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Movies / On DVD / You Can Count on Me
You Can Count on Me

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You Can Count on Me (2000)

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Reviews Counted:96

Fresh:91

Rotten:5

Average Rating:8/10

Consensus: You Can Count On Me may look like it belongs on the small screen, but the movie surprises with its simple yet affecting story. Beautifully acted and crafted, the movie will simply draw you in.

Rated: R [See Full Rating] language, some drug use and a scene of sexuality

Runtime: 1 hr 50 mins

Genre: Dramas

Theatrical Release:Nov 10, 2000 Limited

Box Office: $8,409,329

Synopsis: Acclaimed co-winner of the Grand Jury Prize and winner of the Waldo Salt Screenwriting Award at the 2000 Sundance Film Festival, You Can Count on Me is both a heartbreaking and heartwarming... Acclaimed co-winner of the Grand Jury Prize and winner of the Waldo Salt Screenwriting Award at the 2000 Sundance Film Festival, You Can Count on Me is both a heartbreaking and heartwarming snapshot of family life.

Sammy (Laura Linney) and Terry Prescott (Mark Ruffalo) are sister and brother who were raised in Scottsville, a small, quiet town in upstate New York. Orphaned as children, Sammy and Terry have remained close, even as they have led very different and separate lives. Sammy is a churchgoing single mother working in the local Scottsville bank and devoted to her 8-year-old son Rudy (Rory Culkin). Terry is a drifter moving from state to state working odd jobs, getting into trouble and occasionally landing in jail.

One tangible thing keeps them together: the family home left to them by their parents. When Terry comes to visit Sammy with the intention of borrowing money, this home soon becomes the meeting place for their hearts and minds as they struggle to reconcile their conflicting lives with the love that, for better or worse, irrevocably binds them together.

Although it is obvious at their first meeting that each sibling is uneasy with who the the other has become, it is not long before Terry's mere presence is cracking the veneer of Sammy's well-ordered existence. Similarly, notoriously irresponsible Terry is learning to straighten up because of the developing relationship with Sammy's son.

Now that her small-town exterior has been stripped away to reveal the passionate woman underneath, Sammy begins to push the limits of all her relationships and to reevaluate her own less-than-perfect life. This results in an affair with Brian (Matthew Broderick), her new boss at the bank, and a marriage proposal from her on-again, offagain boyfriend, Bob (Jon Tenney). Everyone is testing the volatile waters of this promising new family landscape... until a well-intentioned visit to Rudy's biological father turns disastrous.

In the end, each member of this modem family must learn to separate the kind of love that matters from the kind that does not. Ultimately, they try to put things right again through a simple exchange of the unspoken words:

"You can count on me."

You Can Count on Me is the directorial debut of Kenneth Lonergan, who also wrote the screenplay. John Hart, Larry Meistrich and Jeff Sharp produce; Martin Scorsese and Barbara De Fina executive produce. Cinematographer is Stephen Kazmierski, editor is Anne McCabe, production designer is Michael Shaw and costume designer is Melissa Toth. The film stars Laura Linney, Mark Ruffalo, Rory Culkin, Matthew Broderick, Jon Tenney, J.Smith-Cameron and Kenneth Lonergan. [More]

Starring: Laura Linney, Mark Ruffalo, Matthew Broderick, Jon Tenney

Starring: Laura Linney, Mark Ruffalo, Matthew Broderick, Jon Tenney

Director: Kenneth Lonergan

Director: Kenneth Lonergan
Screenwriter: Kenneth Lonergan
Producer: John Hart, Jeff Sharp, Larry Meistrich, Barbara De Fina
Composer: Lesley Barber
Studio: Paramount Classics

[See More Credits]

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Release:

Jan 8, 2002

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Reviews for You Can Count on Me

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81 - 100 (sorted by date)
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One of the best films in many a moon about the passions siblings call forth from each other.

Full Review Source: Spirituality and Practice | comment Comment
01/01/00
Frederic and Mary Ann Brussat
Frederic and Mary Ann Brussat
Spirituality and Practice

[Lonergan's] screenplay and direction are marvels of subtlety and nuance.

