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In a battle of dueling heroes, the man in the suit of iron defeated the English archer as Iron Man 2 held on in its second frame to take down Russell Crowe's Robin Hood, although Robin Hood did open at #1 internationally this weekend. Falling 58.6% from its blockbuster opening, Paramount's Iron Man 2 collected an estimated $53M this weekend, bringing its cume to $212.1M. The second weekend was only $2M ahead of the original Iron Man which fell 48% from its opening weekend to $51.2M. Sequels are generally front-loaded so this second weekend fall was expected. With strong mid-week grosses, the weekend drops should start to level out over the next few weeks. After its first two weeks, Iron Man had grossed $177.8M on its way to a final total of $318.4M. If Iron Man 2 plays out in the same manner, it could end up with a final gross in the $350M range, which, while spectacular, would still be on the low end of pre-summer expectations.
The summer movie season kicked off with the thunderous opening of the eagerly awaited super hero sequel Iron Man 2 which hauled in an estimated $133.6M over the Friday-to-Sunday period making for the fifth biggest debut of all-time. Paramount released the Marvel production in a mammoth 4,380 theaters including 181 venues with IMAX screens making it the widest bow in history edging out the 4,366-theater release of The Dark Knight in July 2008. The new Tony Stark film averaged a scorching $30,502 per site.
Proving once again that he's not dead, Freddy Krueger returned to the top of the North American box office chart with his ninth cinematic outing in the remake of A Nightmare on Elm Street which drew a solid opening. But the overall marketplace was still in a late-spring funk with the Top 20 failing to reach $100M for the second consecutive frame. But the rebound is just a week away as this summer's kick-off picture Iron Man 2 made a loud entrance overseas grossing over $100M this weekend from international territories ahead of its domestic launch on Thursday night.
This weekend, with Hollywood dumping its weakest films into theaters, moviegoers understandably stayed away from the multiplexes as the North American box office slumped to its lowest level of the year. New releases The Back-up Plan and The Losers generated unimpressive results allowing the five-week old 3D cartoon How to Train Your Dragon to reclaim the number one spot thanks to its continued durability. For the first time all year the top ten films failed to gross at least $90M. Click through to read the full box office report!
This weekend, it was another close race at the North American box office which saw the four-week old 3D toon How To Train Your Dragon edge out the new super hero saga Kick-Ass for the number one spot thanks to its incredible staying power. The frame's other new release, the comedy remake Death at a Funeral, performed well with a solid debut in fourth place. Sophomore comedy hit Date Night posted strong legs in third place while most holdovers did well overall.
Snatching the box office crown for the second time in its four-week run, the DreamWorks smash How To Train Your Dragon dipped only 20% to an estimated $20M propelling its cume to a stellar $158.6M after only 24 days of release. Audiences are loving Paramount's PG-rated animated film and recommending it to friends making it a leggy blockbuster that could reach $225M or more from North America alone. 3D films have led the box office for seven consecutive weeks now and have ruled over 14 of the last 18 weekends.
This weekend, in a virtual dead heat for first place, Fox's new comedy "Date Night" opened with about as much in ticket sales as the second session of the Warner Bros. 3D epic "Clash of the Titans." Sunday estimates from the studios had the films separated by only $225,000 which is not enough to claim a decisive victory, but both films certainly pulled in solid amounts powering the overall marketplace to another very strong spring frame. Final grosses to be reported on Monday, after Sunday sales are counted, will determine the official rankings.
This weekend, proving it could attract big bucks from a 2D action film converted to 3D, Warner Bros. conquered the global box office with its epic remake Clash of the Titans which pulled in over $100M this weekend from theaters across the world powered by higher-priced tickets for the upgraded format. Audiences in North America had plenty of extra dollars to spare as Tyler Perry's latest hit Why Did I Get Married Too? and the new Miley Cyrus drama The Last Song both connected with their respective fan bases enjoying solid openings. Add in a strong second frame for the 3D toon How To Train Your Dragon and the box office shattered records to become the largest Easter weekend in history as well as the biggest frame ever in the month of April.
The Red Queen ruled once again as Disney's Alice in Wonderland remained at number one for the third consecutive frame beating out another pack of new releases. Fox's tween comedy Diary of a Wimpy Kid beat expectations to open in second place while Sony's Jennifer Aniston-Gerard Butler vehicle The Bounty Hunter enjoyed a solid debut of its own close behind in third. But Universal's new action entry Repo Men flopped in fourth with a miserable showing. The overall box office was up over 2009 for the fourth straight weekend.
This weekend, moviegoers showed no interest in leaving Johnny Depp's table as the 3D adventure Alice in Wonderland remained at number one at theaters across North America grossing more in its second weekend than all four new releases combined. The Tim Burton-directed pic captured an estimated $62M dropping only 47% in its sophomore frame -- a terrific hold for a film coming off of such a colossal opening. After ten days, Disney has hauled in a stunning $208.6M and looks headed for at least $325M with a good chance of topping $350M from the domestic market alone. 3D surcharges have helped but regardless, moviegoers have proven that they will pay extra to see this particular film. 70% of the business to date, or $146M, has come from the 3D screens.
This weekend audiences could not resist the latest offering from director Tim Burton and actor Johnny Depp as the 3D extravaganza Alice in Wonderland exploded on the scene with a record-shattering opening weekend leaving its nearest competitor more than $100M behind. The big-budget Disney film debuted to a gargantuan $116.3M over the Friday-to-Sunday span, according to estimates, smashing box office records left and right. It was the biggest March opening ever soaring past the $70.9M of 300 from 2007 and the best debut for a 3D film beating the $77M of Avatar from last December.
