Zodiac Reviews
Super Reviewer
Quibble - they might have explained the Melvin Belli character a bit more. I got that he was some celebrity lawyer but I didn't think it was set up well.
Super Reviewer
Super Reviewer
Super Reviewer
Zodiac is amazingly acute portrayal of an Zodiac-killer investigations that begun at the late 60's and are still open till today. It cast a hypnotic mood upon viewer and never let go.
Where Zodiac differ from Fincher's earlier work, is in it's more relaxed and mature approach to it's subject matter. Here we can see a great director who completely trusts the intriguing story, rather than visual gimmicks or cheap tricks.
Fincher manages also to pull out such an brilliant performances from his actors, and even the smallest roles are portrayed with brilliance and detail. There are lots of characeters in this film and the film's timespan is constantly moving, but Fincher never loses his grip and keeps the viewer hooked to the mystery that surrounds all these characters and their actions.
This is also a great film about whole city in a state of hysteria and panic and a damn fine portrayal of it's era. With effective use of soundtrack, locations and style, Fincher takes us back to the San Francisco of 60's and 70's.
It has always been those quiet moments of terror where Fincher shows his real mastery, and i have to say that there is hardly more terrifying sequences of suspense in any other film than i've seen in here. There are scenes that truly gives me the creeps everytime i watch this film. They are not about gore or effects, it is the quietly eerie way that Fincher stages them. They just happen, wtihout any cheap shock-effects, just like that, some in a broad daylight, some at night, and the way he manages to pull out the unease of those moments is truly horrifying.
This is a long and fascinating journey and asks patience from the viewer, it definetly has some flaws with rhytm but if you're willing to go with it, then you are in for a one hell of a sxciting journey into darkness.
Zodiac is a dark and hypnotic cinema that will haunt you long after the ending credits has rolled.
Super Reviewer
Super Reviewer
Super Reviewer
Super Reviewer
Still a good watch for those of you who like to follow true crime investiagtions.
Super Reviewer
Super Reviewer
Super Reviewer
Super Reviewer
After the success of such films as 'Se7en,' 'Fight Club' and 'Panic Room,' director David Fincher has turned his sights away from straight thrillers and fallen upon Robert Graysmith's true-crime novel, 'Zodiac.' Adapted by James Vanderbilt, the film opens on July 4 1969, with the shooting of Michael Mageau (Lee Norris) and Darlene Ferrin (Ciara Hughes) by a perpetrator who remains hidden in the shadows. After the killer sends a taunting letter to the 'San Francisco Chronicle', crime reporter Paul Avery (Robert Downey Jr.) is assigned to follow the case, whilst newspaper cartoonist Robert Graysmith (Jake Gyllenhaal) takes an active interest in the killer. After the Zodiac's fifth confirmed murder, of taxi driver Paul Lee Stine on October 11 1969, Inspector David Toschi (Mark Ruffalo) of the SFPD attempts to trace the serial killer, his desire becoming an obsession that will later threaten to destroy his life.
It is possible that some viewers, expecting a slick and stylish Hollywood serial killer film, will be disappointed with 'Zodiac,' since Fincher has chosen to focus largely on how the hunt for the killer has destroyed the lives of those trying to bring him to justice. We linger on the victims themselves only briefly, and the homicides themselves are all orchestrated well before the mid-point of the film. By constantly reminding us that this is a true story, and by keeping the attention to detail as accurate as possible, Fincher has masterminded an entirely engrossing police procedural, in which the obsessive but futile search for the murderer is more absorbing than the murders themselves. With the real-life case being an unsolved mystery, the ending does not reach any solid conclusions on the identity of the killer, though, by laying out the evidence as it is, the film does manage to convey a certain sense of resolution, effectively avoiding the anti-climax that seemed almost inevitable. A meticulous recreation of the crime investigation, consisting largely of characters' personal and phone conversations, the film-making style of 'Zodiac' draws obvious parallels with such films as Alan J. Pakula's 'All the President's Men (1976),' of which Fincher confesses to being a fan.
