Workers, Er, Writers, Unite -- The Strike Is On!
Hollywood is about to get a little less scripted.
On Thursday night, close to 3000 Writers Guild of America (WGA) members met to discuss taking the drastic measure that has had all of Hollywood in a panic: strike. In an official statement today, the writers announced that they'll begin their walkout at midnight next Monday.
The strike had been looming of late as word of negotiations breakdowns came earlier this week, making the stand-off between Hollywood's 12,000-strong writers union and the Alliance of Motion Picture & Television Producers (AMPTP) appear to be a widening rift. At issue were negotiations over payment contracts, most notably how writers should be paid in residuals for work that is aired via "new media" channels like the internet and iPods; in another major point, the "DVD issue," the WGA lobbied to double the current $0.04 per DVD sale residual fee that writers currently receive.

"I'm a writer, you monsters! I create for a living...This is my uniform! This is how I serve the common man!"
At last night's standing-room only event at the L.A. Convention Center -- the WGA's largest members' meeting in history -- the negotiating committee reported on the status of the talks and recommended that the WGA West Board and the WGA East Council call a strike. Three hours of discussion followed. One source tells us that many members expressed anger at the AMPTP's refusal to negotiate and that the meeting ended with unanimous support for the strike.
Many others showed their support as well, including Alan Rosenberg, president of the Screen Actor's Guild, who attended the meeting and offered the support of SAG. That guild's members may join writers on the picket lines come Monday even if their own contract renegotiations won't happen until summer of 2008. Also showing their solidarity were more than 100 show runners, who took out a full page ad in yesterday's Variety, entitled, "Pencils Down Means Pencils Down." In the ad, the show runners -- including powerhouses like Tina Fey and Matt Groening -- vowed to stop writing in the event of a strike. They further agreed to refrain from allowing any staff members to break down any stories. This means that any scripts which were turned in before the strike would not be altered in any fashion prior to taping. This would be a huge blow to many major television shows, which are normally re-written constantly before taping.

The WGA: carrying the banner on Monday.
In a press conference today, the WGA announced that the strike will be in effect as of Monday at 12:01 am, when all writing on television and film projects by guild members must stop. Guild leaders stressed that negotiations are still possible within the next 48 hours, if the crucial DVD residual issue can be properly resolved (read our strike breakdown for more on the dispute). Behind-the-scenes talks are currently going on, which, although not likely, might bring about a last minute reprieve. WGA Captains are expected to brief members on the picket lines that will most likely begin on Monday.
In response to the strike announcement, the AMPTP voiced their disappointment at the decision, adding their own thinly veiled barb: "Their [WGA] press conference was full of falsehoods, misstatements and inaccuracies and we'll respond at an appropriate time."
For our earlier report on the writers' strike, check out To Strike, Or Not To Strike -- What's The Deal as Hollywood's Clock Runs Down?
The strike had been looming of late as word of negotiations breakdowns came earlier this week, making the stand-off between Hollywood's 12,000-strong writers union and the Alliance of Motion Picture & Television Producers (AMPTP) appear to be a widening rift. At issue were negotiations over payment contracts, most notably how writers should be paid in residuals for work that is aired via "new media" channels like the internet and iPods; in another major point, the "DVD issue," the WGA lobbied to double the current $0.04 per DVD sale residual fee that writers currently receive.

"I'm a writer, you monsters! I create for a living...This is my uniform! This is how I serve the common man!"
At last night's standing-room only event at the L.A. Convention Center -- the WGA's largest members' meeting in history -- the negotiating committee reported on the status of the talks and recommended that the WGA West Board and the WGA East Council call a strike. Three hours of discussion followed. One source tells us that many members expressed anger at the AMPTP's refusal to negotiate and that the meeting ended with unanimous support for the strike.
Many others showed their support as well, including Alan Rosenberg, president of the Screen Actor's Guild, who attended the meeting and offered the support of SAG. That guild's members may join writers on the picket lines come Monday even if their own contract renegotiations won't happen until summer of 2008. Also showing their solidarity were more than 100 show runners, who took out a full page ad in yesterday's Variety, entitled, "Pencils Down Means Pencils Down." In the ad, the show runners -- including powerhouses like Tina Fey and Matt Groening -- vowed to stop writing in the event of a strike. They further agreed to refrain from allowing any staff members to break down any stories. This means that any scripts which were turned in before the strike would not be altered in any fashion prior to taping. This would be a huge blow to many major television shows, which are normally re-written constantly before taping.

The WGA: carrying the banner on Monday.
