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The Jazz Singer (1980)
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Reviews Counted: 20
Fresh: 3
Rotten:17
Average Rating: 3.7/10
Runtime: 1 hr 56 mins
Genre: Dramas
Synopsis: In New York City, Yussel Rabinowitz (Neil Diamond) trains to be a cantor. Although his father (Laurence Olivier) and wife, Rivka (Catlin Adams), don't approve, he also sings and writes songs for a black soul group under the name Jess Robin.... In New York City, Yussel Rabinowitz (Neil Diamond) trains to be a cantor. Although his father (Laurence Olivier) and wife, Rivka (Catlin Adams), don't approve, he also sings and writes songs for a black soul group under the name Jess Robin. When the group gets an opportunity in California, their leader, Bubba (Franklyn Ajaye), asks Jess to join them. Reluctantly, Rivka and his father let him go. In Los Angeles, Jess meets record company executive Molly Bell (Lucie Arnaz). Impressed by his music, she tries to promote him. However, Jess still struggles and is about to give up when Molly gets him a solo TV spot. Just as Jess seems set for stardom, Rivka and his father arrive to plead for his return. Samson Raphaelson's play about a talented singer's attempts to break away from a restrictive religious family was first filmed in 1927--when it became the first talkie. This--the third version--was made in 1980. Directed by Richard Fleischer after another director was dismissed, the film focuses on Molly's struggles to find opportunities for Jess, then on Jess's subsequent concert performances. Neil Diamond carries the film, singing his own songs with verve. [More]
Starring: Neil Diamond, Laurence Olivier, Lucie Arnaz, Catlin Adams
Starring: Neil Diamond, Laurence Olivier, Lucie Arnaz, Catlin Adams, Franklin Ajaye
Director: Richard Fleischer
Director: Richard Fleischer
Screenwriter: Herbert Baker
Story: Samuel Raphaelson
Producer: Jerry Leider
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Reviews for The Jazz Singer
The third and, one hopes, final remake of THE Jazz Singer is the least interesting attempt so far.
The most cautious soft-rock superstar movie debut you'll ever get to see.
The Jazz Singer has so many things wrong with it that a review threatens to become a list.
Mr. Diamond, looking glum and seldom making eye contact with anyone, isn't enough of a focus for the outmoded story.
The roughest of Diamonds, this will only interest fans of the singer and those with a passion for poor pictures.
... 111 minutes is a lot to take for anyone but the most keen Diamond fans.
Richard Fleischer's direction is appropriately close-in and small, and Diamond himself, while no actor, proves to be a commandingly intense, brooding presence.
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