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Our Lady of the Assassins (2001)
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Reviews Counted: 61
Fresh: 47
Rotten:14
Average Rating: 6.6/10
Consensus: Director Barbet Schroeder presents a bleak, darkly humorous drama about hopeless love in Medellin, Colombia.
Rated: R [See Full Rating] for strong violence, language, sexuality, and drug content
Runtime: 1 hr 41 mins
Genre: Foreign Films
Theatrical Release: Sep 7, 2001 Limited
Synopsis:
The writer Fernando Vallejo returns to Medellin, the city of his childhood, after an absence of over thirty years. Fernando meets Alexis, 16 years old, in a boys' brothel. Alexis comes from the slums. He has been drawn into a world of...
The writer Fernando Vallejo returns to Medellin, the city of his childhood, after an absence of over thirty years. Fernando meets Alexis, 16 years old, in a boys' brothel. Alexis comes from the slums. He has been drawn into a world of killing.
Love begins to blossom between Fernando and Alexis. But their love has no future… it is condemned before the fact by the harsh reality around them.
Anyone who crosses his path can be a possible victim. Alexis needs no reason to kill: like an Angel of Death, he openly fires on anybody who rubs him the wrong way…
Bound by their passion for each other, they wander from church to church, murder to murder, each day their love growing stronger.
Then one day, a passing motorcyclist shoots Alexis down.
He roams the streets where, in spite of the squalor and violence, everything reminds him his romance with Alexis. One day, he meets a young boy, Wilmar, who at first glance looks like Alexis.
A new love story begins for Fernando, as if in this city reality has been turned upside down, and the dead seem to come alive again. -- © 2001 Paramount Classics
Starring: German Jaramillo, Anderson Ballesteros, Juan David Restepo, Manuel Busquets
Starring: German Jaramillo, Anderson Ballesteros, Juan David Restepo, Manuel Busquets
Director: Barbet Schroeder
Director: Barbet Schroeder
Screenwriter: Fernando Vallejo
Producer: Margaret Menegoz, Barbet Schroeder
Composer: Jorge Arriagada
Studio: Paramount Classics
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Reviews for Our Lady of the Assassins
Medellin displays [its] bi-polar nature through Schroeder's perceptive camera
Like a random gang shooting — it leaves a big impression but makes no sense.
...a subtle and rigorous examination of the dynamics of power, both personal and political ...like Thomas Mann’s Death in Venice transposed into the key of viciousness
... a powerful examination of the decline of civilization as refracted in one tiny corner of the world.
A movie that finds a new way to get at the dichotomy of the violent yet supposedly religious and of the faith-starved yet militantly agnostic.
We get the point after the first half hour or so: hope is gone, life is awful, okay, okay, got it.
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