The acting from everybody involved in 'Zodiac' proves a real asset. Downey Jr. is excellent as the sarcastic and darkly humorous reporter Paul Avery, who would later descend into worrying bouts of alcoholism. Mark Ruffalo, delivering perhaps the finest performance in the film, is perfect as David Toschi, who tried for many years, in vain, to bring the Zodiac to justice, the case threatening to consume his life. Jake Gyllenhaal, though perhaps lacking the presence of his co-stars, is notable as Robert Graysmith, whose fixation with the serial killer would lead him to write two best-selling non-fiction books on the subject, upon which this film was based.
John Carroll Lynch is disturbingly unsettling as Arthur Leigh Allen, the number one suspect for the murders, and the only person to have been seriously investigated by detectives. Despite being faced with seemingly damning amounts of circumstantial evidence, Allen vehemently denied being the Zodiac killer, and handwriting comparisons (and, more recently, DNA testing) yielded negative results. Graysmith, however, was convinced that Allen must be the killer, and the scene in which he tracks him down to "look him in the eye? to know that it's him" is extremely effective; it is the moment in which Graysmith frees himself from the grasp of the Zodiac's enigma, allowing him to recapture his life. In order to keep the identity of the killer in doubt, Fincher employed the use of three different actors to portray the Zodiac for the various murder scenes (Richmond Arquette, Bob Stephenson, John Lacy), based on witness descriptions from each of the incidents. Notably, John Carroll Lynch is not used in any of these sequences.
Excellent cinematography by Harris Savides beautifully captures the mood and style of the late 1960s and early 1970s in America. Interestingly, to shoot the film, Savides made use of the digital Thomson Viper Filmstream camera, which has previously been employed by Michael Mann in such films as 'Collateral' and 'Miami Vice,' though 'Zodiac' is the first feature-length Hollywood film to be shot entirely in the Viper's uncompressed digital data format. Though I would have expected digital cinematography to detract from the nostalgic atmosphere of the film, I really didn't even notice the difference. A mixture of popular songs from the era, and original music by David Shire, also complement the film well.
I'll stop short of referring to David Fincher's 'Zodiac' as a masterpiece, but, needless to say, it is truly a remarkable film that will, no doubt, continue to hold firm for many years to come.
Super Reviewer
Super Reviewer
What we have seen before, is a story of obsession over catching a criminal, and the impact it has families and careers. That's Zodiac in a nutshell. And as the actual crime is still an open case, in a lot of ways the film lives and dies by how well it portrays those relationships. Thankfully, I found all that interesting.
If I have to nitpick, I'll say that the running time could have been a bit shorter, and Jake Gyllenhal may not have been a perfect fit or his role. He grew on me as the movie went on, but I can think of five people off the top of my head who would have really nailed that character.
Anyway, this is a pretty good movie. Don't expect anything like Se7en or The Silence of the Lambs, but it is thrilling and involving in its own way.
Super Reviewer
Super Reviewer
Super Reviewer
Super Reviewer
Dark, sleek, and mesmerizing Zodiac is a stylish film that accurately chronicles the serial killer who tormented the San Francisco Bay Area in the 1970's.
Director David Fincher (Seven, Fight Club) crafts a different type of masterpiece that he is not accustom to. His previous successes in fiction pales in comparison to his achievement in this narrative. It's extremely difficult to make a film based on actual events and yet maintain its authenticity. One such film that couldn't achieve this level of accuracy was Brian De Palma's inaccurate telling of The Black Dahlia.
The three leads did a great job, but the one that stands out here is Jake Gyllenhaal as the cartoonist whose life deteriorates as his continued Zodiac obsession intensifies.
This is one of those films that invoked me to do some research on the Zodiac killer. Prior to this film, I had virtually no knowledge of this case. After viewing many websites, I can see that this film was one of the most accurate portrayals of real life events in recent cinema history. It's an absolute shame that this case still has not been solved despite the mounting evidence against the lone suspect. I hope DNA testing in the future will in fact incriminate him.
On the down side, this film runs more as an informative History Channel special. I say this only because at a run time of 2hrs. 40mins, it out stays it's welcome. It wasn't entertaining enough to warrant an extended viewing, and the chance of re-watching the film is slim.
From a filmmakers standpoint, this is an excellent piece of work... and it's highly commendable. But there's an entertainment factor that's missing that prevents me from loving this film.
"The last time I saw this face was July 4th, 1969. I am very sure that's the man who shot me."
Super Reviewer
