Your taste in movies may not be/ Quite so highbrow or so twee/ But Potter has a lot to say/ About the troubles of our day.
Yes (2005)
Tomatometer
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Reviews Counted:83
Fresh:43
Rotten:40
Average Rating:5.7/10
Consensus: Emotional performances/ Can't stop the curse/ Of ever-present pretensions/ Writ in heavy-handed verse.
Theatrical Release:Jun 24, 2005 Limited
Box Office: $228,081
Synopsis: Oscar nominee Joan Allen gives a remarkable performance in Sally Potter's YES, an extraordinary look at love and politics set in London, Belfast, Beirut, and Havana. Allen stars as an unnamed... Oscar nominee Joan Allen gives a remarkable performance in Sally Potter's YES, an extraordinary look at love and politics set in London, Belfast, Beirut, and Havana. Allen stars as an unnamed Irish-American scientist disillusioned with her marriage to Anthony (Sam Neill), who is more interested in his political job--and other women. Fed up with his affairs, she falls for an unnamed Arab cook (Simon Abkarian) and begins a torrid sexual relationship with him. A successful molecular biologist, she also puts her life under a microscope, but she is afraid to go after what she really wants. Meanwhile, her lover is much more open about the things he used to have when he was in Lebanon, reduced now to working in a British kitchen in order to barely survive; he comes to resent that she pays for everything in their romance, leading to tension and extreme situations. Writer-director Potter (ORLANDO) shows a sharp eye for the human condition and the fragility of love in this unusual and extraordinary film in which all of the characters speak in iambic pentameter. In addition to mixing in different styles, including slow motion, grainy shots, and freeze frames, Potter has a series of maids, especially the one played by Shirley Henderson, face the camera, reacting to what is going on around them. Henderson often addresses the audience, humorously pointing out that no matter how thorough people are, there is still always a little dirt to be cleaned up. [More]
Starring: Joan Allen, Simon Abkarian, Shirley Henderson, Sam Neill
Starring: Joan Allen, Simon Abkarian, Shirley Henderson, Sam Neill, Sheila Hancock, Samantha Bond, Gary Lewis, Wil Johnson, Raymond Waring
Director: Sally Potter
Director: Sally Potter
Screenwriter: Sally Potter
Producer: Christopher Sheppard, Andrew Fierberg
Composer: Sally Potter
Studio: Sony Pictures Classics
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Reviews for Yes
...earns its place with its grace notes, its confidence and, above all, its high ambition.
In the wake of London's own terrorist attacks, Yes is a film that needs to be seen.
While the unconventionally filmed Yes doesn’t fully realize all of its artistic ambitions, its depiction of romantic passion resonates with a genuine feeling that can’t be dismissed.
It's a bold exercise, an interesting experiment, but a movie it ain't.
Potter's exploration of modern love fractured by cultural differences can be absorbing even if it feels at times like an intellectual exercise.
In addition to another outstanding performance by Allen, who can convey a range of emotions with an amazing amount of subtlety and grace, Yes features an abundance of challenging scenes that address weighty topics.
For those who accept Potter's premise -- and why not embark on a challenging, enriching experience? -- this is a unique, bold adventure of the soul.
The movie hovers somewhere between art film and artsy film, the former being something desirable and the latter something that strives failingly toward the former.
It's rare to see a movie that sounds like poetry, and rarer still to see one whose ideas and themes warrant such treatment.
An adult, intelligent and humane stance against the negative world of war -- and it's also a smart, risky, hugely entertaining movie.
Rough-hewn as they are, Potter's verse, ranging from flowery to obscene, compels the viewer toward a fresh way of listening.
An ultimately hopeful film that rewards the attentiveness it requires...
The verse quickly lifts the movie into a celebration of language, both spoken and unspoken.
It's a brave film, particularly on the part of Allen, and in many ways an accomplished film. But it's so bookish and clever that you can never fully embrace it, even when you wish you could.
Insists that we live with our mistakes since there is no escaping them.
Do I think adventurous moviegoers will get swept up in the way the characters -- and the movie -- abandon themselves to lives that are fully lived? Yes, I say. Yes, they will. Yes.
Latest News for Yes
January 04, 2006:
Ebert & Roeper Share Their Favorites from '05
TV's biggest and most (relatively) beloved movie critics, Roger Ebert and Richard Roeper, have announced their top ten lists for 2005, and you can either listen to the banter on... More...
March 09, 2005:
TELLURIDE'S MOST buzzed picture was Yes, a stunning epic whose volcanic eruptions cast lurid light on the collision of male and female, Muslim and American. In rhyme! ![]()
More...
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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