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2/5 |
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A Scanner Darkly (2006) |
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"More time should have been spent on the script and less on the effects.
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Harry Guerin | |
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A.I. Artificial Intelligence (2001) |
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"Spielberg's insistence on labouring the Pinocchio resonance becomes extremely jarring, and nostalgia for the wide-eyed charm of his 1982 masterpiece 'E.T.' strengthens as the film staggers to its over-wrought climax." | |
Tom Grealis | |
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4/5 |
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About a Boy (2002) |
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"It's well-timed, it'll never bore you and the film's close is comic humiliation par excellence." | |
Harry Guerin | |
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3/5 |
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About Adam (2001) |
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"It's smart, it knows its audience can join dots and it actually makes you think about - and not just laugh at - the messes that people get themselves in over four letters." | |
Harry Guerin | |
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3/5 |
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About Schmidt (2002) |
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"Ultimately, it’s in scenes where Schmidt’s grief and emotional shock are evinced that Jack shows he’s worthy of the plaudits which so freely come his way." | |
Tom Grealis | |
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3/5 |
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Accelerator (2000) |
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"Finding a place for social insight within the run-don't walk confines of an action film is no mean feat." | |
Harry Guerin | |
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1/5 |
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Adam Sandler's Eight Crazy Nights (2002) |
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"Don't let your festive spirit go this far." | |
Harry Guerin | |
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2/5 |
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Adaptation (2002) |
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"You may never see its like again - but maybe you won't want to." | |
Harry Guerin | |
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1/5 |
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The Adventures of Rocky and Bullwinkle (2000) |
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"There's just not enough depth of thought to sustain it onscreen for 90 minutes." | |
Harry Guerin | |
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2/5 |
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After the Hole (2001) |
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"An adolescent adventure that goes disastrously wrong for the protagonists – and, quite frequently, the audience." | |
Harry Guerin | |
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2/5 |
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After the Hole (2001) |
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"An adolescent adventure that goes disastrously wrong for the protagonists – and, quite frequently, the audience." | |
Harry Guerin | |
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2/5 |
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Agent Cody Banks (2003) |
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"This may be a case of mission unaccomplished, but the future looks brighter for Cody Banks than it does for Austin Powers." | |
Harry Guerin | |
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1/5 |
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Agent Cody Banks 2: Destination London (2004) |
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"The racial stereotypes trotted out here suggest the scriptwriters reckon Europe and the world is some kind of long-haul Middle Earth for US audiences." | |
Harry Guerin | |
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3/5 |
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Aimee & Jaguar (2000) |
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"Theatre director Max Färberböck could hardly have picked a more intense and heartbreaking story for his cinema debut." | |
Harry Guerin | |
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3/5 |
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Akeelah and the Bee (2006) |
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"While there's a temptation to dismiss Akeelah and the Bee as Good Will Spelling, there aren't enough (good) heartwarming films like this for either younger or older audiences." | |
Harry Guerin | |
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3/5 |
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Ali (2001) |
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"Mann has emerged with only a few cuts and bruises, while Smith, to paraphrase his character, hasn't a mark." | |
Harry Guerin | |
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3/5 |
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Ali G Indahouse: The Movie (2002) |
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"Ali's graduation from little screen to big is far less painful than his opening scene encounter with an over-amorous terrier." | |
Harry Guerin | |
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4/5 |
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Alias Betty (2002) |
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"An ingenious and often harrowing look at damaged people and how families can offer either despair or consolation." | |
Harry Guerin | |
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4/5 |
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Alien: The Director's Cut (2003) |
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"Nearly a quarter of a century down the line, a great film has been made greater." | |
Harry Guerin | |
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All the Pretty Horses (2000) |
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"Despite a script which remains faithful to the sparse language of the novel, and some breathtaking cinematography, the whole production feels too lethargic." | |
Tom Grealis | |
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4/5 |
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Almost Famous (2000) |
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"For anyone who ever looked at a record sleeve and dreamed, it's a one-way ticket to Shangri-La." | |
Harry Guerin | |
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Along Came a Spider (2001) |
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"Enjoyment, or even tolerance, of 'Along Came A Spider' hangs upon a couple of plot twists, which even by Hollywood standards are pretty far-fetched." | |
Tom Grealis | |
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Amelie (2001) |
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"Tautou's inherent charm, garnished with a gaze of innocent sexuality, lends the character of Amélie the perfect recipe for audiences to take her to their collective hearts." | |
Tom Grealis | |
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4/5 |
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Amen (2003) |
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"A fascinating study of good, evil and the inaction dividing them." | |
Harry Guerin | |
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-- |
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America's Sweethearts (2001) |
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"Slight, but at least fitfully funny." | |
Tom Grealis | |
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1/5 |
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An American Haunting (2006) |
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"The star of Don't Look Now and the star of Carrie appearing in a film as weak as this - now that's scary." | |
Harry Guerin | |
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2/5 |
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American Pie 2 (2001) |
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"Fans of the first one will come away tasting soggy reheat, not this year's new improved recipe." | |
Harry Guerin | |
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4/5 |
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American Wedding (2003) |
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"One of those very rare weddings where no-one goes home complaining." | |
Harry Guerin | |
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2/5 |
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The Amityville Horror (2005) |
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"Unlike many of its multiplex peers, it does offer up a few decent scares, even if diehards will have seen them all before." | |
Harry Guerin | |
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1/5 |
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Analyze That (2002) |
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"Forget about it." | |
Harry Guerin | |
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1/5 |
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Anger Management (2003) |
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"The amount of laughs [here] is about the same as the number of Oscars Nicholson has. Maybe one less." | |
Tom Grealis | |
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2/5 |
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The Animal (2001) |
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"No classic but far less offensive than the witless dross like See Spot Run that kids have endured on their time off." | |
Harry Guerin | |
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3/5 |
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Animal Factory (2000) |
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"What it does lack is a performance by Furlong that's the equal of Dafoe's." | |
Harry Guerin | |
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3/5 |
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Antitrust (2001) |
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"It won't win any Oscars but it might make 14-year-olds wonder whether it's really worth spending life in front of a screen." | |
Harry Guerin | |
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3/5 |
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The Assassination of Richard Nixon (2004) |
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"By the close you're convinced that there should have been more to the film than what ended up onscreen." | |
Harry Guerin | |
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2/5 |
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At Five in the Afternoon (2003) |
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"An already powerful story could've had more impact had the characters been developed further.
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Harry Guerin | |
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Audition (2001) |
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"The grisly finale will undoubtedly linger in the memory but in the end, it just comes off as a case of too much, too late." | |
Tom Grealis | |
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2/5 |
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Austin Powers in Goldmember (2002) |
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"If this series has any more life left in it, Myers and Roach have to do a major rethink." | |
Harry Guerin | |
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