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Movies / On DVD / You Can Count on Me
You Can Count on Me

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You Can Count on Me (2000)

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Reviews Counted:96

Fresh:91

Rotten:5

Average Rating:8/10

Consensus: You Can Count On Me may look like it belongs on the small screen, but the movie surprises with its simple yet affecting story. Beautifully acted and crafted, the movie will simply draw you in.

Rated: R [See Full Rating] language, some drug use and a scene of sexuality

Runtime: 1 hr 50 mins

Genre: Dramas

Theatrical Release:Nov 10, 2000 Limited

Box Office: $8,409,329

Synopsis: Acclaimed co-winner of the Grand Jury Prize and winner of the Waldo Salt Screenwriting Award at the 2000 Sundance Film Festival, You Can Count on Me is both a heartbreaking and heartwarming... Acclaimed co-winner of the Grand Jury Prize and winner of the Waldo Salt Screenwriting Award at the 2000 Sundance Film Festival, You Can Count on Me is both a heartbreaking and heartwarming snapshot of family life.

Sammy (Laura Linney) and Terry Prescott (Mark Ruffalo) are sister and brother who were raised in Scottsville, a small, quiet town in upstate New York. Orphaned as children, Sammy and Terry have remained close, even as they have led very different and separate lives. Sammy is a churchgoing single mother working in the local Scottsville bank and devoted to her 8-year-old son Rudy (Rory Culkin). Terry is a drifter moving from state to state working odd jobs, getting into trouble and occasionally landing in jail.

One tangible thing keeps them together: the family home left to them by their parents. When Terry comes to visit Sammy with the intention of borrowing money, this home soon becomes the meeting place for their hearts and minds as they struggle to reconcile their conflicting lives with the love that, for better or worse, irrevocably binds them together.

Although it is obvious at their first meeting that each sibling is uneasy with who the the other has become, it is not long before Terry's mere presence is cracking the veneer of Sammy's well-ordered existence. Similarly, notoriously irresponsible Terry is learning to straighten up because of the developing relationship with Sammy's son.

Now that her small-town exterior has been stripped away to reveal the passionate woman underneath, Sammy begins to push the limits of all her relationships and to reevaluate her own less-than-perfect life. This results in an affair with Brian (Matthew Broderick), her new boss at the bank, and a marriage proposal from her on-again, offagain boyfriend, Bob (Jon Tenney). Everyone is testing the volatile waters of this promising new family landscape... until a well-intentioned visit to Rudy's biological father turns disastrous.

In the end, each member of this modem family must learn to separate the kind of love that matters from the kind that does not. Ultimately, they try to put things right again through a simple exchange of the unspoken words:

"You can count on me."

You Can Count on Me is the directorial debut of Kenneth Lonergan, who also wrote the screenplay. John Hart, Larry Meistrich and Jeff Sharp produce; Martin Scorsese and Barbara De Fina executive produce. Cinematographer is Stephen Kazmierski, editor is Anne McCabe, production designer is Michael Shaw and costume designer is Melissa Toth. The film stars Laura Linney, Mark Ruffalo, Rory Culkin, Matthew Broderick, Jon Tenney, J.Smith-Cameron and Kenneth Lonergan. [More]

Starring: Laura Linney, Mark Ruffalo, Matthew Broderick, Jon Tenney

Starring: Laura Linney, Mark Ruffalo, Matthew Broderick, Jon Tenney

Director: Kenneth Lonergan

Director: Kenneth Lonergan
Screenwriter: Kenneth Lonergan
Producer: John Hart, Jeff Sharp, Larry Meistrich, Barbara De Fina
Composer: Lesley Barber
Studio: Paramount Classics

[See More Credits]

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Release:

Jan 8, 2002

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Reviews for You Can Count on Me

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1 - 20 (sorted by critic A-Z)
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Gives us not so much a slice of reality as a big picture window, polished and gleaming, through which we can see things that matter.

Full Review Source: Newsday | comment Comment
01/01/00
John Anderson
John Anderson
Newsday
Top Critic Icon Top Critic

A quiet, amazingly sharp character study.

Full Review Source: Combustible Celluloid | comment Comment
05/26/06
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

So naturalistic and enjoyable is the interplay among Ruffalo, Linney and Culkin that you wish you could go look up Terry and Sammy after the closing credits and buy them a beer.

