This weekend, proving it could attract big bucks from a 2D action film converted to 3D, Warner Bros. conquered the global box office with its epic remake Clash of the Titans which pulled in over $100M this weekend from theaters across the world powered by higher-priced tickets for the upgraded format. Audiences in North America had plenty of extra dollars to spare as Tyler Perry's latest hit Why Did I Get Married Too? and the new Miley Cyrus drama The Last Song both connected with their respective fan bases enjoying solid openings. Add in a strong second frame for the 3D toon How To Train Your Dragon and the box office shattered records to become the largest Easter weekend in history as well as the biggest frame ever in the month of April.
The Red Queen ruled once again as Disney's Alice in Wonderland remained at number one for the third consecutive frame beating out another pack of new releases. Fox's tween comedy Diary of a Wimpy Kid beat expectations to open in second place while Sony's Jennifer Aniston-Gerard Butler vehicle The Bounty Hunter enjoyed a solid debut of its own close behind in third. But Universal's new action entry Repo Men flopped in fourth with a miserable showing. The overall box office was up over 2009 for the fourth straight weekend.
This weekend, moviegoers showed no interest in leaving Johnny Depp's table as the 3D adventure Alice in Wonderland remained at number one at theaters across North America grossing more in its second weekend than all four new releases combined. The Tim Burton-directed pic captured an estimated $62M dropping only 47% in its sophomore frame -- a terrific hold for a film coming off of such a colossal opening. After ten days, Disney has hauled in a stunning $208.6M and looks headed for at least $325M with a good chance of topping $350M from the domestic market alone. 3D surcharges have helped but regardless, moviegoers have proven that they will pay extra to see this particular film. 70% of the business to date, or $146M, has come from the 3D screens.
This weekend audiences could not resist the latest offering from director Tim Burton and actor Johnny Depp as the 3D extravaganza Alice in Wonderland exploded on the scene with a record-shattering opening weekend leaving its nearest competitor more than $100M behind. The big-budget Disney film debuted to a gargantuan $116.3M over the Friday-to-Sunday span, according to estimates, smashing box office records left and right. It was the biggest March opening ever soaring past the $70.9M of 300 from 2007 and the best debut for a 3D film beating the $77M of Avatar from last December.
Martin Scorsese and Leonardo DiCaprio scored the biggest openings of their careers with the psychological thriller "Shutter Island," the fourth teaming between the two men, which easily led the North American box office. With no other films debuting in wide release, the rest of the top ten was filled with holdovers, most of which dropped by more than 50% from last weekend's record holiday session. The top ten films beat out year-ago levels, however the Top 20 fell behind last year's performance due to the current marketplace's lack of depth.
Proving how starpower can trump reviews at the box office, the romantic comedy Valentine's Day led a wave of three debuting hit films that breathed new life into the marketplace over a record Presidents' Day holiday weekend. Taking home the silver and bronze medals respectively were the fantasy pic Percy Jackson & The Olympians: The Lightning Thief and the monster flick The Wolfman which finished the three-day race just $473,000 apart. Powered by these three big hits, the Top 20 surged to $190M, a new all-time high for this holiday. Moviegoers looking for love lifted the star-studded ensemble comedy Valentine's Day to number one with an astonishing estimate of $52.4M resulting in the third largest opening ever in the month of February. Warner Bros. launched the PG-13 film ultrawide in 3,665 theaters and averaged a sensational $14,300. Very few live-action comedies have ever debuted north of $50M making Day's performance remarkable. Those that have included star vehicles (Bruce Almighty's $68M), sequels (Austin Powers in Goldmember's $76.6M) and franchise pics (Sex and the City's $56.8M).
This weekend in a surprise upset victory, the new romance saga Dear John booted seven-time champ Avatar from the number one spot at the North American box office powered by young women chasing after Hollywood hunk Channing Tatum. John Travolta (the Tatum of the late 1970s) saw his new action thriller From Paris With Love bomb settling for third place. Overall ticket sales slipped from last weekend thanks in part to the Super Bowl distracting millions of Americans.
