Jenny Edwards, the animal rescuer who intervened on the stallion’s behalf, admits of zoophilia, 'I’m right at the beginning of being able to understand it.' Can we?
Zoo (2007)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:43
Fresh:24
Rotten:19
Average Rating:6/10
Consensus: While a marginally fascinating look at a taboo subject, Zoo is bogged down by its overly artistic presentation.
Theatrical Release:2007
Synopsis: One of the many challenges of documentary filmmaking can often be how to present shocking or outrageous events without sensationalizing them. With ZOO, film writers Robinson Devor and Charles... One of the many challenges of documentary filmmaking can often be how to present shocking or outrageous events without sensationalizing them. With ZOO, film writers Robinson Devor and Charles Mudede certainly had their work cut out for them. In 2006, a news story broke that a man in Washington state had died while trying to have sex with a horse. Using a rather unconventional documentary style, Devor and Mudede decided to explore the incident, and delve into the secretive subculture of zoophilia. Foregoing the traditional interview techniques generally favored in documentaries, the film is composed almost entirely of scene reenactment, with actors standing in for all of the key players. The real people involved would lend only their taped voices, as they did not wish for their true identities to be revealed. Visually, the film is quite beautiful, and flows across the screen with a dreamy, ethereal quality. Scenes are often shaded in deep violets and midnight blues, and the many shadowed, slow motion shots move as though underwater. Contrary to what one might expect, it is devoid of graphic imagery (save for one extremely brief scene), and anyone interested for shock value alone will be greatly disappointed. However, those wishing to learn more about the psychology of zoophilia will also find the film lacking. Rather than educate its audience, the film's sole purpose seems to be to humanize the people involved, and to ask for empathy. This is a noble enough goal, and one that the filmmakers achieve to a certain degree. However, by the film's end, the world of zoophiliacs still feels cloaked in mystery. If their lives are lived in shadow, ZOO doesn't do much in the way of shedding any light. Viewers will doubtless be stirred emotionally by the film, but they are likely to walk away with more questions than answers. [More]
Starring: John Paulsen, Russell Hodgkinson, Michael Minard
Starring: John Paulsen, Russell Hodgkinson, Michael Minard
Director: Robinson Devor
Director: Robinson Devor
Screenwriter: Charles Mudede
Producer: Peggy Case, Alexis Ferris
Composer: Paul Moore
Studio: ThinkFilm
Get This Movie
Reviews for Zoo
Zoo avoids any taint of exploitation, but it errs on the opposite extreme. I came away from it wanting a little less Art and a lot more simple reportage.
Time and again, Devor sabotages his own attempt to bring 'zoos,' literally and figuratively, into the light.
In the context of Zoo, you’re usually too busy trying not to fall asleep due to the score, or trying not to scream 'lighten up' at the people onscreen, to really allow the visuals the proper respect they deserve.
Devor is not interested either in condemning or condoning bestiality, but rather in trying to understand the strange workings of the human animal.
Filmed with visual beauty and conceptual taste -- too much so, say the film's detractors -- it's an eerie glimpse into a secret world.
Punch lines and outrage come easy, but beware: If you walk into this film with a secure moral judgment, prepare to have it shaken by the time you leave.
Zoo is, to a large extent, about the rhetorical uses of beauty. It is, rather more coyly, also about a man who died after having sex with a stallion.
An inventive use of the documentary format to examine a bizarre case ... but not something you will want to experience more than once.
The artiness -- and the ambient drone -- of Zoo becomes oppressive, but it’s still a ride like no other. I guess I couldn’t suppress the urge to make dumb jokes. Call me a neigh-sayer.
The film's dramatic re-enactments, shot in lush 16mm by cinematographer Sean Kirby, create a fascinating blurring of the line between narrative and documentary storytelling, reminiscent of the work of Werner Herzog and Errol Morris.
[Interviewee Jenny Edwards'] own subsequent research into the abyss leaves her 'on the edge of understanding,' and this remarkable, haunting film will leave you feeling very much the same way.
You could wander into this poetic documentary willing to be sympathetic toward its subject -- men who have sex with horses -- and still find Zoo cryptic and borderline bogus.
Zoo, with its idiosyncratic subject matter, may not be the easiest sell in the world, but anyone interested in provocative, challenging, and unexpected fare owes it to themselves to check it out.
Zoo is a documentary doomed to remain forever biased and incomplete until somebody figures out how to interview a horse.
The legacy of Chris Marker weeps when the future of essay filmmaking looks like a feature-length commercial for Ambien.
Zoo is the formal antithesis of To Catch a Predator-like exposés in its presentation of outcasts.
Robinson Devor and his accomplished crew expand our concept of the documentary film.
I can't believe I'm thinking about this stuff, but weirdly grateful to Zoo for going there.
It's never explicit or sensational or tittering. And in that it's something of a golden example; political documentaries should be this careful and restrained.
Latest News for Zoo
September 18, 2007:
RT on DVD: It's Death Proof Time!
If you've been itching for a good rental, you're in luck -- even the gambles this week are near Fresh on the Tomatometer! Tarantino fans already know to look for his Death Proof... More...
April 26, 2007:
Critical Consensus: This Film Is "Condemned"; "Next" Vexes; Guess "Invisible," "Kickin' It" Tomatometers!
This week at the movies, we've got clairvoyants ("Next," with Nicolas Cage and Julianne Moore), cons ("The Condemned," starring Steve Austin and Vinnie... More...
| Tomatometer Percentage | Movie |
|---|---|
| 14% 14% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
RT On Current TV
DIRECTV 358 | Comcast 107 | DISH Network 196 | More...
What’s Hot On RT
Other News
CloseSponsored Links
Fresh Links
Featured

The director talks about puppetry perfection and his film, Fantastic Mr. Fox

Hollywood.com ponders whether or not an animated film could win Best Picture.

Richard Corliss previews the season's best offerings and hottest tickets.

The AV Club's Mike D'Angelo airs his beefs with Alfonso Cuaron's Children of Men.
Promos

Get the latest Tomatometer updates on upcoming movies!



Top Critic