In a press conference today, the WGA announced that the strike will be in effect as of Monday at 12:01 am, when all writing on television and film projects by guild members must stop. Guild leaders stressed that negotiations are still possible within the next 48 hours, if the crucial DVD residual issue can be properly resolved (read our strike breakdown for more on the dispute). Behind-the-scenes talks are currently going on, which, although not likely, might bring about a last minute reprieve. WGA Captains are expected to brief members on the picket lines that will most likely begin on Monday.
In response to the strike announcement, the AMPTP voiced their disappointment at the decision, adding their own thinly veiled barb: "Their [WGA] press conference was full of falsehoods, misstatements and inaccuracies and we'll respond at an appropriate time."
For our earlier report on the writers' strike, check out To Strike, Or Not To Strike -- What's The Deal as Hollywood's Clock Runs Down?
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EmmG389 writes: on Nov 02 2007 06:11 PM This is moronic. OK, we have a recession that is going to happen in six months, nobody is going to be able to get a mortgage, gas prices are going up, and these fricking a-holes can't cut a deal and are striking. Sil was wrong in the Soprano's, "There were only two businesses that survived the great depression and it was entertainment business and us." Cut a deal. We are screwed. (Reply to this) |
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EmmG389 writes: on Nov 02 2007 06:12 PM This is moronic. OK, we have a recession that is going to happen in six months, nobody is going to be able to get a mortgage, gas prices are going up, real estate values are depreciating, and these fricking a-holes can't cut a deal and are striking. Sil was wrong in the Soprano's, "There were only two businesses that survived the great depression and it was entertainment business and us." Cut a deal. We are screwed. (Reply to this) |
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BleedsNoMore666 writes: on Nov 02 2007 06:14 PM crap (Reply to this) |
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lockdicer writes: on Nov 02 2007 06:17 PM powerhouses like tina fey and matt groening? 30 rock isn't funny and the simpsons as we all know hasn't been funny in years. put on reruns of married with children, seinfeld, classic simpsons, and do I dare say herman's head and I bet they'll get bigger ratings. then we'll see how much we need those so called writers (Reply to this) |
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goofyfid writes: on Nov 02 2007 06:38 PM We will always have the treasures of the past to dig up, so I'm not worried one bit. If this strike goes on, consider it a chance to go back and watch the movies or shows that you've always wanted to see but have never found the time. (Reply to this) |
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Conehead2187 writes: on Nov 02 2007 06:43 PM As much crap as there is in Hollywood these days, there's also a fair amount of quality material that will be put on hold until this is resolved. I'm just hoping AMPTP and WGA settle this quickly. (Reply to this) |
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Special Ed writes: on Nov 02 2007 07:22 PM This will give me a chance to catch up. My tivo is 92% full with shows I haven't had a chance to watch yet. (Reply to this) |
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Canuck666 writes: on Nov 02 2007 07:50 PM The poor babies, forced to eat out of garbage cans and live under bridges due to their sweat shop labor salaries. I think everyone in America should mail $100 dollars to the WGA to help the poor writers get on their feet. (Reply to this) |
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Product_of_You writes: on Nov 02 2007 07:51 PM Personally I don't think a big majority of the major writers deserve any type of pay increase. Hopefully when this is all settled and they do get their raise they'll turn over more quality material. (Reply to this) |
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fbp writes: on Nov 02 2007 08:07 PM Rotten Tomatoes commentors should go on strike. Really, isn't reading the comments at least half the experience of reading a movie news article? (Reply to this) |
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AmazingAndrex writes: on Nov 02 2007 08:43 PM In reply to this comment (#1243755) I lol'd. (Reply to this) |
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raohthekenoh writes: on Nov 02 2007 08:46 PM In reply to this comment (#1243755) It's not like the companies that make these shows aren't raking in a massive amount of money, if you were in their place and you saw someone making absolutely incredible bank off of something you had a big part in making, you wouldn't want some of what you felt you were entitled to? Their contracts are up, they have a right to ask for more money, if it really comes to it the executives can try and do without them? yeah ok. Every television show you have ever enjoyed has been in part scripted (even reality television) and they had a big hand in making those shows successful. Many people involved with these shows are making an enormous sum (look at seinfeld, he made over 20 million dollars last year and didn't do anything, he just collected money from the DVD sales of a show that ended years ago). Now Jerry Seinfeld was an important reason Seinfeld was successful, and he wrote a lot of the material that went on the show, but there were a lot of writers, people who wrote a lot more than he did who don't get even an eight of what he makes, and who is to say that what they did was less important? would Seinfeld have been as successful without all the good writing they had? Sure everyone remembers and loves the actors that were involved in these shows we love (heroes, house, lost) but the writers are the one that put it all together and they aren't making jack by comparison. (Reply to this) |
