Zigzag is the directorial debut of screenwriter David S. Goyer (Blade, Blade 2). Based on the well-received debut novel by Landon J. Napoleon, the film tells the story of an autistic teenager, Louis "Zigzag" Fletcher (Sam Jones III). Zigzag is a sensitive and thoughtful boy who retreats into his own mind to escape the harshness of his inner-city life, particularly the abuse of his father (Wesley Snipes). His only friend is Singer (John Leguizamo), his compassionate Big Brother, who gives Louis his nickname, and tells the boy he's imbued with special powers. He's trying to get Zigzag removed from his father's home, and also to teach him to survive. Singer has testicular cancer, and is concerned that he won't always be around when the boy needs him. Zigzag works as a dishwasher in a restaurant owned by the Toad (Oliver Platt), an amusingly caustic Southerner. After Zigzag's father demands 200 dollars for rent, the boy sees Toad opening his office safe, and commits the combination to memory. Later, he takes 9,000 dollars from the safe. When he attempts to give his father the rent, his father takes all the money. When Singer finds out what Zigzag has done, he goes to desperate lengths to get the money back, so he can return it to Toad before Zigzag gets into trouble. As Singer's plan goes awry, this brings the pair into contact with a sleazy loan shark (Luke Goss, who was also in Blade 2) and a kindhearted prostitute (Natasha Lyonne). The film's soundtrack was composed by Grant Lee Phillips. Zigzag was shown at the 2002 SXSW Festival. … More
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Critic Reviews for Zigzag
Mr. Goyer's loose, unaccountable direction is technically sophisticated in the worst way.
The movie, despite its rough edges and a tendency to sag in certain places, is wry and engrossing.
Goyer's screenplay and direction are thankfully understated, and he has drawn excellent performances from his cast.
A great ensemble cast can't lift this heartfelt enterprise out of the familiar.
The character of ZigZag is not sufficiently developed to support a film constructed around him.
...the film suffers from an overly meandering pace and a central character that's just not all that interesting.
O roteiro tem seus momentos de fraqueza e o protagonista é distante demais para estabelecer uma identificação com o espectador, mas, ainda assim, o filme funciona graças às ótimas atuações oferecidas pelo elenco (especialmente a do estreante Sam Jones).
Not at all clear what it's trying to say and even if it were - I doubt it would be all that interesting.
Though Jones and Snipes are enthralling, the movie bogs down in rhetoric and cliché.
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