|
98%
|
Forbidden Planet (1956)
|
|
Gary Panton
|
|
80%
|
Tae Guk Gi: The Brotherhood of War (2004)
|
|
Anton Bitel
|
|
85%
|
Batman Begins (2005)
|
"In his best, and darkest, outing to date, the masked avenger's personal 'issues' reflect those of the world in the wake of 9/11."
|
Anton Bitel
|
|
62%
|
Comandante (2003)
|
|
Gary Panton
|
|
25%
|
9 songs (2005)
|
|
Anton Bitel
|
|
95%
|
Time Bandits (1981)
|
|
Gary Panton
|
|
68%
|
The Big Chill (1983)
|
|
Gary Panton
|
|
78%
|
Requiem for a Dream (2000)
|
|
Gary Panton
|
|
87%
|
Millions (2005)
|
|
Gary Panton
|
|
39%
|
The First Wives Club (1996)
|
|
Gary Panton
|
|
88%
|
American Beauty (1999)
|
|
Gary Panton
|
|
77%
|
It's All Gone Pete Tong (2004)
|
|
Anton Bitel
|
|
95%
|
L'année dernière à Marienbad (Last Year at Marienbad) (1961)
|
"Leading the viewer up more than one garden path and forever haunting the corridors of the mind, this perplexing enigma is a labyrinth of chillingly perfect construction."
|
Anton Bitel
|
|
38%
|
The Final Cut (2004)
|
|
Gary Panton
|
|
25%
|
House of Wax (2005)
|
|
Anton Bitel
|
|
16%
|
Monster-in-Law (2005)
|
|
Gary Panton
|
|
83%
|
Sequins (Brodeuses) (A Common Thread) (2005)
|
"A lyrical look at the fabric of maternity."
|
Anton Bitel
|
|
79%
|
Office Space (1999)
|
|
Gary Panton
|
|
73%
|
New York Stories (1989)
|
|
Gary Panton
|
|
89%
|
Scarface (2003)
|
|
Gary Panton
|
|
84%
|
Mysterious Skin (2005)
|
|
Anton Bitel
|
|
95%
|
Rebel Without a Cause (1955)
|
|
Gary Panton
|
|
37%
|
A Good Woman (2006)
|
|
Anton Bitel
|
|
86%
|
Ong-Bak (Ong Bak: Muay Thai Warrior) (2005)
|
|
Anton Bitel
|
|
50%
|
Dead Birds (2004)
|
"In this prequel to all American haunted house movies, the past is just like the future."
|
Anton Bitel
|
|
57%
|
Road Trip (2000)
|
|
Gary Panton
|
|
31%
|
UNDEAD (2005)
|
|
Anton Bitel
|
|
78%
|
The Saddest Music in the World (2004)
|
|
Anton Bitel
|
|
80%
|
Star Wars: Episode III - Revenge of the Sith 3D (2013)
|
"Everything that has a beginning has a middle - and while this centerpiece to the Star Wars saga may indeed be middling, it still beats Return of the Jedi anyday."
|
Anton Bitel
|
|
——
|
Spivs (2004)
|
|
Gary Panton
|
|
——
|
This Is Not a Love Song (2002)
|
|
Anton Bitel
|
|
——
|
Control (2005)
|
|
Gary Panton
|
|
16%
|
Cursed (2005)
|
"a confusing mess, occasionally funny, but with hardly enough bite to get you howling"
|
Anton Bitel
|
|
——
|
Zan xian sheng yu zhao qian hua (Warriors Two) (1978)
|
|
Anton Bitel
|
|
23%
|
The Amityville Horror (2005)
|
"Punchy, frightening, and far slicker than the original - but for all the refurbishment, something's still not quite right with this haunted house."
|
Anton Bitel
|
|
——
|
Out of Reach (2004)
|
|
Gary Panton
|
|
91%
|
The Breakfast Club (1985)
|
|
Gary Panton
|
|
39%
|
Kingdom of Heaven (2005)
|
|
Anton Bitel
|
|
89%
|
Brothers (Brødre) (2004)
|
"This Danish drama of guilt, displacement and brotherly love is all the better for its understatement."
|
Anton Bitel
|
|
75%
|
The Upside of Anger (2005)
|
|
Gary Panton
|
|
25%
|
Mindhunters (2005)
|
|
Gary Panton
|
|
43%
|
Palindromes (2004)
|
|
Anton Bitel
|
|
61%
|
Independence Day (1996)
|
|
Gary Panton
|
|
78%
|
Sin City (2005)
|
|
Gary Panton
|
|
89%
|
What's Eating Gilbert Grape (1993)
|
|
Gary Panton
|
|
67%
|
Good Morning, Night (Buongiorno, Notte) (2005)
|
"condenses a national tragedy into an intense domestic drama, and uses the image of a household in disarray to suggest the widening cracks of a country at odds with itself. "
|
Anton Bitel
|
|
95%
|
End of the Century - The Story of the Ramones (2004)
|
|
Gary Panton
|
|
90%
|
Postcards from the Edge (1990)
|
|
Gary Panton
|
|
84%
|
The English Patient (1996)
|
|
Gary Panton
|
|
60%
|
The Hitchhiker's Guide to the Galaxy (2005)
|
|
Anton Bitel
|