A failed experiment.
Yes (2005)
Tomatometer
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Reviews Counted:83
Fresh:43
Rotten:40
Average Rating:5.7/10
Consensus: Emotional performances/ Can't stop the curse/ Of ever-present pretensions/ Writ in heavy-handed verse.
Theatrical Release:Jun 24, 2005 Limited
Box Office: $228,081
Synopsis: Oscar nominee Joan Allen gives a remarkable performance in Sally Potter's YES, an extraordinary look at love and politics set in London, Belfast, Beirut, and Havana. Allen stars as an unnamed... Oscar nominee Joan Allen gives a remarkable performance in Sally Potter's YES, an extraordinary look at love and politics set in London, Belfast, Beirut, and Havana. Allen stars as an unnamed Irish-American scientist disillusioned with her marriage to Anthony (Sam Neill), who is more interested in his political job--and other women. Fed up with his affairs, she falls for an unnamed Arab cook (Simon Abkarian) and begins a torrid sexual relationship with him. A successful molecular biologist, she also puts her life under a microscope, but she is afraid to go after what she really wants. Meanwhile, her lover is much more open about the things he used to have when he was in Lebanon, reduced now to working in a British kitchen in order to barely survive; he comes to resent that she pays for everything in their romance, leading to tension and extreme situations. Writer-director Potter (ORLANDO) shows a sharp eye for the human condition and the fragility of love in this unusual and extraordinary film in which all of the characters speak in iambic pentameter. In addition to mixing in different styles, including slow motion, grainy shots, and freeze frames, Potter has a series of maids, especially the one played by Shirley Henderson, face the camera, reacting to what is going on around them. Henderson often addresses the audience, humorously pointing out that no matter how thorough people are, there is still always a little dirt to be cleaned up. [More]
Starring: Joan Allen, Simon Abkarian, Shirley Henderson, Sam Neill
Starring: Joan Allen, Simon Abkarian, Shirley Henderson, Sam Neill, Sheila Hancock, Samantha Bond, Gary Lewis, Wil Johnson, Raymond Waring
Director: Sally Potter
Director: Sally Potter
Screenwriter: Sally Potter
Producer: Christopher Sheppard, Andrew Fierberg
Composer: Sally Potter
Studio: Sony Pictures Classics
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Reviews for Yes
Those in search of a work of peerlessly stupefying intellectual vanity presented entirely in iambic pentameter should stop looking. It's right here.
Parse the philosophy behind the spill of words, though, and you'll find intellectual jumble, junk.
Rhyme - iambic pentameter - is the big gimmick here, not reason. It's a risky linguistic endeavor.
Despite the talents and earnest intentions of writer/director Sally Potter and the terrific cast, I found Yes to be an unbearably pretentious and condescending art-house film with flashy, self-conscious camerawork, and lots of indie-film gimmicks.
The actors are emotional, but the presentation is theoretical to the point of absurdity.
The more serious Potter gets (there are several earnest soliloquies about dirt), the harder it is not to laugh.
We're not exactly sure what writer-director Sally Potter was thinking here, but whatever it was, she should never try it again.
If I really were a more clever man, I’d spend more time in the sun getting tan, And less time watching films that were a mess, Then I’d be saved from writing about Yes
Yes offers a case study in the moral complacency of the creative class, and its verbal cleverness cannot disguise the vacuous self-affirmation summed up in the title.
Bold, vibrant and impassioned, Yes is the work of a high-risk film artist in command of her medium and gifted in propelling her actors to soaring performances.
[a] Greek chorus of cleaners, whose discourse on mites, germs and viruses...doesn't mesh at all with central themes of religion, politics, racism and love...
Pic ultimately has nothing of any real depth or profundity to say, but a thousand self-consciously complex ways of saying it.
Ms. Potter has gambled heavily with her ambitious conceit, and the bet has paid off magnificently: The loveliness of Yes is sublime.
Potter's script is entirely in iambic pentameter -- stressed second beats, five such beats to a line -- which is clever enough, but any message becomes obscured by sheer distraction.
Latest News for Yes
January 04, 2006:
Ebert & Roeper Share Their Favorites from '05
TV's biggest and most (relatively) beloved movie critics, Roger Ebert and Richard Roeper, have announced their top ten lists for 2005, and you can either listen to the banter on... More...
March 09, 2005:
TELLURIDE'S MOST buzzed picture was Yes, a stunning epic whose volcanic eruptions cast lurid light on the collision of male and female, Muslim and American. In rhyme! ![]()
More...
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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