfilling gestalt.
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