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Yes (2005)
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Reviews Counted:83
Fresh:43
Rotten:40
Average Rating:5.7/10
Consensus: Emotional performances/ Can't stop the curse/ Of ever-present pretensions/ Writ in heavy-handed verse.
Theatrical Release:Jun 24, 2005 Limited
Box Office: $228,081
Synopsis: Oscar nominee Joan Allen gives a remarkable performance in Sally Potter's YES, an extraordinary look at love and politics set in London, Belfast, Beirut, and Havana. Allen stars as an unnamed... Oscar nominee Joan Allen gives a remarkable performance in Sally Potter's YES, an extraordinary look at love and politics set in London, Belfast, Beirut, and Havana. Allen stars as an unnamed Irish-American scientist disillusioned with her marriage to Anthony (Sam Neill), who is more interested in his political job--and other women. Fed up with his affairs, she falls for an unnamed Arab cook (Simon Abkarian) and begins a torrid sexual relationship with him. A successful molecular biologist, she also puts her life under a microscope, but she is afraid to go after what she really wants. Meanwhile, her lover is much more open about the things he used to have when he was in Lebanon, reduced now to working in a British kitchen in order to barely survive; he comes to resent that she pays for everything in their romance, leading to tension and extreme situations. Writer-director Potter (ORLANDO) shows a sharp eye for the human condition and the fragility of love in this unusual and extraordinary film in which all of the characters speak in iambic pentameter. In addition to mixing in different styles, including slow motion, grainy shots, and freeze frames, Potter has a series of maids, especially the one played by Shirley Henderson, face the camera, reacting to what is going on around them. Henderson often addresses the audience, humorously pointing out that no matter how thorough people are, there is still always a little dirt to be cleaned up. [More]
Starring: Joan Allen, Simon Abkarian, Shirley Henderson, Sam Neill
Starring: Joan Allen, Simon Abkarian, Shirley Henderson, Sam Neill, Sheila Hancock, Samantha Bond, Gary Lewis, Wil Johnson, Raymond Waring
Director: Sally Potter
Director: Sally Potter
Screenwriter: Sally Potter
Producer: Christopher Sheppard, Andrew Fierberg
Composer: Sally Potter
Studio: Sony Pictures Classics
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Reviews for Yes
We're not exactly sure what writer-director Sally Potter was thinking here, but whatever it was, she should never try it again.
Yes offers a case study in the moral complacency of the creative class, and its verbal cleverness cannot disguise the vacuous self-affirmation summed up in the title.
Despite many interesting mise-en-scene moments, the film disappointingly feels as sterile as the family's immaculately clean house.
It's a bold exercise, an interesting experiment, but a movie it ain't.
You may get off on this enthralling stuff, but after half an hour I’d had enough.
The look of the film is totally hot, But the rhyming throughout is actually not. You see how this gimmick can get kind of old - A distraction from the story that's told.
Chained to a stubborn insistence on iambic pentameter, determined to load its lovers down with geopolitical symbolism, Sally Potter's Yes is an ambitious stunt that must have sounded better in the filmmaker's head.
If I really were a more clever man, I’d spend more time in the sun getting tan, And less time watching films that were a mess, Then I’d be saved from writing about Yes
An experimental film that's dissatisfying in its literary pretentions and artistic ambitions to portray characters that are both particular individuals and political symbols
Both crushingly pretentious and oddly silly--rather like the cinematic equivalent of Jack Handey's 'Deep Thoughts,' but without the saving grace of intentional humor.
Latest News for Yes
January 04, 2006:
Ebert & Roeper Share Their Favorites from '05
TV's biggest and most (relatively) beloved movie critics, Roger Ebert and Richard Roeper, have announced their top ten lists for 2005, and you can either listen to the banter on... More...
March 09, 2005:
TELLURIDE'S MOST buzzed picture was Yes, a stunning epic whose volcanic eruptions cast lurid light on the collision of male and female, Muslim and American. In rhyme! ![]()
More...
| Tomatometer Percentage | Movie |
|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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