Full Review Source: Los Angeles Daily News | comment Comment
01/01/00
Glenn Whipp
Glenn Whipp
Los Angeles Daily News

The small scale of the film is challenging on a big screen; but the performances ... transcend that scope and make it a small story worth seeing.

Full Review Source: Greg's Previews at Yahoo! Movies | comment Comment
01/01/00
Greg Dean Schmitz
Greg Dean Schmitz
Greg's Previews at Yahoo! Movies

This is a movie to cherish.

Full Review Source: Compuserve | comment Comment
01/01/00
Harvey S. Karten
Harvey S. Karten
Compuserve

A pleasant motion picture, offering a solid evening's worth of entertainment.

Full Review Source: ReelViews | comment Comment
01/01/00
James Berardinelli
James Berardinelli
ReelViews
Top Critic Icon Top Critic

Satisfying in every respect, it's a piece of blue-collar chamber music, never treating the characters cheaply, allowing them a complex entwinement of emotions.

comment Comment
01/01/00
Jay Carr
Jay Carr
Boston Globe
Top Critic Icon Top Critic

Completely engaging.

Full Review Source: Screen It! | comment Comment
01/01/00
Jim Judy
Jim Judy
Screen It!

One to see.

Full Review Source: JoBlo's Movie Emporium | comment Comment
01/01/00
JoBlo
JoBlo
JoBlo's Movie Emporium

Gives us not so much a slice of reality as a big picture window, polished and gleaming, through which we can see things that matter.

Full Review Source: Newsday | comment Comment
01/01/00
John Anderson
John Anderson
Newsday
Top Critic Icon Top Critic

Offers as rich and satisfying an emotional experience as any film this year.

Full Review Source: Seattle Times | comment Comment
01/01/00
John Hartl
John Hartl
Seattle Times

One heck of a great film.

Full Review Source: Planet Sick-Boy | comment Comment
01/01/00
Jon Popick
Jon Popick
Planet Sick-Boy

It is visually flat and uninteresting and too often feels like a (leisurely paced) filmed play.

Full Review Source: New York Post | comment Comment
01/01/00
Jonathan Foreman
Jonathan Foreman
New York Post
Top Critic Icon Top Critic

With warm humor and perceptive writing, director Kenneth Lonergan displays a gift for creating realistic characters and a compelling story.

Full Review Source: Los Angeles Times | comment Comment
01/01/00
Kenneth Turan
Kenneth Turan
Los Angeles Times
Top Critic Icon Top Critic

What's most important to Lonergan is that we care what happens to his characters -- and we do, very much.

Full Review Source: Mr. Showbiz | comment Comment
01/01/00
Kevin Maynard
Kevin Maynard
Mr. Showbiz
Top Critic Icon Top Critic

Lonergan serves his superb screenplay well.

Full Review Source: Hollywood Reporter | comment Comment
01/01/00
Kirk Honeycutt
Kirk Honeycutt
Hollywood Reporter
Top Critic Icon Top Critic

The cast is terrific and true.

Full Review Source: Reeling Reviews | comment Comment
01/01/00
Laura Clifford
Laura Clifford
Reeling Reviews

You Can Count On Me is one of the best movies you're likely to see this year, or any other year, for that matter.

Full Review Source: Jam! Movies | comment Comment
01/01/00
Liz Braun
Liz Braun
Jam! Movies

Beautifully acted.

Full Review Source: TV Guide's Movie Guide | comment Comment
01/01/00
Maitland McDonagh
Maitland McDonagh
TV Guide's Movie Guide

Lonergan shows us what our movies rarely do: real people suffering real pains and joys -- in the small, cluttered ways that real life mostly brings.

comment Comment
01/01/00
Michael Wilmington
Michael Wilmington
Chicago Tribune
Top Critic Icon Top Critic

Ken Lonergan adds just enough unpredictable dialogue and creativity to make this movie the real deal.

Full Review Source: Filmcritic.com | comment Comment
01/01/00
Norm Schrager
Norm Schrager
Filmcritic.com
 
 
81 - 100 (sorted by date)
Text View | |< << 1 2 3 4 5 6 >> >|
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