The quintessential moment in glam-rock history, ZIGGY STARDUST AND THE SPIDERS FROM MARS is David Bowie at his best. This film of the 1973 concert (released 10 years later) documents the hallucinogenic collage of kitsch, Warhol/Pop irony, and flamboyant excess that was the Bowie phenomenon: his trademark synthetic androgyny is a musical symbiosis of feminine passion and masculine dominance that define his funky, gender-bending art and, ultimately, the glam-rock genre as a whole. Early on, the
film cuts to elaborate backstage costume changes between sets, highlighting a playlist that includes such classics as "Changes," "Space Oddity," "Time," and "Suffragette City." In this comprehensive document of a seminal peformer in music history, director D.A. Pennebaker captures the enigmatic singer's smoldering brilliance like a Hubble photograph of a supernova; it is essential viewing for Bowie fans and music historians alike.
Freed of the unflattering contemporary distractions offered by This Is Spinal Tap, Pennebaker's Ziggy Stardust And The Spiders From Mars captures Bowie at perhaps his purest, punkiest rock 'n' roll peak.
Pennebaker doesn't break any ground here, in what is essentially a linear concert film. But he doesn't need to. Bowie's brilliant -- and, by today's stadium-size standards, intimate -- performance does that for him.
While "Ziggy" is obviously more of interest to hardcore Bowie fans than anyone else (some critics have trashed it for that reason), it should be required viewing for rockers-in-training who really want to learn about good showmanship.
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