The energy and conviction of the action sequences don't quite compensate for Windtalkers' emotional cliches and historical heedlessness.
Windtalkers (2002)
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Reviews Counted: 164
Fresh: 54
Rotten:110
Average Rating: 5.2/10
Consensus: The action sequences are expertly staged. Windtalkers, however, sinks under too many clichés and only superficially touches upon the story of the code talkers.
Rated: R [See Full Rating] for pervasive graphic war violence, and for language
Runtime: 2 hrs 34 mins
Genre: Dramas
Theatrical Release: Jun 14, 2002 Wide
Box Office: $40,531,308
Synopsis: WINDTALKERS begins quietly--with widescreen aerial shots of clouds that gradually clear to reveal the beautiful mesas of Monument Valley. A bus collects Navajo volunteers Ben Yahzee (Adam Beach) and Charlie Whitehorse (Roger... WINDTALKERS begins quietly--with widescreen aerial shots of clouds that gradually clear to reveal the beautiful mesas of Monument Valley. A bus collects Navajo volunteers Ben Yahzee (Adam Beach) and Charlie Whitehorse (Roger Willie). It's 1943, and the U.S. has developed an indecipherable secret military code based on the Navajo language. Yahzee and Whitehorse are to be trained as code talkers. Then John Woo's Pacific war film erupts into violence, with a savage battle that has one survivor, Joe Enders (Nicolas Cage). Badly wounded and feeling guilty at the loss of his companions, Joe recuperates in Hawaii where he is helped by a sympathetic nurse (Frances O'Connor). Joe disguises his hearing loss and he is promoted as Yahzee's battlefield bodyguard. Ordered to "protect the code at all times," Joe must prevent Yahzee from being captured. At first, Yahzee and Whitehorse, whose bodyguard is Ox Henderson (Christian Slater), are subjected to prejudice--particularly from Rogers (Noah Emmerich). But when the unit is shipped to Saipan, the Marines begin to appreciate the code talkers. Director Woo has created a powerful drama. The visceral battle sequences are strikingly filmed and there is fine acting from Cage, Beach, Willie, Slater, Emmerich, and Frances O'Connor, who portrays the poignancy of love in uncertain times. [More]
Starring: Nicolas Cage, Adam Beach, Christian Slater, Peter Stormare
Starring: Nicolas Cage, Adam Beach, Christian Slater, Peter Stormare, Noah Emmerich, Mark Ruffalo, Brian Van Holt, Roger Willie, Frances O'Connor
Director: John Woo
Director: John Woo
Screenwriter: John Rice, Joe Batteer
Producer: John Woo, Terence Chang, Tracie Graham, Alison Rosenzweig
Composer: James Horner
Studio: MGM/UA
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Reviews for Windtalkers
A powerful premise turned into a stubbornly flat, derivative war movie.
Replete with Cage's finest angsty acting and John Woo's requisite concerns of friendship and rivalry in the face of violence.
With Windtalkers, the glaring refutations of time, space and reality impress upon viewers the simple fact that Woo is at his best when he isn't attempting anything more significant than the most emptily satisfying explosion you're likely to enjoy - a scat
The screenwriters struggle to integrate the coded transmissions with the action, and the flamboyant set piece battles feel like so much empty rhetoric.
What we get is a surprisingly entertaining film, corny as it is at times, that could have suited John Wayne. [Published 5-13-02]
This is the kind of film where you think you can predict everything that’s going to happen upon the first shot and you spend the rest of the film praying that you’re wrong. But it’s fun getting there.
Too celebratory of Woo's good guy-versus-bad guy, buddy-buddy ethos of action movies to rise above the limitations of the genre, and too obsessed with its own seriousness to be a truly 'serious' film.
You’d probably be better off reading Catch 22 – even if it is for the fifth time . . .
A premissa é interessante, mas o terceiro ato do filme, quando Cage e Beach se tornam indestrutíveis, estraga o filme.
It’s tough to get worked up after watching superior films like Black Hawk Down and We Were Soldiers.”
Sure, he directs the heck out of gun battles and hand-to-hand combat, paying loving attention to each grunt, spurt and grimace, but there is something unseemly about the agony of war serving as fodder for yet another of Woo's sensational spectacles.
While some may have used this fascinating subject matter to craft a serious drama with historical significance, Woo and his writers choose instead to stay with the high-octane action format.
What should be a moving story with spectacular battle scenes by one of the world's greatest action directors is a huge let-down.
Here, [Woo] has to deal with visual chaos. And he doesn't do a good job of it.
More than passable summer entertainment and I think if they were still making war westerns today, it would feel right at home.
...Windtalkers is one of the most exciting (not to mention violent) war movies to emerge in quite some time.
Inspired by true events, this war-is-hell action drama from John Woo is a failed epic that doesn't rise to meet the material that inspired it.
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