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EmmG389 writes: on Nov 02 2007 09:06 PM About people complaining about the writer's quality. It's not their fault that there is poor quality it's the producers who pick the crap and decide to go with it. There have been plenty of scripts that haven't been picked up. And this new release schedule is ridiculous. There are about ten movies in theaters that I would gladly have seen over the year or next year (Eastern Promises, Into the Wild, Jesse James, We Own the Night, In the Valley of Elah, American Gangster, next week No Country), but I can't because they are being taken off the screen so fast. (Reply to this) |
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Metafact writes: on Nov 02 2007 09:41 PM So now that the WGA strike is all but inevitable, what's the status of Hollywood's upcoming films? I know that Paul Haggis has turned in his rewrite for the Casino Royale sequel, but what about G.I. Joe, The Fast and the Furious 4, X-Men Origins: Wolverine, Nottingham, and Justice League? How about all the popular TV shows like House and Heroes? Will there be an early season finale for them? Jon Stewart announced yesterday that there would be no new episodes of The Daily Show, so I guess that TV will be showing quite a few reruns in the next few weeks (months?). (Reply to this) |
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highdough writes: on Nov 02 2007 09:48 PM Wow, the ignorance on this thread is overwhelming. I'm guessing that many of you are the same people that complain about stars speaking out because you don't think they are qualified, yet you're spouting off your mouth without knowing barely any facts what-so-ever! For those who think the WGA members are rolling in the money, the median writing income for a WGA member for one year is $5,000. Not a whole lot, is it? There are a few that make lots of money, but the majority scrape by, just like everyone else. It's not like regular unions, where simply being in it means you'll get paid well. All being in the WGA means is that you're allowed to work with WGA approved producers and production companies/studios. The WGA is striking in order to protect the writers who do not make a whole lot, and make sure they continue to get things like residuals, which most WGA members rely on to live. And for those who are complaining about the quality, as Ive said in other threads, blame the studios, who make the crap, and the audience, who watch it in droves. Most writers would LOVE to write something original and different, but studios won't let them. (Reply to this) |
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Ne0x1ty writes: on Nov 02 2007 11:18 PM Agreed highdough, a lot of people on these boards are ignorant. WGA are typically middle class writers. They don't make a lot of money on the whole. The quality of the product is directly proportionate to the audience. If they weren't making money on those shows or films, they wouldn't make them. As soon as people stop watching the crap, the producers will stop giving you crap. Not to mention, I would like to see one of you write an amazing show or film... It's not that easy. It's like your a carpenter and you made a really awesome table, but your boss tells you that it would be really cool in a triangle shape with a fifth leg coming out the bottom... and then he sells it and it's a great sell but half the people that see it are like WTF; that's a lame table, screw that carpenter, he doesn't know how to make a table... we shouldn't pay him until it's sweet. But then the boss doesn't care cause he got all his money back on the lame table and he wants to make a sequel cause more idiots will buy it. (Reply to this) |
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I Am Remote writes: on Nov 03 2007 12:02 AM It's no secret that writer's are treated like sh*t in Hollywood, while producers, directors and actors seem to reap all the benefits. Writing is where all this stuff we watch begins... it's time for more protection and recognition. (Reply to this) |
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bhudson1 writes: on Nov 03 2007 02:32 AM I am 42, wonderful wife, 2 kids, dog, cat , picket fence parking area. And I dig ditches...No wait...I'm a writer I have cashed six figure checks in exchange for a stack of paper that ink was placed on, in some sort of sequence, that people understood. I've stuffed my face at lunch meetings,,talking about projects friends of mine have written, and confided In me on... But are now going in a "New Direction" without them even knowing. I have wiped my *** with crap I have written. ( I really have ) I just watched 1978's F.I.S.T.S. with a younger Sly. Loved how it ended. Shotgun to the chest. Time to STRIKE. (Reply to this) |
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hammer_leafsfan writes: on Nov 03 2007 03:00 AM In reply to this comment (#1243597) lock dicer is an idiot. if youre going to make a comment, at least SOUND like youre smart. (Reply to this) |
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MovieSamurai writes: on Nov 03 2007 03:44 AM Why "Newsies" photo under the 'Related Links' sign? Maybe the writers will go to 'Santa Fe', eh, not funny I know but no one else will be writing anything for a while. I got plenty more... Two guys walk into a bar. You think the 2nd guy would've ducked...I'll refrain from now on. (Reply to this) |
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