James Cameron's latest juggernaut "Avatar" became the first film since the director's own "Titanic" to rule the number one spot for six straight weekends as it once again steamrolled over the competition topping the charts by a wide margin. Three new films without 3D trips into outer space opened to mixed results with the thriller "Legion" leading the way in second place with a solid showing. The family comedy "The Tooth Fairy" saw mild business in fourth while moviegoers ignored the drama "Extraordinary Measures" which landed in seventh. Films with major Golden Globe wins all witnessed small declines.
For a fifth straight weekend James Cameron's Avatar controlled the box office setting another milestone as it moved past Star Wars into third place on the all-time domestic box office chart. Watch out Dark Knight, you're next. The unstoppable force that is Avatar dropped a slim 18% from last weekend and brought in another $41.3, according to estimates, bringing its total to an other-worldly $491.7M. Internationally, the film has now made $1.1B, which is just a hop, skip and a jump from Titanic's current record of $1.2B. Combined, the 3D sci-fi adventure flick has made an astounding $1.6B worldwide in only five weeks and the only question now is when it'll beat Titanic, not if.
This weekend, successfully defending his land from intruders like the Na'vi, James Cameron had no problem staying put at number one at the North American box office for a fourth consecutive weekend with his futuristic megablockbuster Avatar, which grossed more than all three new releases combined. The silver and bronze once again went to Sherlock Holmes and Alvin and the Chipmunks: The Squeakquel while the vampire pic The Daybreakers led the new films with a decent fourth place debut. Avatar, meanwhile, showed enough strength around the world that it has now put Titanic's all-time records in jeopardy. Read on for full Box Office details.
Over the first weekend of 2010, moviegoers still had their minds on the year 2154 as James Cameron's futuristic 3D adventure Avatar easily remained number one for a third consecutive frame breaking records and smashing the $1 billion global box office milestone in the process. With no new releases, the top ten was filled with the same movies as some dropped harder than others while a small handful enjoyed sales boosts thanks to Friday being a holiday for New Year's Day. The Top 20 grossed a scorching $220M kicking off the new decade on the right note.
Capping off a record year that broke the $10 billion mark for the first time, audiences flooded the multiplexes over the Christmas holiday frame generating the largest weekend box office ever seen. Reigning champ Avatar led the way for a second consecutive time, but popular new releases Sherlock Holmes, Alvin and the Chipmunks: The Squeakquel, and It's Complicated
This weekend, a dozen years after scoring the biggest blockbuster of all-time, James Cameron returned to his comfortable spot at number one with his most expensive film to date, the sci-fi epic Avatar, which grossed more than every other film in the marketplace combined. On the other hand, Hugh Grant and Sarah Jessica Parker failed to charm audiences with their new date movie Did You Hear About the Morgans? which limped into fourth place with a weak opening. A massive blizzard rocked the east coast dumping up to two feet of snow in some areas causing movie theaters to see drastic cuts in attendance. Studios will now fight hard to capture lost business in the days ahead as most holdovers witnessed hefty declines.
Fairy tales came true as mothers and daughters powered the animated film The Princess and the Frog to the number one spot in its first weekend of nationwide release. But the frame's only other wide opener, Clint Eastwood's Nelson Mandela drama Invictus, suffered a soft debut in third place. Overall, the North American box office remained ahead of the same frame from a year ago as 2009 continued on its record pace towards shattering the $10 billion mark for the first time ever.
This weekend audiences across North America cheered on Sandra Bullock as she defeated all her opponents to clinch the number one spot at the box office with her runaway hit drama The Blind Side which spent the last two weeks in second place. Flip flopping positions, The Twilight Saga: New Moon finished in the runnerup spot while new releases were met with moderate to dismal results. It was typical for the frame as the weekend after the Thanksgiving holiday session always sees huge declines and unimpressive openings from new titles. But overall, the marketplace remained strong with sales up double digits over last year and 2007.
