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Dogma (1999)
Tomatometer
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Reviews Counted: 121
Fresh: 82
Rotten:39
Average Rating: 6.2/10
Consensus: Provocative and audacious, Dogma entertains without overtly offending.
Runtime: 2 hrs 13 mins
Genre: Comedies
Synopsis: Imaginative theology and a bigger than usual budget make Kevin Smith's fourth film a kind of post-Catholic fantasy that only a comic-book enthusiast of his caliber could dream up. The plot is set in motion by two banished angels, Loki (Matt... Imaginative theology and a bigger than usual budget make Kevin Smith's fourth film a kind of post-Catholic fantasy that only a comic-book enthusiast of his caliber could dream up. The plot is set in motion by two banished angels, Loki (Matt Damon) and Bartleby (Ben Affleck). After a few millenia in Wisconsin, they've discovered a loophole in Catholic doctrine that would allow them back into heaven--but prove the fallibility of God and destroy the universe. Unaware of the peril, they make their way to New Jersey to receive a plenary indulgence. Meanwhile, God has dispatched a seraphim (Alan Rickman) to recruit lapsed-Catholic Bethany (Linda Fiorentino) to stop the angels. She finds help in muses, prophets (Jay and Silent Bob), and the forgotten 13th apostle, Rufus (Chris Rock). Before long, all hell breaks loose (literally), and God (Alanis Morrisette) has to put in an appearance of her own. The success of the film is in the juxtaposition of Smith's trademark acerbic attitude and witty dialogue against the enormous canvas of Christian iconography and apocalyptic conflict. [More]
Starring: Matt Damon, Ben Affleck, Linda Fiorentino, George Carlin
Starring: Matt Damon, Ben Affleck, Linda Fiorentino, George Carlin, Salma Hayek, Chris Rock, Alan Rickman, Jason Lee, Bud Cort, Alanis Morissette, Jason Mewes, Kevin Smith, Janeane Garofalo, Brian O'Halloran, Jeff Anderson, Guinevere Turner
Director: Kevin Smith
Director: Kevin Smith
Screenwriter: Kevin Smith
Producer: Scott Mosier
Composer: Howard Shore
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Reviews for Dogma
A very vulgar pro-faith comedy rather than a sacrilegious goof, Dogma is an extraordinarily uneven film that significant cutting might be able to transform into a playable one.
Make no mistake, Kevin Smith's talky, farcical comedy of cosmic errors is clever. But it's clever in a deeply juvenile way.
I couldn't care less whether Smith's metaphysical conceits about the war between Good and Evil are those of a devout believer or an atheist. The bottom line is that they're puerile.
What you hear throughout Dogma, liberally peppered with the usual prankish profanities, is Kevin Smith having a conversation with himself about his faith.
It's push-the-envelope coarse, thematically ambitious, and -- most dangerously -- self-consciously respectful and thoughtful on matters of faith and religion.
Too talky, too fond of in-jokes, too caught up (especially during the dismally weak climax) in its crass comic-strip ethos, and not, finally, as funny, subversive or thought-provoking as it would like to be.
It is thoughtful and funny but less than satisfying. Smith took on a bit too much, but I laud the effort.
a surprisingly tender and humane movie that seems touchingly confident of God's sense of humor and infinite patience
An irreverant comedy about finding God that has no qualms about making fun of itself and its subjects.
The film takes aim at so many contemporary targets and with such gusto that you fear each time you laugh you might be missing another wonderful line.
Jumping on the pre-millennium, end-of-the-world hype, Smith has chosen an opportune time to take a satirical and witty look at the shortcomings of organized religion.
I loved seeing all these great character actors at work, and the discussions are rich and intelligent.
The movie is brilliant satire, pointing out exactly what’s wrong in organized religion today and vaguely suggesting a few solutions.
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