Potter's script is entirely in iambic pentameter -- stressed second beats, five such beats to a line -- which is clever enough, but any message becomes obscured by sheer distraction.
Yes (2005)
Tomatometer
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Reviews Counted:83
Fresh:43
Rotten:40
Average Rating:5.7/10
Consensus: Emotional performances/ Can't stop the curse/ Of ever-present pretensions/ Writ in heavy-handed verse.
Theatrical Release:Jun 24, 2005 Limited
Box Office: $228,081
Synopsis: Oscar nominee Joan Allen gives a remarkable performance in Sally Potter's YES, an extraordinary look at love and politics set in London, Belfast, Beirut, and Havana. Allen stars as an unnamed... Oscar nominee Joan Allen gives a remarkable performance in Sally Potter's YES, an extraordinary look at love and politics set in London, Belfast, Beirut, and Havana. Allen stars as an unnamed Irish-American scientist disillusioned with her marriage to Anthony (Sam Neill), who is more interested in his political job--and other women. Fed up with his affairs, she falls for an unnamed Arab cook (Simon Abkarian) and begins a torrid sexual relationship with him. A successful molecular biologist, she also puts her life under a microscope, but she is afraid to go after what she really wants. Meanwhile, her lover is much more open about the things he used to have when he was in Lebanon, reduced now to working in a British kitchen in order to barely survive; he comes to resent that she pays for everything in their romance, leading to tension and extreme situations. Writer-director Potter (ORLANDO) shows a sharp eye for the human condition and the fragility of love in this unusual and extraordinary film in which all of the characters speak in iambic pentameter. In addition to mixing in different styles, including slow motion, grainy shots, and freeze frames, Potter has a series of maids, especially the one played by Shirley Henderson, face the camera, reacting to what is going on around them. Henderson often addresses the audience, humorously pointing out that no matter how thorough people are, there is still always a little dirt to be cleaned up. [More]
Starring: Joan Allen, Simon Abkarian, Shirley Henderson, Sam Neill
Starring: Joan Allen, Simon Abkarian, Shirley Henderson, Sam Neill, Sheila Hancock, Samantha Bond, Gary Lewis, Wil Johnson, Raymond Waring
Director: Sally Potter
Director: Sally Potter
Screenwriter: Sally Potter
Producer: Christopher Sheppard, Andrew Fierberg
Composer: Sally Potter
Studio: Sony Pictures Classics
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Reviews for Yes
An ultimately hopeful film that rewards the attentiveness it requires...
The actors are emotional, but the presentation is theoretical to the point of absurdity.
An adult, intelligent and humane stance against the negative world of war -- and it's also a smart, risky, hugely entertaining movie.
Testing the breaking points of a westernized Muslim in a love affair with a rich, married, independent American woman--in iambic pentameter.
An enticing and erotic love story that takes us into fresh territory in its exploration of the divisions that separate people from each other.
So bad in such naive and silly ways, stick with 'There once was a man from Nantucket...'
Despite the excellence of [Potter's] film craft and the quality of the performances, the movie’s gimmicky use of language upstages its humanity.
Sally Potter has achieved a work that sings to us -- sensually, angrily, and beautifully.
Few filmmakers could be consciously redolent of Moliere, Dylan Thomas, and James Joyce and pull it off, but apparently writer-director Sally Potter is first in that class.
What Potter believes is very interesting is only very interesting to her.
This is art house fare and for those who intrigued by the idea of poetry as dialogue. I'm not intrigued and I give it a C.
[a] Greek chorus of cleaners, whose discourse on mites, germs and viruses...doesn't mesh at all with central themes of religion, politics, racism and love...
Punctuated with genuinely powerful scenes, but it's overloaded with dialog and ideology, and extremely heavy going from the start.
While the unconventionally filmed Yes doesn’t fully realize all of its artistic ambitions, its depiction of romantic passion resonates with a genuine feeling that can’t be dismissed.
The look of the film is totally hot, But the rhyming throughout is actually not. You see how this gimmick can get kind of old - A distraction from the story that's told.
Latest News for Yes
January 04, 2006:
Ebert & Roeper Share Their Favorites from '05
TV's biggest and most (relatively) beloved movie critics, Roger Ebert and Richard Roeper, have announced their top ten lists for 2005, and you can either listen to the banter on... More...
March 09, 2005:
TELLURIDE'S MOST buzzed picture was Yes, a stunning epic whose volcanic eruptions cast lurid light on the collision of male and female, Muslim and American. In rhyme! ![]()
More...
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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