Martin Scorsese and Leonardo DiCaprio scored the biggest openings of their careers with the psychological thriller "Shutter Island," the fourth teaming between the two men, which easily led the North American box office. With no other films debuting in wide release, the rest of the top ten was filled with holdovers, most of which dropped by more than 50% from last weekend's record holiday session. The top ten films beat out year-ago levels, however the Top 20 fell behind last year's performance due to the current marketplace's lack of depth.
Proving how starpower can trump reviews at the box office, the romantic comedy Valentine's Day led a wave of three debuting hit films that breathed new life into the marketplace over a record Presidents' Day holiday weekend. Taking home the silver and bronze medals respectively were the fantasy pic Percy Jackson & The Olympians: The Lightning Thief and the monster flick The Wolfman which finished the three-day race just $473,000 apart. Powered by these three big hits, the Top 20 surged to $190M, a new all-time high for this holiday. Moviegoers looking for love lifted the star-studded ensemble comedy Valentine's Day to number one with an astonishing estimate of $52.4M resulting in the third largest opening ever in the month of February. Warner Bros. launched the PG-13 film ultrawide in 3,665 theaters and averaged a sensational $14,300. Very few live-action comedies have ever debuted north of $50M making Day's performance remarkable. Those that have included star vehicles (Bruce Almighty's $68M), sequels (Austin Powers in Goldmember's $76.6M) and franchise pics (Sex and the City's $56.8M).
This weekend in a surprise upset victory, the new romance saga Dear John booted seven-time champ Avatar from the number one spot at the North American box office powered by young women chasing after Hollywood hunk Channing Tatum. John Travolta (the Tatum of the late 1970s) saw his new action thriller From Paris With Love bomb settling for third place. Overall ticket sales slipped from last weekend thanks in part to the Super Bowl distracting millions of Americans.
James Cameron's latest juggernaut "Avatar" became the first film since the director's own "Titanic" to rule the number one spot for six straight weekends as it once again steamrolled over the competition topping the charts by a wide margin. Three new films without 3D trips into outer space opened to mixed results with the thriller "Legion" leading the way in second place with a solid showing. The family comedy "The Tooth Fairy" saw mild business in fourth while moviegoers ignored the drama "Extraordinary Measures" which landed in seventh. Films with major Golden Globe wins all witnessed small declines.
For a fifth straight weekend James Cameron's Avatar controlled the box office setting another milestone as it moved past Star Wars into third place on the all-time domestic box office chart. Watch out Dark Knight, you're next. The unstoppable force that is Avatar dropped a slim 18% from last weekend and brought in another $41.3, according to estimates, bringing its total to an other-worldly $491.7M. Internationally, the film has now made $1.1B, which is just a hop, skip and a jump from Titanic's current record of $1.2B. Combined, the 3D sci-fi adventure flick has made an astounding $1.6B worldwide in only five weeks and the only question now is when it'll beat Titanic, not if.
This weekend, successfully defending his land from intruders like the Na'vi, James Cameron had no problem staying put at number one at the North American box office for a fourth consecutive weekend with his futuristic megablockbuster Avatar, which grossed more than all three new releases combined. The silver and bronze once again went to Sherlock Holmes and Alvin and the Chipmunks: The Squeakquel while the vampire pic The Daybreakers led the new films with a decent fourth place debut. Avatar, meanwhile, showed enough strength around the world that it has now put Titanic's all-time records in jeopardy. Read on for full Box Office details.
Over the first weekend of 2010, moviegoers still had their minds on the year 2154 as James Cameron's futuristic 3D adventure Avatar easily remained number one for a third consecutive frame breaking records and smashing the $1 billion global box office milestone in the process. With no new releases, the top ten was filled with the same movies as some dropped harder than others while a small handful enjoyed sales boosts thanks to Friday being a holiday for New Year's Day. The Top 20 grossed a scorching $220M kicking off the new decade on the right note.
Capping off a record year that broke the $10 billion mark for the first time, audiences flooded the multiplexes over the Christmas holiday frame generating the largest weekend box office ever seen. Reigning champ Avatar led the way for a second consecutive time, but popular new releases Sherlock Holmes, Alvin and the Chipmunks: The Squeakquel, and It's Complicated
This weekend, a dozen years after scoring the biggest blockbuster of all-time, James Cameron returned to his comfortable spot at number one with his most expensive film to date, the sci-fi epic Avatar, which grossed more than every other film in the marketplace combined. On the other hand, Hugh Grant and Sarah Jessica Parker failed to charm audiences with their new date movie Did You Hear About the Morgans? which limped into fourth place with a weak opening. A massive blizzard rocked the east coast dumping up to two feet of snow in some areas causing movie theaters to see drastic cuts in attendance. Studios will now fight hard to capture lost business in the days ahead as most holdovers witnessed hefty declines.
Fairy tales came true as mothers and daughters powered the animated film The Princess and the Frog to the number one spot in its first weekend of nationwide release. But the frame's only other wide opener, Clint Eastwood's Nelson Mandela drama Invictus, suffered a soft debut in third place. Overall, the North American box office remained ahead of the same frame from a year ago as 2009 continued on its record pace towards shattering the $10 billion mark for the first time ever.