Jurassic World (2015)
"Commentary on how audiences always want "bigger" over "better" is not enough. It's window dressing. You still have little kids in danger of being eaten by dinosaurs run amok and a guy who thinks he's the Dinosaur Whisperer. "
Love & Mercy (2015)
Le Silence de la Mer (1949)
"Although the movie's narrative and acting style are typical of older films, "Le Silence de la Mer" has a modern sensibility and feel, embracing subtlety and ambiguity in a way that was idiosyncratic at the time. "
"When Bird's movie clicks, it's easy to believe that human intelligence and ingenuity can overcome impending global disaster. That's why he should have given his audience more credit and not spelled everything out for them. "
Avengers: Age of Ultron (2015)
"Like Greek gods before them, superheroes are our modern myths, so why shouldn't they examine issues of the classic texts in our time? The end credit sequence actually gives this idea a visual corollary, as it shows a giant Hellenistic statue. "
White God (2015)
Wild Tales (2015)
"I hope that Quentin Tarantino, whose obsession with revenge pictures has started to reveal kinks in his armor, has seen "Wild Tales." While it embraces elements of the spaghetti western as Tarantino's films do, it also finds new ways to explore them. "
The Wrecking Crew (2015)
Ex Machina (2015)
"Garland's film sexualizes Ava to an embarrassing degree, which also is its entire point. His aim is to have his cake and eat it too, with images of female nudity literally created for the male gaze, subverted, and mined for maximum uncomfortability. "
"Shainberg sets up a restless quality in both characters, and he takes them very seriously but it still comes as a bit of shock to see what is normally considered to be sexist behavior finally and ultimately embraced. "
Furious 7 (2015)
"The actors are completely secondary. The hoops they jump through to get to the next action scene are just that. The expositional dialogue [starts] only after the action scene has, because they know we don't care why they're there: We're already with them. "
It Follows (2015)
"The only control the teenagers have in the situation is to pass on the curse - and increase their sexual guilt tenfold. It's a brilliantly clean metaphor, not just for sexual nervousness, but also the transience of youth. "
What We Do In The Shadows (2015)
Gone Doggy Gone (2015)
"A funny, low-budget indie that's at its best when it diverts from what is purported to be the main plot. It proves that Brown and Walter are talented comedic writers who aren't afraid to get more than a little absurd for a laugh. "
"On one level, it is an engrossing character study about changing power dynamics in relationships. On another, it's simply a marvel of fluid, focused filmmaking - where everything in the frame is loaded with meaning. "
The Palm Beach Story (1942)
"It's about as breezy, carefree, and anarchic as romantic comedies get. Full of absurd comedic digressions and bookends that still don't quite make sense, this eccentric road trip comedy would likely never get made in today's Hollywood climate. "
American Sniper (2015)
" Too often in "Sniper," Eastwood kowtows to our basic need to have clear-cut good guys and bad guys. And when Kyle makes the impossible shot, it feels (in the limited context of the film) like we've actually won something. We haven't. "
"Miller has a keen eye for examining the intersection of class, money and ambition. The screenplay compresses the timeline, moves key scenes around, and favors character over action, but it absolutely stays focused on these difficult larger themes. "
Inherent Vice (2015)
"Anderson is too enamored with his terrific ensemble cast. Perhaps 2 hours 20 minutes were needed for the plot to make any kind of sense, but there still feels like a lot of dead weight, and he is unable to infuse it with the energy of his other films. "
The Interview (2014)
Top Five (2014)
"The sad irony is that - given the enormous familiarity with Jackson's cinematic Middle-earth and the almost identical structure and conflict of both trilogies - the sixth and final film is a slog of an exercise; one of stubborn inevitability. "
Death Metal Angola (2014)
"... more than a treatise on the origins of this bombastic musical style. It's a story of hope. There's no reinvention of the form here, just a solid documentary on a subject you had probably never thought existed. "
"Despite some awkward pacing, easy sentimentality, and pandering it's still hard to resist. It's not just Nolan's ambition that should be admired. He actually pulls off scene after scene of unforgettable drama in colossal scale, both in space and on Earth. "
Love Is Strange (2014)
"It has plenty of conflict, but is virtually free from the demands of traditional plot-heavy films. It carries the ring of truth at least partially because its subtext is everything, and its scenes are rarely about what they're really about. "
My Old Lady (2014)
"... it's the strange quality of non-actor Martin LaSalle that sets the film apart. Is he as dead inside as he appears to the outside world? His criminal existence alienates him from the people he cares about even as he continues to pursue it. "
Y Tu Mama Tambien (2001)
I Origins (2014)
"When it shifts away from the relationship, it really starts to feel forced. You can feel Cahill's hand leading you down the path toward another "discovery," and you can only hope the end will justify the means. Put simply, it doesn't. "
The Trip To Italy (2014)
"Better than the first perhaps because the cultural references are tied more organically to the emotional state of their characters. Or perhaps it's because "The Trip to Italy" is just funnier, tighter, and more focused. "
Vengeance Is Mine (1979)
"The title sounds more like a violent soap opera than a serious challenge to contemporary culture, but that's exactly what it is. Imamura injects an air of inevitability into Enokizu's spree, and projects his own commentary into the situation. "
Hangmen Also Die (1943)
"An effective cat-and-mouse thriller and a paean to resistance, designed to give strength to those under Nazi rule. For a propaganda movie, it's surprisingly dark and not afraid to show the human cost of resistance. "
The One I Love (2014)
"Maybe if it would have embraced the dark side of parenting, and really let Mac and Kelly go off the deep end like most parents sometimes wish they could, it would have been a more striking movie - and one with something to say. "
Tim's Vermeer (2014)
" The crossroads between technology and art has always been troublesome. Without either, we might not have some of the art world's greatest treasures. Certainly without digital video, we wouldn't have this wonderfully entertaining movie either. "
Inside Llewyn Davis (2013)
"It steers away from any kind of sentimentality, so any time serious discussion of success or failure - either commercially or artistically - come up, they are torpedoed like some kind of sick joke. That itself carries a special kind of poignancy. "
Lone Survivor (2014)
"There's not much time between fighting for the audience to contemplate the tricky ethical questions that surround the mission, so the film becomes a tale of courage, professionalism and persistence. "
"Park subverts standard framing rules when characters are speaking to one another, employs sweeping camera movement from weird angles, and stops key scenes just at their climax, only to return to them later for a fuller picture. "
Evil Dead (2013)
On the Road (2012)
"At just over two hours, its challenging to stay invested in the movie and its choppy, rambling storyline. As a filmic experience, however, it serves as an interesting companion piece to the similarly challenging 'The Master.' "
"The film is mostly surface-value kicks, relaying the basic parts of the story (poor guy battling drug and alcohol addiction suddenly makes it big) without being particularly probing or revealing too many shades of gray. "
Oz the Great and Powerful (2013)
"It has the wow factor that big, Hollywood event movies demand. Raimi was the right person to elevate some pretty standard material, though Franco and Kunis may not have been the right people for the job. "
A Late Quartet (2012)