Sideways (2004)
Runtime: 2 hrs 7 mins
Theatrical Release: Oct 22, 2004 Limited
Box Office: $71,444,367
Synopsis: A wine tasting road trip to salute Jack’s (Thomas Haden Church) final days as a bachelor careens woefully sideways as he and Miles (Paul Giamatti) hit the gas en route to mid-life crises. The comically mismatched pair, who share little more than their history and a heady blend of failed... A wine tasting road trip to salute Jack’s (Thomas Haden Church) final days as a bachelor careens woefully sideways as he and Miles (Paul Giamatti) hit the gas en route to mid-life crises. The comically mismatched pair, who share little more than their history and a heady blend of failed potential and fading youth, soon find themselves drowning in wine and women (Sandra Oh and Virginia Madsen). Emerging from a haze of pinot noir, wistful yearnings and trepidation about the future, the two inevitably collide with reality. SIDEWAYS was helmed by the critically acclaimed Alexander Payne, who wrote the screenplay with his longtime screenwriting partner Jim Taylor based on the novel of the same name by Rex Pickett. Payne and Taylor won a Golden Globe in 2003 for the screenplay of ABOUT SCHMIDT and share Academy Award®, Independent Spirit Award and Writers Guild of America Award nominations for the adapted screenplay of ELECTION, for which Payne also won a Best Directing Independent Spirit Award. Payne's directorial and screenwriting debut was the Laura Dern-starrer CITIZEN RUTH, which won the Sundance Jury Prize in 1996. On the road trip of a lifetime are Paul Giamatti, whose leading role in last year’s AMERICAN SPLENDOR earned him the National Board of Review Award for Breakthrough Performance by an Actor, and Thomas Haden Church from television’s "Wings" and "Ned and Stacy" and the feature film 3000 MILES TO GRACELAND. Along the way the men are joined by Virginia Madsen (DUNE, THE RAINMAKER) and Sandra Oh (UNDER THE TUSCAN SUN, LAST NIGHT). SIDEWAYS was produced by Michael London (THIRTEEN, HOUSE OF SAND AND FOG) with George Parra, a seasoned assistant director on such films as LEGALLY BLONDE 2 and ABOUT SCHMIDT, as co-producer. The director of photography is Phedon Papamichael (MOONLIGHT MILE, IDENTITY). The editor is Kevin Tent and the production designer is Jane Ann Stewart, both of whom worked with Payne on ABOUT SCHMIDT, ELECTION and CITIZEN RUTH. [More]
Genre: Comedies
Starring: Paul Giamatti, Thomas Haden Church, Virginia Madsen, Sandra Oh, M.C. Gainey
DVD Info
Release:
Jan 22, 2008
DVD Features:
- Widescreen - 1.85
Audio:
- Dolby Digital 5.1 - English
- Dolby Surround - Spanish, French
Additional Release Material:
- Audio Commentaries - Paul Giamatti, Thomas Haden Church - Stars
- Alternate Scenes - Deleted Scenes (7)
- Behind the Scenes
- Trailers - Theatrical Trailer
Interactive Features:
- Hidden Features - Easter Eggs
Buy It On DVD
Reviews
Sideways is the first of Payne's films in which we have the chance to really care for the characters; he reins in his harsh satire better than before.
The year's second best movie about broken and lonely people (after Eternal Sunshine of the Spotless Mind).
In Payne's overarching triumph, Sideways is a sensitive, to the point of disturbing, expose of love....love that can blossom with that high school hallway sweetness even in the withered garden of midlife.
Giamatti handily raises what could've been a pedestrian road trip romance into the stratosphere of a world-class character study
Maya is a perfect fit for Madsen, smart, sexy, down-to-earth, vividly alive just beneath a placid surface.
...a leisurely paced film about introspection, neurosis and finding tranquility.
A relentless and painfully funny critique of masculine pretense and selfishness, of which wine fetishism is the apotheosis.
Maintains a deft balance between breezy joviality and understated poignancy.
Was "Sideways" worth the price of admission? Yes, but the overt sexual references make it hard for me to recommend it to anyone I might have to face later.
The underdevelopment of some characters can be attributed to an overriding decision to caricaturize the subjects of the film.
Payne and Taylor excel at getting underneath these tough exteriors and portray these people for what they are, warts and all.
'La fortaleza del filme se encuentra en el enorme respeto que Payne muestra por sus personajes, así como en un estupendo elenco como el que pocas veces se puede juntar'
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