Zoo is hardly a brief on behalf of the practice, but it does treat those who engage in it as something more than just contemptible freaks.
Zoo (2007)
Tomatometer
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Reviews Counted:43
Fresh:24
Rotten:19
Average Rating:6/10
Consensus: While a marginally fascinating look at a taboo subject, Zoo is bogged down by its overly artistic presentation.
Theatrical Release:2007
Synopsis: One of the many challenges of documentary filmmaking can often be how to present shocking or outrageous events without sensationalizing them. With ZOO, film writers Robinson Devor and Charles... One of the many challenges of documentary filmmaking can often be how to present shocking or outrageous events without sensationalizing them. With ZOO, film writers Robinson Devor and Charles Mudede certainly had their work cut out for them. In 2006, a news story broke that a man in Washington state had died while trying to have sex with a horse. Using a rather unconventional documentary style, Devor and Mudede decided to explore the incident, and delve into the secretive subculture of zoophilia. Foregoing the traditional interview techniques generally favored in documentaries, the film is composed almost entirely of scene reenactment, with actors standing in for all of the key players. The real people involved would lend only their taped voices, as they did not wish for their true identities to be revealed. Visually, the film is quite beautiful, and flows across the screen with a dreamy, ethereal quality. Scenes are often shaded in deep violets and midnight blues, and the many shadowed, slow motion shots move as though underwater. Contrary to what one might expect, it is devoid of graphic imagery (save for one extremely brief scene), and anyone interested for shock value alone will be greatly disappointed. However, those wishing to learn more about the psychology of zoophilia will also find the film lacking. Rather than educate its audience, the film's sole purpose seems to be to humanize the people involved, and to ask for empathy. This is a noble enough goal, and one that the filmmakers achieve to a certain degree. However, by the film's end, the world of zoophiliacs still feels cloaked in mystery. If their lives are lived in shadow, ZOO doesn't do much in the way of shedding any light. Viewers will doubtless be stirred emotionally by the film, but they are likely to walk away with more questions than answers. [More]
Starring: John Paulsen, Russell Hodgkinson, Michael Minard
Starring: John Paulsen, Russell Hodgkinson, Michael Minard
Director: Robinson Devor
Director: Robinson Devor
Screenwriter: Charles Mudede
Producer: Peggy Case, Alexis Ferris
Composer: Paul Moore
Studio: ThinkFilm
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Reviews for Zoo
Zoo avoids any taint of exploitation, but it errs on the opposite extreme. I came away from it wanting a little less Art and a lot more simple reportage.
Zoo is a cool sensibility married to a hot topic, a poetic film about a forbidden, unsettling subject.
The movie consists of scripted reenactments, and is cast largely with actors, but what is the point of it? It's so neutral in its assessment of these men, so fastidiously even-handed, that it's virtually immaterial to the subject. On the one hand, the men
The film's dramatic re-enactments, shot in lush 16mm by cinematographer Sean Kirby, create a fascinating blurring of the line between narrative and documentary storytelling, reminiscent of the work of Werner Herzog and Errol Morris.
Devor's moody style (silhouettes, reenactments, an ominously throbbing score) only heightens the sleazy Dateline NBC feel.
This film will confuse and surprise you. For the most part these guys seem like gentle, lonely and odd people, poorly socialized to human life.
Devor is not interested either in condemning or condoning bestiality, but rather in trying to understand the strange workings of the human animal.
This experimental-style documentary invokes the waking dreams of David Lynch, Werner Herzog and Errol Morris. It's like a true-crime inquiry undertaken during a total eclipse.
It's not a cheery film to watch, but there's an unexpected beauty and distance to Zoo that makes it easier to comprehend, if not understand, how this culture considers itself.
This nightmare-inducing film is as dark and lurid in tone as the mind of its maker.
The artiness -- and the ambient drone -- of Zoo becomes oppressive, but it’s still a ride like no other. I guess I couldn’t suppress the urge to make dumb jokes. Call me a neigh-sayer.
An inventive use of the documentary format to examine a bizarre case ... but not something you will want to experience more than once.
Devor has made an intriguing but flawed docu about bestiality, in which the overly aesthtic and bizarre imagery often negates his more serious and critical probation, resulting in a shallow work.
Unusually classy, but it's also ponderous and boring -- which is something I didn't think a movie about a man who died from having sex with a horse could be.
The legacy of Chris Marker weeps when the future of essay filmmaking looks like a feature-length commercial for Ambien.
As artful and delicate as director Robinson Devor tries to be with his documentary's disorienting material, the enterprise bogs down from the weight of its artistic intent and mannered methods.
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