Kundun (1997)
Runtime: 2 hrs 15 mins
Synopsis: Martin Scorsese's telling of the life story of the 14th Dalai Lama is a spiritual and deeply moving event. Barely able to walk, the young Tenzin Gyatso (played respectively by Tulku Jamyang Kung Tenzin, Gyurme Tethong, and Tenzin Thuthob Tsarong) is identified as the newly reincarnated form... Martin Scorsese's telling of the life story of the 14th Dalai Lama is a spiritual and deeply moving event. Barely able to walk, the young Tenzin Gyatso (played respectively by Tulku Jamyang Kung Tenzin, Gyurme Tethong, and Tenzin Thuthob Tsarong) is identified as the newly reincarnated form of His Holiness the Dalai Lama. Leaving his family behind in order to live in a monastery, he grows to manhood in spiritual isolation, sheltered from the influences of Western worldliness and the dangerous encroachment of the Chinese army, which invaded Tibet in 1950 and forced the Buddhist leaders into exile. Preaching peace and understanding among all people, the Dalai Lama eventually travels to China to meet Chairman Mao Tse Tung, to no avail. In a heartbreaking decision, the Dalai Lama must choose whether to remain in Tibet and fight for his people or flee his homeland and avert almost certain death. Scorsese's obvious affection and dedication to the Tibetan leader shines through in every frame of the picture, which features stellar performances by its mostly nonprofessional cast. Adding infinite depth to the story are Roger Deakins's cinematography and Philip Glass's score, which earned both men Oscar nominations. Politics and religion aside, KUNDUN is filmmaking at its most profound and beautiful. [More]
Genre: Dramas
Starring: Tenzin Thuthob Tsarong, Gyurme Tethong, Tulku Jamyang Kunga Tenzin, Tencho Gyalpo, Tenzin Topjar
Screenwriter: Melissa Mathison
Producer: Barbara De Fina
Composer: Philip Glass
Buy It On DVD
Reviews
Kundun is surely the most gentle and meditative of Scorsese's films, a placid biography with the scope of an epic, the quality of a storybook, and the dramatic stakes of a tragedy.
Disregarding commercial considerations, Scorsese's haunting meditation on Dalai Lama's early life is a majestic spectacle of images and sounds, but it's bogged down by a routine script that fails to offer fresh insights on Tibet's non-violent culture
There's no denying the artistry of Kundun. Its heart also appears to be in the right place. But for those like me who don't have a versed history in the modern history of Tibet or Buddhism, the scope is ultimately too big.
Martin Scorcese has made a meditative, low key historical drama about a truly mystical figure of our modern history, departing from his usual, violence-prone flicks.
Scorsese skillfully indulges his propensity for obsessive detail. Visually, the direction is varied and exhilarating
Though a meditative, introspective film, Scorsese's distinctive techniques cause Kundun to pulse with life under its calm surface.
Kundun is original, moving, inspiring -- and one of the best movies of the year.
'Filmed with the approval of the 14th Dalai Lama himself, Kundun is reverential to a fault...and that fault is the film's biggest weakness.'
Kundun is both a stunning visual feast and a moving meditation on the difficulty of sustaining the Buddhist principle of nonviolence in a brutal world.
Memorable mainly for its moral message about the courage it takes to adhere to the Buddhist principle of nonviolence in the face of so much suffering.
Careful and respectful, it is everything a movie about the Dalai Lama should be except dramatically involving.
The film itself is great-looking with beautiful cinematography by Roger Deakins, editing by Thelma Schoonmaker and direction by one of the all-time greats, Martin Scorcese.
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