The Hudsucker Proxy (1994)
Runtime: 1 hr 52 mins
Synopsis: THE HUDSUCKER PROXY opens with a spectacular shot of snow falling over a beautiful city; the camera pans in slowly over the rooftops until it comes upon the Hudsucker Industries building, with a huge clock about to ring in the New Year--and a man about to jump to his death. The rest of this... THE HUDSUCKER PROXY opens with a spectacular shot of snow falling over a beautiful city; the camera pans in slowly over the rooftops until it comes upon the Hudsucker Industries building, with a huge clock about to ring in the New Year--and a man about to jump to his death. The rest of this hilarious Coen brothers film tells in flashback the fascinating tale of Norville Barnes and what brought him to that ledge. Tim Robbins stars as Barnes, a hick from Muncie, Indiana, intent on becoming a New York City executive. His timing is magical as he enters the doors of Hudsucker Industries just as the Hudsucker board determines it needs a patsy to run the company into the ground so it can buy up shares when the company goes public in a month. He hires Amy (the fast-talking Jennifer Jason Leigh) as his assistant--but unbeknownst to him, she is a reporter trying to expose him. THE HUDSUCKER PROXY is the Coen brothers' madcap romp through 1940s screwball comedy--albeit with a darker edge. The film is highlighted by sparkling art direction, fabulolus sets, snappy dialogue, and terrific supporting turns from Paul Newman, Charles Durning, and Bruce Campbell. Oh, and beware the Blue Letter.... [More]
Genre: Comedies
Starring: Tim Robbins, Jennifer Jason Leigh, Paul Newman, Charles Durning, John Mahoney
DVD Info
Release:
May 25, 1999
DVD Features:
- Region 1
- Keep Case
- Pan & Scan - 1.33
- Widescreen
Interactive Features:
- Interactive Menus
- Scene Access
Buy It On DVD
Reviews
A jeering, dreamlike comedy with nothing much on its mind except how neat the Coen brothers are and how stupid or contemptible everybody else is, including everyone in the audience.
An impressive technical achievement--the period New York sets are to die for -- and its version of the invention of the hula-hoop is a comic highlight.
Nearly everything in the Coen brothers' latest and biggest film seems like a wizardly but artificial synthesis, leaving a hole in the middle where some emotion and humanity should be.
A pastiche of a comedy that lacks authenticity and identity, made of parts borrowed (or lifted) from Capra, Hawks, and Sturges, with Jennifer Jason Leigh paying tribute (in unsuccessful accent) to the actresses of yesteryear's screwball comedies
A minor work, but confirmation of the Coens' position among America's most ambitious, able and exciting film-makers.
Criminally overlooked and sinfully wonderful Coen brothers comedy. Jennifer Jason Leigh is just flawless here.
[The Coens'] inventive style and the over-the-top performances from Robbins and Newman make this a feast for the eyes and a barrel of laughs.
A rare Coen Bros. misfire, never quite as nostalgic or clever as the dialogue or art direction imply.
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