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The Recruit (2003)
Tomatometer
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Reviews Counted: 164
Fresh: 70
Rotten:94
Average Rating: 5.5/10
Consensus: This polished thriller is engaging until it takes one twist too many into the predictable.
Runtime: 1 hr 55 mins
Genre: Dramas
Theatrical Release: Jan 31, 2003 Wide
Box Office: $52,724,557
Synopsis: James Clayton is fired up. A bartender by night and computer hacker in the few hours of daylight for which he manages to leave his water bed, the kid is flying high, on a roll with a laid-back lifestyle that suits him just fine. Played by an agile... James Clayton is fired up. A bartender by night and computer hacker in the few hours of daylight for which he manages to leave his water bed, the kid is flying high, on a roll with a laid-back lifestyle that suits him just fine. Played by an agile Colin Farrell, Clayton is also a heartthrob with his five o'clock shadow and chiseled pecks. A cushy job offer from Dell computers peaks his interest in securing a professional career, and at the same moment he meets Walter Burke (Al Pacino), a recruiter from the CIA. Though Clayton's better judgement tells him to stay away from the shady Burke, he is curious to learn whatever he can about his father, who was also a CIA agent, killed in the line of duty. Clayton is sent to an intensive CIA training camp called "The Farm," where he quickly learns the gravity of his decision as he undergoes gruelling tests of physical, mental, and psychological strength. His romantic interest in the gorgeous, tough-as-nails Layla (Bridget Moynahan), a fellow trainee, becomes a weakness as the pressure of the tests steadily increases. Finally, without warning, Clayton is thrown into action as he and Burke go head-to-head in a mission that is more dangerous than either of them realize. With top-notch performances from a sly Pacino and a pumped-up Farrell, THE RECRUIT's best moments come from the intensity resonating between its characters. In addition, the settings and training activities at "The Farm" give intriguing insights into CIA recruitment and initiation. [More]
Starring: Al Pacino, Colin Farrell, Bridget Moynahan, Gabriel Macht
Starring: Al Pacino, Colin Farrell, Bridget Moynahan, Gabriel Macht
Director: Roger Donaldson
Director: Roger Donaldson
Screenwriter: Kurt Wimmer, Mitch Glazer, Roger Towne
Producer: Gary Barber, Roger Birnbaum, Jeff Apple
Studio: Touchstone Pictures
Get This Movie
Release:
May 27, 2003
DVD Features:
- Region 1
- Keep Case
- Anamorphic Widescreen - 1.78
Audio:
- Dolby Digital 5.1 - English
- DTS Surround 5.1 - English
Additional Release Material:
- Deleted Scenes
- Audio Commentary - 1. Roger Donaldson - Director, Colin Farrell - Star
- Featurette - 1. SPY SCHOOL: INSIDE THE CIA TRAINING PROGRAM
- Trailers
Interactive Features:
- Scene Access
- Interactive Menus
Reviews for The Recruit
Watchable only for its star power and scarce caffeine kicks...awfully predictable. [Blu-Ray]
Many would believe Pacino could do no wrong but he has. The Recruit serves only to ignite a pilot light in the imagination of espionage lovers everywhere.
The film still makes a diverting entertainment in spite of its obviousness.
Pacino's puppet-stringing of his recruit is reminiscent of Peter O'Toole's manipulative character in 1980's 'The Stunt Man.'
Director Roger Donaldson ... again shows a knack for creating intrigue and paranoia.
Pacino doesn’t upstage Farrell, but there’s the sense he’s daring him to keep up, and Farrell does. Their scenes together crackle.
Interessante até o terceiro ato, quando se perde em ‘reviravoltas’ completamente previsíveis.
Chris Owens: You're onscreen for about half a minute of The Recruit, but that half a minute was the most enjoyable experience I had all evening.
...plays like one of those lame straight-to-video flicks that usually star either Eric Roberts or Dean Cain...
...so dependent on plot contrivances and so altogether preposterous, it seems an unfortunate waste of Pacino's and Farrell's acting talents.
. . .the film ends as a nonentity, arriving at a conclusion that is not satisfying and completely nonsensical because it preys on our stupidity rather than that of the characters.
Though short on car chases and bombs bursting, director Donaldson keeps the tension crackling with tight close-ups, skilled editing and a screenplay that treats its fine actors with respect.
The plot announces that it's going to gyp us around, not because it has other things to offer, but out of the hope that we will let it off the hook.
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