Director Robinson Devor makes an only mildly disgusting film about a wholly revolting subject.
Zoo (2007)
Tomatometer
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Reviews Counted:43
Fresh:24
Rotten:19
Average Rating:6/10
Consensus: While a marginally fascinating look at a taboo subject, Zoo is bogged down by its overly artistic presentation.
Theatrical Release:2007
Synopsis: One of the many challenges of documentary filmmaking can often be how to present shocking or outrageous events without sensationalizing them. With ZOO, film writers Robinson Devor and Charles... One of the many challenges of documentary filmmaking can often be how to present shocking or outrageous events without sensationalizing them. With ZOO, film writers Robinson Devor and Charles Mudede certainly had their work cut out for them. In 2006, a news story broke that a man in Washington state had died while trying to have sex with a horse. Using a rather unconventional documentary style, Devor and Mudede decided to explore the incident, and delve into the secretive subculture of zoophilia. Foregoing the traditional interview techniques generally favored in documentaries, the film is composed almost entirely of scene reenactment, with actors standing in for all of the key players. The real people involved would lend only their taped voices, as they did not wish for their true identities to be revealed. Visually, the film is quite beautiful, and flows across the screen with a dreamy, ethereal quality. Scenes are often shaded in deep violets and midnight blues, and the many shadowed, slow motion shots move as though underwater. Contrary to what one might expect, it is devoid of graphic imagery (save for one extremely brief scene), and anyone interested for shock value alone will be greatly disappointed. However, those wishing to learn more about the psychology of zoophilia will also find the film lacking. Rather than educate its audience, the film's sole purpose seems to be to humanize the people involved, and to ask for empathy. This is a noble enough goal, and one that the filmmakers achieve to a certain degree. However, by the film's end, the world of zoophiliacs still feels cloaked in mystery. If their lives are lived in shadow, ZOO doesn't do much in the way of shedding any light. Viewers will doubtless be stirred emotionally by the film, but they are likely to walk away with more questions than answers. [More]
Starring: John Paulsen, Russell Hodgkinson, Michael Minard
Starring: John Paulsen, Russell Hodgkinson, Michael Minard
Director: Robinson Devor
Director: Robinson Devor
Screenwriter: Charles Mudede
Producer: Peggy Case, Alexis Ferris
Composer: Paul Moore
Studio: ThinkFilm
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Reviews for Zoo
Time and again, Devor sabotages his own attempt to bring 'zoos,' literally and figuratively, into the light.
Filmed with visual beauty and conceptual taste -- too much so, say the film's detractors -- it's an eerie glimpse into a secret world.
Zoo is a documentary doomed to remain forever biased and incomplete until somebody figures out how to interview a horse.
Devor's moody style (silhouettes, reenactments, an ominously throbbing score) only heightens the sleazy Dateline NBC feel.
This experimental-style documentary invokes the waking dreams of David Lynch, Werner Herzog and Errol Morris. It's like a true-crime inquiry undertaken during a total eclipse.
Devor has an eye; this is clear. If he trades some of the poetry for a little prose next time out, he'll really have something, whatever his subject.
Devor's' style as a filmmaker is visual and almost impressionistic, and he seems as enamored of the beauty of the landscape and the snow-capped volcano hovering protectively over Enumclaw as he does by his subject matter.
This nightmare-inducing film is as dark and lurid in tone as the mind of its maker.
An inventive use of the documentary format to examine a bizarre case ... but not something you will want to experience more than once.
Devor has made an intriguing but flawed docu about bestiality, in which the overly aesthtic and bizarre imagery often negates his more serious and critical probation, resulting in a shallow work.
You could wander into this poetic documentary willing to be sympathetic toward its subject -- men who have sex with horses -- and still find Zoo cryptic and borderline bogus.
Unusually classy, but it's also ponderous and boring -- which is something I didn't think a movie about a man who died from having sex with a horse could be.
Devor is not interested either in condemning or condoning bestiality, but rather in trying to understand the strange workings of the human animal.
The film's artistry makes it possible to consider the subject without sniggering or recoiling reflexively.
In the context of Zoo, you’re usually too busy trying not to fall asleep due to the score, or trying not to scream 'lighten up' at the people onscreen, to really allow the visuals the proper respect they deserve.
Robinson Devor and his accomplished crew expand our concept of the documentary film.
Latest News for Zoo
September 18, 2007:
RT on DVD: It's Death Proof Time!
If you've been itching for a good rental, you're in luck -- even the gambles this week are near Fresh on the Tomatometer! Tarantino fans already know to look for his Death Proof... More...
April 26, 2007:
Critical Consensus: This Film Is "Condemned"; "Next" Vexes; Guess "Invisible," "Kickin' It" Tomatometers!
This week at the movies, we've got clairvoyants ("Next," with Nicolas Cage and Julianne Moore), cons ("The Condemned," starring Steve Austin and Vinnie... More...
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