The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
THIS WEEKEND Masked killer Jason Voorhees was elected commander-in-chief of the box office over Presidents' Day weekend which posted a new record for the holiday frame thanks to eight different films grossing double digit millions over four days led by the horror remake Friday the 13th which hacked up a sensational debut. The new comedy Confessions of a Shopaholic enjoyed an impressive bow as well while the banking thriller The International unfortunately saw a somewhat lukewarm launch. Most holdovers remained very strong as Valentine's Day, which fell on the prime moviegoing day of Saturday, gave a big boost to multiplex traffic.
The new romantic comedy He's Just Not That Into You featuring an all-star cast including Jennifer Aniston and Ben Affleck was the top choice with North American moviegoers. Last weekend's top entry, the kidnapping thriller Taken, showed incredible strength in its second frame taking second place thanks to a very low decline. The new 3D animated pic Coraline debuted with strength in third while The Pink Panther 2 followed in fourth with an uneventful bow. The actioner Push earned respectable numbers in its launch putting it in the number six slot. Overall, the box office was once again on fire as the Top 20 films grossed nearly $146M surging an amazing 41% above year-ago levels.
From Pittsburgh to Arizona and everywhere in between, moviegoers were in the mood for revenge as the Liam Neeson action thriller Taken shot past expectations debuting at number one over Super Bowl weekend. The frame's other new releases, the horror entry The Uninvited and the comedy New in Town, debuted to more moderate numbers while the top holdover pics posted solid holds. Overall, the North American box office was a virtual match with year-ago numbers capping off an impressive January at the multiplexes.
THIS WEEKEND Sony became the first studio in over a year to seize control of the top two spots at the box office as its Kevin James comedy Paul Blart: Mall Cop remained at number one for a second straight week while its new werewolf thriller Underworld: Rise of the Lycans opened close behind in second place with a solid showing. Movies nabbing Oscar nominations saw their grosses jump, some more dramatically than others, with a handful using the opportunity to expand their runs nationwide. The overall North American box office remained robust and beat year-ago numbers for the fifth consecutive weekend.
This weekend the North American box office was on fire once again as four new releases all scored muscular debuts helping to drive the marketplace to the biggest January weekend in history as ticket buyers flooded the multiplexes over a record-shattering Dr. Martin Luther King Jr. holiday frame. The Kevin James comedy Paul Blart: Mall Cop surged ahead of expectations to easily win the session while the R-rated films My Bloody Valentine 3D and Notorious also generated stellar numbers. Kidpic Hotel for Dogs debuted to some nice figures as well joining its fellow newcomers in the top five. All four new films opened to more than $20M each over the extended four-day Friday-to-Monday period.
Clint Eastwood scored the biggest wide opening of his career with his latest effort Gran Torino which raced past the competition in its first weekend of national play to swipe the number one spot. However, the frame's other new films all performed well too as the North American box office remained red hot. The wedding comedy Bride Wars debuted impressively in the bridesmaid slot while the horror flick The Unborn was close behind with a third place bow. Even the more narrow opening of the marital drama Not Easily Broken generated a sensational average. Studios released their first batch of new films since Christmas Day and audiences responded by filling up multiplexes powering the Top 20 films 15% ahead of last year.to $143M.
Moviegoers caught up on those holiday films they didn't see over Christmas weekend as the top seven films finished in the exact same slots as last weekend with the dog drama Marley & Me leading the pack once again and smashing through the $100M mark too. Most holdovers in the top ten saw drops of 20-35% as Friday's semi-holiday gave ticket buyers some extra time off. Plus with no new films entering wide release attention remained on the assortment of star-driven films already in the multiplexes.
This weekend people were in the mood for movies over Christmas weekend as multiplexes were jam-packed with customers that powered four different new releases to more than $30M in ticket sales each over the long Thursday-to-Sunday holiday session. The Owen Wilson-Jennifer Aniston dog drama Marley & Me led the way with a huge debut that exceeded expectations.
THIS WEEKEND Moviegoers gave a clear yes to Jim Carrey and a definite maybe to Will Smith as the A-list Hollywood stars took the top two spots at the North American box office with their newest films. Carrey's comedy Yes Man finished first, Smith's odd drama Seven Pounds locked up the runnerup spot, while another new release - the animated mouse adventure The Tale of Despereaux - debuted in third place. Ticket sales were hurt by huge snowstorms and sub-freezing temperatures across much of the northeast. Add in the frenzy of the final shopping weekend before Christmas and it was clear that going to the movies was not a top priority this weekend with the top ten crashing by nearly 50% versus a year ago.
Fearing extinction, humans across North America lined up to see the new sci-fi thriller The Day the Earth Stood Still which debuted at number one more than doubling the gross of its nearest competitor.
This weekend the vampire love story Twilight stunned the film industry with an explosive opening leading the overall marketplace to one of the biggest November weekends in box office history. Disney went the other way with its new animated entry Bolt which debuted below expectations in third place. Along with some strong holdovers, the box office posted its best performance in four months.
This weekend Sony and MGM shattered the record for the biggest James Bond opening in franchise history with their latest installment Quantum of Solace which audiences powered to a massive top spot debut.
Despite being clobbered by Halloween on Friday, Disney's smash hit kidpic High School Musical 3 once again led the North American box office in its second weekend winning the frame by a comfortable margin. The squeaky clean teens were followed by a trio of R-rated films that fought fiercely over the runnerup spot.
Recession be damned! Movie fans went on a spending spree at North American multiplexes as a pair of new sequels pumped over $72M into cash registers driving the overall marketplace to the biggest October weekend in box office history.
With the elections just a few weeks away, W. seemed ready to rule the box office this weekend, but it was Fox's weekend to break out of its slump, with two of its openers finding their way into the top 5, including Max Payne to lead them all.
In one of the bigger upsets in recent box office history, the canine adventure Beverly Hills Chihuahua remained at number one with the highly touted and highly pedigreed Body of Lies landing with a thud in third.
This weekend a jam-packed slate of eight new films opening or expanding nationwide flooded the multiplexes but it was a pampered little dog that ticket buyers wanted turning Disney's family comedy Beverly Hills Chihuahua into the box office king.
Looking down upon the rest of the box office, Eagle Eye soared to the top of the charts this weekend with one of the largest September openings in history. But the real surprise on the charts was in the number four position. Overall, the top ten sailed above last year's levels.