Can't help but resonate with a ripped- from-the- headlines topicality.
Zero Day (2003)
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Reviews Counted:42
Fresh:29
Rotten:13
Average Rating:6.6/10
Theatrical Release:Sep 3, 2003 Limited
Synopsis: Shot entirely on hand-held video cameras, ZERO DAY is director Ben Coccio's debut feature, portraying the lives of two wayward teens as they plot a Columbine-like act of vengeance against their... Shot entirely on hand-held video cameras, ZERO DAY is director Ben Coccio's debut feature, portraying the lives of two wayward teens as they plot a Columbine-like act of vengeance against their high school. Zero Day is the name the two boys give to the fateful date on which they will carry out their heinous act of revenge, a day towards which they race inexorably throughout the movie. The two protagonists, Andre Kriegman (Andre Keuck) and Cal Gabriel (Calvin Robertson) are obsessed with documenting their every movement, filming even the most minute detail in their well-executed plan. To avoid detection, the boys store their camcorder footage in a safety deposit box, ultimately requesting that their stored legacy is left in the hands of any major television network, thereby ensuring their posthumous fame. The fascinating and creepy video diaries include footage of the seemingly normal family lives of the boys (with both sets of parents being played by the actors' real parents), and also make it abundantly clear the influence of violent video games, movies, books, music, nor the boys families are not to blame for their willful acts of destruction. Director Coccio offers a bold, intense statement for his directorial debut. Drawing no discernable conclusions from his subject matter, Coccio weaves a fascinatingly open-ended tale. The two media-savvy teens are convincingly played by Keuck and Robertson, offering very few apparent signs of mental instability or psychosis. Their disquieting pathology lends an eerie feeling of unease as they approach their task. Disturbing, and all too real, ZERO DAY offers a tantalizing glimpse into the possible worlds of modern day teenage lives. [More]
Starring: Andre Keuck, Calvin Robertson, Gerhard Keuck, Johanne Keuck
Starring: Andre Keuck, Calvin Robertson, Gerhard Keuck, Johanne Keuck, Rachel Benichak, Christopher Coccio
Director: Ben Coccio
Director: Ben Coccio
Screenwriter: Ben Coccio
Producer: Ben Coccio
Composer: Benji Cossa
Studio: Avatar Films
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Release:
Apr 5, 2005
Reviews for Zero Day
probably the most realistic look at how far teen angst can really go, along with the reasons why it exists in the first place
What gives the movie its power is that even the most innocuous scenes in the boys' lives are shadowed by dread.
Love it or hate it, Zero Day will stay with you for a very long time.
Gripping, compelling work. It feels pulled from real life, and real life is the most frightening thing there is.
It generates strong visceral impact while conveying the essentially inexplicable nature of such tragedies.
It generates strong visceral impact while conveying the essentially inexplicable nature of such tragedies.
Mr. Coccio's conclusions -- or lack thereof -- may seem a little pat at times, but as a pseudo-case study of adolescent ego and aimless nihilism channeled into a fit of violence, it's like a bucket of ice water in the face.
Zero Day may not explain the reason such crimes are committed but it successfully defines evil as willful cruelty compounded by enormous self-absorption.
un effort s'attaquant sans gęne aux véritables raisons pouvant motiver des actes aussi insensés qui mérite d'ętre écouté attentivement.
[The ending is] a powerhouse sequence that easily relies as much as our collective conscience of real-life tragedy as the talents of the filmmaker, but that doesn't keep it from being one of the most arresting scenes this year.
Raises disquieting questions about what it means to present an accurate, convincing reenactment of such an event, but is ultimately an insightful and non-exploitative treatment of the subject.
Writer-director Ben Coccio has made an intensely immediate, meticulously detailed bone-chiller -- it haunts you long after you’ve wished it would go away.
Interestingly enough, it is in letting us get to know the assailants, not the victims, that Coccio makes us grieve.
It has a power and immediacy that makes it much more worthwhile than Home Room.
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