Yogoto no yume (Every Night Dreams) (1933)

Yogoto no yume (Every Night Dreams)

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This silent feature by the esteemed Japanese director Mikio Naruse takes the form of a domestic melodrama. Sumiko Kurishima stars as Omitsu, a barmaid and single parent long-estranged from her irresponsible, out-of-work husband (Tatsuo Saito). When he suddenly returns without advance warning, she does anything and everything in her power to pull the pieces of her shattered family back together. Naruse employs heavy stylization to tell his story, including the repeated use of montage, a fractured … More

Rating: Unrated
Genre: Art House & International, Drama
Directed By:
Runtime:

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Critic Reviews for Yogoto no yume (Every Night Dreams)

All Critics (1)

Somewhat stylistically unhinged, yet the constant push-ins and frenetic cutting feel more to the psychological point than comparitvely showier Naruse works from the '30s.

Full Review… | March 21, 2006
Slant Magazine

Audience Reviews for Yogoto no yume (Every Night Dreams)

Another of Mikio Naruse's touching and desperate melodrama's concerning a woman who works at a bar to make ends meet for her son and herself. Her ex-husband shows back up in the picture after leaving her three years prior and now is back begging forgiveness and wanting to be a father to his abandoned son. The woman's job is one in which disgraces her recently revived relationship with her ex-husband, and thus begins the rain of a coming storm (symbolically speaking). Suddenly one evening the son is hit by a car and left badly injured, calling for extensive and costly hospital bills in order to recover. (This is a recurring action in several of Naruse's early films.) The ex, not wanting his wife to go and do unspeakable acts in order to get the money, himself resorts to robbing in order to get the money needed. He gives his wife the money needed to help his son, but the wife finds out how he got the money, and is reluctant and ultimately refuses the money. The husband having little choice and feeling guilty and a let down to his family ultimately drowns himself because he can't cope with the world he is a part of. The theme of Naruse's many melodramas is one in which the woman or women characters are often stronger and more resilient than their male counterparts. The woman, often displayed as helpless and unimportant in Japanese culture and film, are the embodiment of strength and survival. Recommended for silent and Japanese film lovers.

Chris Browning
Chris Browning

Super Reviewer

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