The Luzhin Defence (2001)
Runtime: 1 hr 46 mins
Theatrical Release: Apr 20, 2001 Limited
Synopsis: Based on the novel THE DEFENSE by Vladimir Nabokov, director Marleen Gorris's THE LUZHIN DEFENCE is set in Italy in the 1920s as the world reknowned chess master Alexander Luzhin (John Turturro) from St. Petersburg, Russia, arrives for a match with his only known rival. Almost immediately... Based on the novel THE DEFENSE by Vladimir Nabokov, director Marleen Gorris's THE LUZHIN DEFENCE is set in Italy in the 1920s as the world reknowned chess master Alexander Luzhin (John Turturro) from St. Petersburg, Russia, arrives for a match with his only known rival. Almost immediately after he arrives, Luzhin meets a glowing, graceful aristocratic woman, Natalia (Emily Watson), who is attending the match with her mother. Surrounded by potential suitors, Natalia is busy behaving like a lady and presenting various young men to her mother for approval. However, she is curious about the slovenly, unconventional, quirky Luzhin from their first meeting, and she sees past his social ineptitude, believing him to be a true genius. Luzhin is utterly smitten, and practically forgets his determination to win the match when he proposes marriage to Natalia. From there, THE LUZHIN DEFENCE spirals downward as Natalia becomes a maternal figure to Luzhin, who is haunted by ghosts from his past and is nearly driven insane by the nagging, torturous pressure to figure out the one move (a flawless defense) that will allow him to win the chess match. With beautiful imagery depicting the lavish Italian resort where the match is held, elegant costumes, and a triumphant, stirring classical score, THE LUZHIN DEFENCE is an evenly acted, well-paced film about love, intrigue, and going that extra mile. [More]
Genre: Dramas
Starring: John Turturro, Stuart Wilson, Emily Watson, Christopher Thompson, Geraldine James
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Reviews
Vale por completo la pena, y, si gustan del juego ciencia, es una cinta obligada.
Without a believable emotional core the film falls short of what it could have been
More lyrical and affecting than the stiffly contrived A Beautiful Mind. Profoundly in touch with the miracle and curse of a fragile, fanatical artistic sensibility.
One has to assume that Sony Pictures Classics hopes to attract Nabokov-philes to theaters. And, boy, will they be pissed.
Makes up for a creaky structure with the intensity of emotion and psychological nuance provided by two of our finest screen actors.
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by: cgs@mailandnews.com 1/6/03


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