Full Review Source: South Florida Sun-Sentinel | comment Comment
12/22/00
Todd Anthony
Todd Anthony
South Florida Sun-Sentinel

Fashioned with ... remarkable economy and restraint.

Full Review Source: culturevulture.net | comment Comment
01/01/00
Bob Aulert
Bob Aulert
culturevulture.net

A drama that embraces the ambiguities and contradictions of family ties and human nature in all its irrational glory.

Full Review Source: Seattle Post-Intelligencer | comment Comment
01/01/00
Sean Axmaker
Sean Axmaker
Seattle Post-Intelligencer

A pleasant motion picture, offering a solid evening's worth of entertainment.

Full Review Source: ReelViews | comment Comment
01/01/00
James Berardinelli
James Berardinelli
ReelViews
Top Critic Icon Top Critic

Kenneth Lonegran brings such authentic humanity to this relationship it would be hard to not feel a involved and invested in these people's lives.

Full Review Source: SPLICEDWire | comment Comment
01/01/00
Rob Blackwelder
Rob Blackwelder
SPLICEDWire

I never thought I would say this, but I am starting to think that Laura Linney may, in fact, be a very good actress.

Full Review Source: Orlando Sentinel | comment Comment
12/22/00
Jay Boyar
Jay Boyar
Orlando Sentinel

You Can Count On Me is one of the best movies you're likely to see this year, or any other year, for that matter.

Full Review Source: Jam! Movies | comment Comment
01/01/00
Liz Braun
Liz Braun
Jam! Movies

Thoroughly modest in its means and ambition, You Can Count on Me is one of the best pictures I've seen all year.

comment Comment
01/01/00
Peter Brunette
Peter Brunette
Film.com
Top Critic Icon Top Critic

One of the best films in many a moon about the passions siblings call forth from each other.

Full Review Source: Spirituality and Practice | comment Comment
01/01/00
Frederic and Mary Ann Brussat
Frederic and Mary Ann Brussat
Spirituality and Practice

Satisfying in every respect, it's a piece of blue-collar chamber music, never treating the characters cheaply, allowing them a complex entwinement of emotions.

comment Comment
01/01/00
Jay Carr
Jay Carr
Boston Globe
Top Critic Icon Top Critic

Hollywood doesn't usually make films about brothers and sisters and I can understand why. Who would want to watch a story about me bickering with my sister?

Full Review Source: Reeling Reviews | comment 1 Comment
01/01/00
Robin Clifford
Robin Clifford
Reeling Reviews

The cast is terrific and true.

Full Review Source: Reeling Reviews | comment Comment
01/01/00
Laura Clifford
Laura Clifford
Reeling Reviews

If you see You Can Count On Me, you can count on a good, emotionally satisfying experience.

Full Review Source: CNN.com | comment Comment
01/01/00
Paul Clinton (CNN.com)
Paul Clinton (CNN.com)
CNN.com
Top Critic Icon Top Critic

The best domestic comedy-drama in ages, a genuine American beauty without all the flash of American Beauty.

Full Review Source: Nick's Flick Picks | comment Comment
01/10/03
Nick Davis
Nick Davis
Nick's Flick Picks

Linney and Ruffalo's rapport is warm but raw and unsentimental, capturing the unconditional tough love dynamic that can only exist between siblings.

Full Review Source: TheMovieReport.com | comment Comment
11/09/09
Michael Dequina
Michael Dequina
TheMovieReport.com

A remarkable, heartfelt and hilarious journey that will leave you homesick with recognition.

Full Review Source: Milwaukee Journal Sentinel | comment Comment
12/21/00
Duane Dudek
Duane Dudek
Milwaukee Journal Sentinel

A surprising film that will reward patient viewers.

Full Review Source: Film Journal International | comment Comment
01/01/00
Daniel Eagan
Daniel Eagan
Film Journal International

The characters in You Can Count on Me have been freed from the formulas of fiction and set loose to live lives where they screw up, learn from their mistakes and bumble hopefully into the future.

Full Review Source: Chicago Sun-Times | comment Comment
01/01/00
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic
 
 
1 - 20 (sorted by critic A-Z)
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