Akira Kurosawa and Toshiro Mifune team up for one of their most basic and enjoyable samurai films.
Yojimbo (1961)
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Reviews Counted:32
Fresh:31
Rotten:1
Average Rating:8.7/10
Runtime: 1 hr 50 mins
Genre: Foreign Films
Synopsis: In director Akira Kurosawa's comedic YOJIMBO, a masterless samurai, Sanjuro (Toshirô Mifune), wanders into a town divided by two warring clans. After displaying his formidable swordsmanship before... In director Akira Kurosawa's comedic YOJIMBO, a masterless samurai, Sanjuro (Toshirô Mifune), wanders into a town divided by two warring clans. After displaying his formidable swordsmanship before both clans in a brawl with street thugs, Sanjuro offers his services to the highest bidder. When one clan conspires against him, the clever warrior switches his allegiance to the other side, with the ultimate goal of tricking the two equally despicable and foolish clans into exterminating each other. Sanjuro's authority is challenged, however, when Unosuke (Tatsuya Nakadai), a brother of one of the leaders, comes to town wielding a modern contraption: a gun. In the classic final showdown, the old world samurai is pitted against new world progress, and must use both his wits and physical prowess to survive. Perhaps Kurosawa's most overtly comic film, YOJIMBO easily ranks with the director's finest work. In this reconception of the Western, Mifune plays Sanjuro, the tough mercenary of few words, to perfection, often allowing his subtle movements and swift actions speak for him. Throughout the entire film, Sanjuro is vigilant yet stoic, conceding that he finds the scenario entertaining and absurd, and essentially has nothing to lose. Mifune's outstanding performance, combined with Kurosawa's expert direction and Kazuo Miyagawa's beautifully balanced photography, makes for one of the finest, and funniest, films in Japanese cinema. [More]
Starring: Toshirô Mifune, Eijirô Tono, Isuzu Yamada, Takashi Shimura
Starring: Toshirô Mifune, Eijirô Tono, Isuzu Yamada, Takashi Shimura, Tatsuya Nakadai, Seizaburô Kawazu
Director: Akira Kurosawa
Director: Akira Kurosawa
Producer: Tomoyuki Tanaka, Akira Kurosawa
Composer: Masaru Sato
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Reviews for Yojimbo
If the plot sounds familiar, it's probably because Leone stole it for A Fistful of Dollars.
It is fair to say that, without Yojimbo, certain key aspects of Western cinema would not be the same today.
It is still clearly the work of a master film-maker, the level of care apparent in every shot being enough to lift Yojimbo out of the generic morass.
Despite the sometime appearance of the whole thing as a forthright travesty, it does have stretches of excitement and cinematic power.
Action-packed, highly comic 1961 translation of Dashiell Hammett's Red Harvest.
Even Eastwood's Man With No Name is inspired, perhaps, by the samurai in Yojimbo.
This is one of those movies where it sounds like none of it should work and yet all of it somehow does.
There's no denying its snappiness. Whenever you shut your brain off, it hums amicably right along.
engages viewers with its larger than life protagonist and easy to follow narrative
Every shot in this film is a textbook study of camera movement and placement, composition in depth, and the use of deep-focus photography.
Massive amounts of swordplay and treachery turn it into one of the most entertaining and best Kurosawa films.
The explosive outbursts of violence in Yojimbo are superbly choreographed, with Kurosawa's customary use of a telephoto lens creating a hallucinatory feeling.
Not much on plot or leaving one much to think about, but it sure was entertaining.
Rousing, good story, told with vigor and visual excitement by Akira Kurosawa, and splendidly acted by Toshiro Mifune, this has ideal remake material for a Yank company.
One of Japan's great contributions to cinema, the inspiration for spaghetti Westerns and the introduction of a new kind of film hero.
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