Crowd favorite Sandra Bullock scored her second number one of the year with The Blind Side which climbed from second to first place with an estimated $20.4M for a relatively light 49% decline.
Audiences feasted on leftovers and drove the North American box office to a new record for the busy Thanksgiving holiday frame. Moviegoers were almost evenly split been vampire love and football heroics as The Twilight Saga: New Moon remained at number one while Sandra Bullock's The Blind Side held steady in second place with just $2.4M separating the two. That was a far cry from the $108.7M gap between the pair last weekend when they both opened as Twilight tumbled and Blind Side rose this weekend. The disaster film 2012 placed third as no new release managed to make it into the top three. The Top 20 over Thanksgiving weekend has consistently delivered $150-160M over the last six years but this time it soared to $181M, a new industry high.
Multiplex cash registers were overflowing as the hotly-anticipated vampire sequel The Twilight Saga: New Moon opened to gargantuan numbers generating the third largest opening in box office history and led the overall marketplace to the second biggest weekend tally of all-time. Debuting far back in second, but also surging past industry expectations, was Sandra Bullock's new football pic The Blind Side which got off to a fantastic start. The two new female-driven films attracted over $175M in combined ticket sales leading the top ten to soar to a jaw-dropping $245M.
This weekend Audiences were warned - by Mayans and film critics alike - but moviegoers around the world still flooded the multiplexes to see Roland Emmerich's latest disaster epic 2012 which generated an explosive global debut. Last weekend's top film A Christmas Carol held up well in its second weekend taking the runner-up spot while the awards hopeful Precious expanded moderately but raced all the way up to number four despite playing in fewer than 200 theaters. Overall ticket sales were slightly behind last year's levels, but well ahead of 2007. Blasting past expectations, Sony scored its best opening of 2009 with 2012 which grossed an estimated $65M this weekend from North America alone.
This weekend Moviegoers powered Jim Carrey's holiday kidpic A Christmas Carol to a number one opening but some fans remained stingy preventing the Disney 3D toon from meeting industry expectations. On the complete other side of the movie spectrum, the inner city drama Precious debuted to spectacular results enjoying one of the most impressive limited release debuts ever. Three other new wide releases were sprinkled across the top ten with mixed results as the overall marketplace fell behind year-ago levels.
The 3D yuletide pic A Christmas Carol bowed on top this weekend grossing an estimated $31M from 3,683 locations and performed better than previous motion capture pics from director Robert Zemeckis, but worse than most animated films that kick off the holiday movie season in early November.
Four months after his death, Michael Jackson was the king of the box office as his concert documentary This Is It thrilled fans opening at number one. But with no other new films opening in wide release, and with Halloween dampening ticket sales on Saturday, the Top 20 slumped to its lowest point of 2009 with just $83M.
Sony scored its seventh top spot debut of the year with This Is It, a look at preparations the music superstar was making for his sold-out London concerts, which grossed an estimated $21.3M over the weekend and $32.5M over five days since its Wednesday launch. Worldwide, the Kenny Ortega-directed pic grossed an estimated $101M with 68% of the total coming from overseas markets where Jackson's popularity has remained stronger over the years despite his many legal troubles. Domestically, This Is It averaged a solid $6,119 from 3,481 theaters over the Friday-to-Sunday span.
The studio has reported that the Jackson pic has broken the all-time record for top-grossing concert film worldwide beating the $71.3M of last year's Hannah Montana/Miley Cyrus 3D concert flick. But that's not much of an achievement since very few concert films get wide releases in the first place and even fewer are given massive global launches like This Is It which unspooled on over 15,000 screens worldwide simultaneously. Montana bowed in North America on a Friday in just 683 3D locations (albeit with higher $15 tickets) and grossed $31.1M for a scorching $45,561 average on its way to a $65.3M domestic final representing a whopping 92% of its final global take. Its international release was much more limited.